Black Book 2006 123movies

Watch: Zwartboek 2006 123movies, Full Movie Online – Israel 1956. Rachel, a Jew, rather unexpectedly meets an old friend at the kibbutz where she is working as a teacher. It brings back memories of her experiences in The Netherlands during the war, memories of betrayal. September 1944. Rachel is in trouble when her hiding place is bombed by allied troops. She gets in contact with a man from the resistance and joins a group of Jews who are to be smuggled across the Biesbosch by boat to the freed South Netherlands. Germans from a patrol boat murder them all however. Only Rachel is able to escape. She is rescued by a resistance group under the leadership of Gerben Kuipers. When Kuipers’ son is captured after trying to smuggle weapons, he asks Rachel to seduce SS-hauptsturmführer Ludwig Müntze. Soon she will find out the attack in the Biesbosch wasn’t a coincidence..
Plot: In the Nazi-occupied Netherlands during World War II, a Jewish singer infiltrates the regional Gestapo headquarters for the Dutch resistance.
Smart Tags: #gestapo #female_pubic_hair #seduction #dutch_resistance #hiding_in_a_coffin #dutch_flag #trapped_in_a_coffin #nazi_occupied_netherlands #dying_pubic_hair #jew #netherlands #jewish #holland #traitor #breasts #scantily_clad_female #undressing #sex_scene #vomiting #sexual_favor #german_army

Find Alternative – Zwartboek 2006, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	7.7/10 Votes: 77,282
	76% | RottenTomatoes
	71/100 | MetaCritic
	N/A Votes: 953 Popularity: 18.703 | TMDB

Reviews:

A fresh look about WWII
I must admit that I don’t like to watch dutch movies that much. Most of the time the acting is pretty bad and if they use some kind of cgi in the movies its one from the 1980’s.

This movie really surprised me. Quite good acting from most of the actors. And the general view of the Alliance is good and the Germans are bad isn’t presented. The movie shows both sides, the good the bad (and the ugly) behaviors of the people during the war.

Although he didn’t have a very big budget to make this movie (between 16-20 million dollars) which is nothing for Hollywood matters, he’d made quite a good movie from it.

If you want to watch a movie about WWII that isn’t like most of the movies made about this war, go and watch this one. You wont be bored for the next 2,5 hours.

A Triumph of the “Performance” over the “Act.”
Paul Verhoeven is a strange breed. He’s responsible for three of the most gleefully violent, fascist, and wildly imaginative sci-fi thrillers of a now bygone era (“Robocop,” “Total Recall,” and “Starship Troopers”). He’s also directed the only commercially successful erotic thriller of the past twenty years (“Basic Instinct”) and what is arguably one of the worst films ever made (the highly un-erotic and campy “Showgirls”). With “Black Book” he digs back into his Dutch roots and delivers a thrilling, though flawed, WWII flick anchored by an amazing lead performance from Carice Van Houten.

The first thirty minutes play like a crackerjack version of a “surviving the Holocaust” epic. Imagine what Hitchcock might have done had he ever tackled the genre and you’ll get an idea of just how splendidly Verhoeven starts the film. He begins with the plucky and beguiling Jewish singer Rachel Stein (Carice Van Houten) hiding out in the Netherlands from the Nazis, traversing tragedy after tragedy and escaping by the skin of her teeth due to her own innate will to survive until she becomes embroiled with a terrorist Dutch resistance group plotting against the German occupation. The first third of the film is full of suggestive dark humor, crisply shot action set pieces, and a luminous Van Houten who throws her whole body into her acting and could melt (or kill) a man with her smile.

The middle portion where Rachel Stein becomes Ellis de Vries and infiltrates the Nazi regime is a stark contrast to its excellent build up. All suggestion is thrown out the door for a crass, misogynistic take on the spy genre. It’s fun to watch, but leaves a bad taste in your mouth. It’s also the type of crude sadism that is likely to offend the typical audience for this type of historical drama. Van Houten once again throws her whole body into the role, and it’s often naked and glowing in this portion of the film. She’s immensely watchable as she becomes a pawn in the games of these fascist men hell bent on mutual annihilation. Once driven by her own wits, she now must be rescued time and again by the amoral men who have fallen under her spell.

All changes when the Allied Forces march into the Netherlands triumphant, returning sovereign rule to the bitter Dutch, and striking up deals with the crumbling Nazi infrastructure. The fall out from the multiple double-crossings in the middle portion of the film turn the last third into a pulsating and memorable revenge saga.

Ultimately, justice is in the eye of the beholder, and Verhoeven seems to be saying that all men are capable of evil deeds when their freedom has been taken away and their lives threatened. In his view of war there are no heroes. The only character with any virtue and good sense is a woman, and her inherent “weakness” often leads to pain, tragedy, and humiliation. It’s a troublesome and often fractured view of the world (which leads to the film’s fracturing into three distinct parts), but it’s miraculously held together by Carice Van Houten’s galvanizing performance that emotionally and physically upstages the worst of what Verhoeven can deliver thematically and visually on any given day.

Other Information:

Original Language nl
Runtime 2 hr 25 min (145 min)
Budget 21000000
Revenue 26768563
Status Released
Rated R
Genre Drama, Thriller, War
Director Paul Verhoeven
Writer Gerard Soeteman, Paul Verhoeven
Actors Carice van Houten, Sebastian Koch, Thom Hoffman
Country Netherlands, Germany, United Kingdom, Belgium
Awards Nominated for 1 BAFTA Award13 wins & 23 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, DTS (5.1)
Aspect Ratio 2.35 : 1
Camera Arricam LT, Cooke S4 and Angenieux Optimo Lenses, Arricam ST, Cooke S4 and Angenieux Optimo Lenses, Arriflex 235, Cooke S4 and Angenieux Optimo Lenses, Arriflex 35-III, Cooke S4 Lenses
Laboratory Soho Images, London, UK
Film Length 4,010 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 250D 5205, Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383)