Little Children 2006 123movies

Watch: Little Children 2006 123movies, Full Movie Online – Echoes of “Madame Bovary” in the American suburbs. Sarah’s in a loveless marriage to an advertising executive, long days with her young daughter at the park and the pool, wanting more. Brad is an immature househusband, married to a flinty documentary filmmaker. Ronnie is just out of prison – two years for indecent exposure to a minor – living with his elderly mother, May; Larry is a retired cop, fixated on driving Ronnie away. Sarah and Brad connect, a respite of adult companionship at the pool. Ronnie and Larry have their demons. Brad should be studying for the bar; Larry misses his job; Ronnie’s mom thinks he needs a girlfriend. Sarah longs to refuse to be trapped in an unhappy life. Where can these tangled paths lead?.
Plot: The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
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Ratings:

	7.5/10 Votes: 112,030
	80% | RottenTomatoes
	75/100 | MetaCritic
	N/A Votes: 784 Popularity: 18.691 | TMDB

Reviews:

The Desperate Housewife and the Prom King
Life in suburbia, since Ira Levin’s THE STEPFORD WIVES, has been torn apart at the seams and hung to dry. It’s no secret that within every happy home (that is more than likely to be overvalued into the seven digits, depending on the city and neighborhood where you live in) there will be some drama being played out, whether it’s acknowledged or not.

Long Island. The name alone evokes this kind of environment that veers towards complacency. It’s where the days are long, lazy, where housewives take their babies to the parks to converge in snippets of small talk meant to prove to each other not that they’re friends, but how better off one is over the other, where there might be a child molester in the midst.

The molester in question is Ronnie McGorvey, played by Jackie Earl Healey who looks unsettlingly like Nosferatu and harbors an inner monstrosity that only once peeks out and scares the crap out of a potential, yet dull date his mother has picked out for him because after all, his mother still thinks he needs a wife and why not set him on a date? No one, of course, wants anything to do with Ronnie. One in particular, an ex-cop with a dark past named Larry (Noah Emmerich), makes an obsessive issue to stalk Ronnie and denounce him to the entire neighborhood because he believes it’s his duty to protect it against the ills of a sex-offender. The town doesn’t really react to it, until Larry goes too far one night.

Sarah Pierce is one of the town’s residents, a housewife living in sheer boredom while her husband festers in Internet porn. On a lark, she steps out of the safe haven of her “female friends”, walks up to the young man they’ve dubbed the Prom King who later introduces himself as Brad Adamson, married to a working wife while he’s a stay-at-home dad (although he has plans on returning to law, once he passes the bar, of course). Her introduction is bad enough, but when she kisses him to provoke her friends, she sets them off to a point where they ostracize her, and this converges during a heated discussion on the sexual politics of Flaubert’s “Madame Bovary”. See, she and Brad have, from that first meet, converged again and again in the most mundane of ways, and stepped over the line, become clandestine lovers.

Todd Field’s movie is elliptical. An ensemble of characters popping in and out despite focusing more attention on the characters of Sarah and Brad, it’s one of the more in-depth studies of human behavior and their foibles in a gated community. These type of stories are usually rife with situations ready to be explored and while at times, the plot seems a little filled out for the purpose of presenting quirks, passions and dangerous people converge in ways that are completely believable — don’t forget, among these characters, there is a sex-offender, possibly even murderous. This is a movie that doesn’t side-step its themes, and a scene where Ronnie swims, shark-like, in a pool filled with children, is truly creepy, and even more so how his character ends. LITTLE CHILDREN is a textured movie that features nuanced performances by its cast — notably Kate Winslet and Patrick Wilson who play well with each other (and look breathtaking in their nude scenes). It’s best in its little scenes, especially one dinner scene late in the film where Jennifer Connelly discovers in the most off-hand of ways that her husband has been carrying on with Sarah and how she reacts to this sudden knowledge. The greatest thing about LITTLE CHILDREN is that it doesn’t turn all this drama into soap: people realize that they’re caught in a predicament, but don’t create over-the-top scenes; instead, they react in unpredictable ways, sometimes even with compassion. It’s the type of story that doesn’t reduce its players to simply plot movers but actual people — you could be witnessing the documentary of a suburb. That’s good storytelling.

Other Information:

Original Language en
Runtime 2 hr 17 min (137 min)
Budget 26000000
Revenue 14821658
Status Released
Rated R
Genre Drama, Romance
Director Todd Field
Writer Todd Field, Tom Perrotta
Actors Kate Winslet, Jennifer Connelly, Patrick Wilson
Country United States
Awards Nominated for 3 Oscars. 20 wins & 61 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, SDDS, Dolby Digital
Aspect Ratio 2.39:1
Camera Arricam LT, Zeiss Master Prime, Ultra Prime and Angenieux Optimo Lenses, Arricam ST, Zeiss Master Prime, Ultra Prime and Angenieux Optimo Lenses
Laboratory DeLuxe, Hollywood (CA), USA (prints), DuArt Film Laboratories Inc., New York, USA, EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 3,600 m (Portugal, 35 mm), 3,739 m (Germany), 3,739 m (Sweden)
Negative Format 35 mm (Kodak Vision2 250D 5205, Vision2 200T 5217, Vision2 500T 5218, Vision2 Expression 500T 5229, Vision 200T 5274)
Cinematographic Process Digital Intermediate (4K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Fuji Eterna-CP 3513DI)