#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – George Romero does for vampires what he has already done to zombies – an intense and realistic treatment that follows the exploits of Martin, who claims to be 84 years old, and who certainly drinks human blood. The boy arrives in Pittsburg to stay with his uncle, who promises to save Martin’s soul and destroy him once he is finished, but Martin’s loneliness finds other means of release.
Plot: Martin sedates women with a syringe full of narcotics and then slices their wrists with a razor blade so he can drink their blood. Martin, who comes to live with his uncle and cousin in the dying town of Braddock, Pennsylvania, has romantic monochrome visions of vampiric seductions and torch-lit mobs, but it is impossible to tell how seriously he takes them.
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|7.1/10 Votes: 10,029|
|6.8 Votes: 140 Popularity: 7.765|
One of horror’s greatest character studies!
Over the years George A. Romero has created a number of landmark horror films for the genre. This modern ‘vampire’ flick ranks among his very best films!
Shy teenager, who believes himself to be a century old vampire, comes to live with his superstitious old cousin in Pittsburgh.
Romero’s Martin is a truly unique, one of a kind psychological thriller. It is a memorable journey from its disturbing opening sequence to its chilling conclusion. Martin, like most of Romero’s classics, is a film with plenty of social commentary and believable characters. The driving force behind the films premise is the question of whether or not our title character really is a vampire. Martin has no fangs, no fear of the sun, in fact he actually uses razors and syringes to seize his victims. Yet, Martin has memories of an attack that apparently he did ages ago and his elderly cousin fully believes his young relative to be an evil creature. Romero throws out all of the old fashion vampire conventions for this symbolic clashing of the ways. Romero’s direction is, as always, very nicely done with plenty of suspense, atmosphere, and gruesome moments. Romero makes this drama stylishly operatic and adds an occasional moment of dark humor. The haunting music score also adds greatly to the atmosphere.
The cast is excellent, but it’s star John Amplas who really drives this show. Attractive youth Amplas is a greatly sympathetic character, even as he is the films monster and hero all at once.
A film unlike any other of the horror genre, Martin remains a terrific low-budget masterpiece that is as hauntingly effective today as ever.
**** out of ****
Few horror movies have dared to be so different. This may be one of Romero’s finest moments. The cinematography is brilliant and the directing is genius. This film shows Romero’s creative ingenuity, unspoiled by studio interference. “Martin” is raw. It’s realism is intertwined with haunting scenes of abstract flashbacks. The musical accompaniment is beautifully alluring and emotional binding. Every shot has meaning, nothing is wasted or taken for granted. This film gives us a Romero that has been lost in our modern culture based on selfishness. “Martin” should conjure strong feelings for those of us that remember the 70s and be a learning experience for those whom were not yet born. This film has certainly been overlooked by mainstream movie goers.
“Martin” is about a young man with a need for fresh human blood, similar to that of a vampire. But Martin isn’t a vampire: He has no fangs, he walks in the sunlight, garlic has no effect, and has no fear of crosses. Yet, his need for blood compels him to kill. “Martin” is a one of a kind vampire film, if it can be called a vampire film at all. Doing so conjures up images of Hollywood’s slick portrayal of vampires, which couldn’t be further from Romero’s work in this picture. “Martin” is far from Hollywood’s idealistic vampire showing. Romero defies contemporary vampire conventions by steeping Martin’s vampirism in realism and the harsh light of day in a dying city.
“Martin” certainly isn’t for everyone. As an avid Romero film patron, this film means much more to me than a Romero novice will most likely take away from this picture. Romero does a cameo appearance as a priest, which is a must see for Romero admirers. I can see how this film might be difficult for younger film goers or for film goers that don’t have a true understanding of cinematic production and creation. The cinematography is original and invigorating as it uses a dying urban backdrop to create an emotional plethora of depression, death, and hopelessness. At the same time this urban backdrop offers reconciliation and hope to even the lowest ranks of American society.
This film is simply beautiful. It is more art than film. And for those of us that can’t see the special nature of this production, I recommend that you stick to Michael Bay movies. Is “Martin” a perfect film? Far from it. BUT! It’s filming techniques are an excellent lesson in the art of camera placement, editing, lighting, and direction. This is a film that should be acknowledged more for what it does do than for what it does not do. And what it does do is offer us a rare glimpse into intelligent film-making at a time and place that is now lost. “Martin” is an inspiration and deserves to be at least respected by informed film-goers.
Original Language en
Runtime 1 hr 35 min (95 min)
Genre Drama, Horror
Director George A. Romero
Writer George A. Romero
Actors John Amplas, Lincoln Maazel, Christine Forrest, Elyane Nadeau
Awards 1 win.
Production Company N/A
Sound Mix Mono
Aspect Ratio 1.37 : 1
Camera Arriflex 16 SR
Laboratory WRS Laboratories, Pittsburgh (PA), USA
Film Length N/A
Negative Format 16 mm
Cinematographic Process Super 16
Printed Film Format 35 mm (blow-up)