Pan 2015 123movies

Watch: Pan 2015 123movies, Full Movie Online – An orphan boy (Levi Miller) discovers his destiny as Peter Pan in this vividly realized fantasy, and is whisked away to an enchanted land to battle the fearsome pirate Blackbeard (Hugh Jackman) with the help of the warrior woman Tiger Lily (Rooney Mara)…
Plot: Living a bleak existence at a London orphanage, 12-year-old Peter finds himself whisked away to the fantastical world of Neverland. Adventure awaits as he meets new friend James Hook and the warrior Tiger Lily. They must band together to save Neverland from the ruthless pirate Blackbeard. Along the way, the rebellious and mischievous boy discovers his true destiny, becoming the hero forever known as Peter Pan.
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Ratings:

	5.7/10 Votes: 64,697
	26% | RottenTomatoes
	36/100 | MetaCritic
	N/A Votes: 2486 Popularity: 26.275 | TMDB

Reviews:

> Its when Peter stepped into the Neverland for the first time.

Usually everyone loved growing up watching the various film adaptations of original work by JM Barrie’s a century old creation, ‘Peter Pan’. There are plenty of unofficial prequels and sequels were also made and met success. Yet this prequel with high budget and modern technology, but not a Disney film, generated some expectations with stars like Hugh Jackman and Rooney Mara in it.

The box office was not as expected, and the movie was also just above average, but I liked the performances and visuals. The story is about an orphan Peter who becomes a Pan, a leader to ‘the lost boys’. The opening line goes like this: ‘Sometimes friends begin as enemies and enemies as friends’ and that’s what the rest of the movie evolves.

I don’t think I liked this story. In all the prequels, I loved the Nick Willing’s ‘Neverland’ who is a master of prequels to all the greatest fairytales. I disappointed with this only because of lack of the depth in narration, short storyline and quick scenes, other than that it was not a bad flick to me. The main relief was, it was not like the recent ‘Alice in Wonderland’ style movie with the weird costumes, makeups and the character physiques.

Despite all the negative feedback for this flick, I feel it won’t hurt for a one time watch. My eye is now on its sequel, because before the Wendy’s introduction there’s another story is to be told and that is between Peter and Hook. But now it’s on doubt over the result of this movie. Anyway, I’m on for it and hope it only gets better than the original.

6/10

I found this to be a quite enjoyable family movie derived from the Peter Pan story we all love. I am not really sure why it holds a fairly mediocre rating on most rating sites. It is undeserved as far as I am concerned.

The movie is a prequel which tells the story of how Peter became Peter Pan. I think the story is fairly well done and allows for both adventure and humor.

The characters are pretty good although I found Peter Pan to actually be the weakest of them. Hook and Tiger Lily not to mention Blackbeard stole quite a lot of my attention. Peter Pan is not bad just a little…bland.

The movie is darker and more real than other Peter Pan movies. Blackbeard is a rather nasty villain and there are certainly more danger for the good guys in this movie. People do not just get nocked down and come back, they really die.

The special effects are not bad. I quite liked the pixie swarms at the end of the movie. Also, unlike what some reviewers state Peter Pan does fly in the movie. I can only assume that those who state that he does not never bothered to see the movie to the end. Do not review a movie if you cannot be bothered to finish it for Christ sake!

The movie leaves a bit of a whole between the end of this story and the beginning of the traditional Peter Pan story. What happened to make Peter and Hook become enemies and what is the story between Hook and the crocodile for instance? I certainly would not mind a second movie about that.

Fun, but not as magical as it could be
‘I don’t believe in bedtime stories’ – Peter

Popcorn, M&Ms and a large drink… roll the film… The story of Peter Pan has been the source for a multitude of films. To know more about his past is an interesting proposition, but the trailers seem confusing. Is James T. Hook an ally or even a friend of Peter Pan?

Kid’s Korner rating: 2.75 stars* Parent’s Rating: 3 stars

Do you know the story of Peter Pan, the legendary tale from J.M. Barrie about Wendy, Tinkerbell, Captain Hook, Neverland and the boy who could fly? His story must have a beginning and is begging answers to the questions of where did he come from and how did he get introduced to all of these iconic characters on this magical island? Pan is the origins viewpoint of director Joe Wright (Atonement) of the boy who is perpetually 12-years-old and the defender of fairies and orphans. Peter (Levi Miller) is an orphan during World War II, who lives with the hope that his mother will come back to retrieve him. While living in the confines of the nightmarish orphanage, Peter and a multitude of other boys are inexplicably kidnapped by pirates and taken to the island that is controlled by the dreaded Blackbeard (Hugh Jackman). Peter must come to terms with a prophecy that has him at the heart of the deliverance of Neverland from this tyrannical pirate. He must partner with the local inhabitants and a strange ally named James T. Hook (Garrett Hedlund) to determine if Peter is really the saviour of this magical land.

Pan is a lesson in trying to do too much in a short period of time. The story is placed against a visually stunning backdrop of childhood dreams. Wright provides the magical land that would be expected of the J.M. Barrie story, but like Peter and James Hook in the film, the director seems to get lost along the way. There are so many elements and characters to take in and retrofit into the familiar children’s fairy tale it becomes muddled in the delivery. The actors convey confusion of what type of film they are participating in and their performances do not capitalise on the talent that they represent. Also, with all that Wright is attempting to do with the film, the pacing of the film struggles under the weight of expectation and causes it to drag for the first half. Then he seems to attempt to make up for lost time in the second half and the journey comes in a rapid fire delivery that leads to confusion. Even though the visual cinematic experience is pleasurable, the overall experience is inevitably perplexing, which will lead to a multitude of questions from little ones during or after the film. Children and parents can enjoy the film together, but an explanatory discussion will be in order in the car ride home afterwards.

As an origins story, The writers were not original in where they pulled their source material for Pan, which is not a bad thing. There is no masking of who Peter Pan represents in Neverland. See if any of this storyline sounds familiar, a prophecy says that the son of Mary will one day come and be the messiah for the people of this land. Once Peter is fully aware of his role, he will have three days to rise to the challenge and save Neverland. Even though the overall story is a bit confusing at times, this film production paves the way for many discussions on who Peter is meant to represent and who the true Saviour of the world is for all of us.

Dad asked the question on the ride home, ‘What did we think of the film?’ What was up with the Nirvana song in the introduction of Blackbeard. Weird! It was fun, but a bit confusing at times. Overall we liked it, but it was not as magical as it could have been.

Reel Dialogue: What are the bigger questions to consider from this film? 1. What does the Bible say about orphans? (Isaiah 1:17, John 14:18) 2. Why is family important? (Matthew 22:36-40, Romans 15:2) 3. Who is the real Messiah? (The Gospel of Luke)

Kid’s Korner are shorter reviews written by Russell Matthews’s kids perspective and based on a five star rating system @ Russelling Reviews #russellingreviews #panthemovie

One of those untold origin stories that should have been left untold
To get one thing straight, there is no pleasure taken panning this film. Being someone who has liked some of Joe Wright’s previous work (especially ‘Pride and Prejudice’, ‘Atonement’ and ‘Hanna’), who likes Hugh Jackman and adores the source material that ‘Pan takes inspiration from.

Although it is not a film without redeeming merits, ‘Pan’ was hugely disappointing. It starts promisingly but then stumbles downhill once we get to Neverland and apart from the odd bright spot doesn’t properly get back up again. As an origin story inspired by J.M. Barrie’s magnificent story with its complex themes and rich characters, to say that it disrespects the source material is being kind to the word disrespect. But it is very underwhelming on its own merits too, while ‘Anna Karenina’ didn’t do much for me ‘Pan’ is the one time where Joe Wright has come close to hitting rock bottom.

‘Pan’ starts off really promisingly, with a real sense of threat and false security. A lot of effort went into the production values, and there are frequent points where it does show, especially in the visually dazzling scene where the children are stolen, the whole film is exquisitely photographed, the set design is very colourful and eye-poppingly vivid with a wondrous-looking Neverland and lavish costumes apart from the ridiculously gaudy ones for the Indians. The incidental score has the right amount of whimsy and rousing energy. There is one good performance, that of Hugh Jackman who is clearly enjoying himself with glee as campy, energetic but sinister Blackbeard.

Not all the visuals work. There are so many special effects that it does start feeling too much and making the spectacle take over the story. Apart from the ships, the scene where the children are stolen and to a lesser extent the translucent mermaids, the effects are less than special, very amateurish-looking digital doubles, skeleton birds that look worse than a low budget video game from 15-20 years ago and very over-sized crocodiles that make them seem more goofy than threatening. Equally, there is a lot of spectacle, but they are very mixed when it comes to execution. Sometimes the spectacle dazzles, but at other times they’re little more than nauseating kitsch. It does seem that all Wright’s efforts went into the visuals and spectacle but he completely forgets telling a story and making the characters interesting, for Wright this is pretty inept.

Apart from Jackman, the rest of the cast struggle. Well actually Nonso Anoozie is pretty good, just that his screen time isn’t enough to shine. Amanda Seyfried is suitably compassionate, but again very little to do. Levi Miller does do his best as Peter, he’s suitably perky, has charisma and is cute as a button, but his character doesn’t ever really go anywhere and he doesn’t give as much charm and emotion as he should have done, Peter’s trademark mischievous side is more cocky and desperate. Garrett Hedlund overacts dreadfully as a wannabe Indianna Jones/Han Solo and Brendan Fraser-esque-hero sort of Hook, constantly speaking in a way that seems to impersonate James Stewart and John Huston and very poorly, that he becomes very annoying with no foreshadowing whatsoever of the dark and complex character Hook as we know him would become. In a controversial piece of casting, Rooney Mara looks completely bored and miserable. Cara Delevigne is a pretty pallid presence though is disadvantaged by throwaway writing, and Adeel Akhtar gives a performance so stereotypical it might cause offence. None of the characters are interesting or colourful enough, although Jackman gives it everything even he can’t disguise that Blackbeard’s motivations and such are paper thin.

On top of the spectacle, ‘Pan’ also includes musical numbers. These musical numbers manage to be even more memorable than the incidental score, and that is not a good thing. Although spiritedly performed, they are not only jarringly anachronistic in style, but they are also out of place, too randomly thrown in and almost like Wright was trying to be a wannabe Baz Luhrmann, which doesn’t suit Wright at all (was taken right out of the film once the characters started singing Nirvana). The script is also prone to anachronisms and often sounds completely stupid and too heavy in the cheese and schmaltz factor. There isn’t really much of a story, and what there is of it is executed poorly with very little new to say, most of it not even trying to make sense to the point of being incomprehensible. There are some good ideas here but they are badly rushed through, the whole children as slaves idea was the one strand that was properly elaborated upon and had some emotional impact of some kind. Consequently, the whole point of the story is completely lost in translation, and not only was the whole Peter and Hook as friends poorly developed, plus they didn’t seem believable as friends (Peter seemed as annoyed with Hook as much as those watching the film were), but there is next to no foreshadowing of them as enemies either which would have made Hook much more interesting. Most of the story is basically an excuse to include as many set pieces and musical numbers as possible, regardless of whether they were important and of good-quality or not.

Overall, a big disappointment. A few good things here and there, but this “untold” story should have stayed untold. 3/10 Bethany Cox

Other Information:

Original Language en
Runtime 1 hr 51 min (111 min)
Budget 150000000
Revenue 128388320
Status Released
Rated PG
Genre Action, Adventure, Comedy
Director Joe Wright
Writer Jason Fuchs, J.M. Barrie
Actors Levi Miller, Hugh Jackman, Garrett Hedlund
Country United States, United Kingdom, Australia
Awards 8 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Datasat, Dolby Digital, Dolby Atmos
Aspect Ratio 2.35 : 1
Camera Arri Alexa XT, Panavision C-, E-, G-Series, PVintage, ATZ and AWZ2 Lenses, Phantom Flex (some shots), Red Epic, Panavision C-, E-, G-Series, PVintage, ATZ and AWZ2 Lenses
Laboratory Technicolor Creative Services, London, UK (digital intermediate)
Film Length N/A
Negative Format Codex, Redcode RAW
Cinematographic Process ARRIRAW (3.4K) (source format), Digital Intermediate (2K) (master format), Dolby Vision, Panavision (anamorphic) (source format), Redcode RAW (5K) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema (also 3-D version)