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Parasite 2019 123movies

Parasite 2019 123movies

Act like you own the place.May. 30, 2019133 Min.
Your rating: 0
9 1 vote

Synopsis

Watch: 기생충 2019 123movies, Full Movie Online – The Kims – mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung – are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks’ adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend “Jessica”, really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks’ employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks’ housekeeper who literally came with the house – she Namgoong’s housekeeper when he lived there – and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks..
Plot: All unemployed, Ki-taek’s family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.
Smart Tags: #class_differences #plot_twist #social_satire #fraud #house #scam #fake_identity #wealth #housekeeper #murder #tutor #maid #rich_family #class_struggle #chauffeur #birthday #poor_family #rain #driver #heavy_rain #basement


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Ratings:

8.5/10 Votes: 792,997
99% | RottenTomatoes
96/100 | MetaCritic
N/A Votes: 14777 Popularity: 63.559 | TMDB

Reviews:


If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Yes, I know. I’m late as hell. I don’t really have anything to offer you besides my personal opinion. Theses and video essays are breaking down Parasite at such a deep level that I can’t really write anything new. Nevertheless, I’ll share my thoughts on it because it would be a massive miss from someone who considers himself as a film critic. I had this movie on my watchlist since last summer, but I kept delaying it, underestimating my time. So, no, I’m not just watching Parasite because it won Best Picture at the Oscars, I always planned on it.

In addition to that, yes, I also love it like most people, and no, I’m not writing this because I’m “following the pack”. Bong Joon Ho simply delivered one of 2019’s best films, and it’s definitely cracking a spot in my Top10. I really enjoyed what Bong did with Okja, and I’m a massive fan of Snowpiercer. Therefore, this isn’t just another South Korean flick. It’s directed and co-written by someone who has been proving himself for quite some time. Even though I still defend that Sam Mendes deserved to win Best Director for his work on 1917, I’m more than happy that a foreign movie finally won Best Picture, and what a film to do it!

It can be described as a dark dramedy, but I think social satire is more adequate. The differences between the rich and the poor are beautifully shown on-screen exclusively through visuals. There’s so little exposition, which is one of the reasons why Parasite has one of 2019’s best screenplays. The balance between explaining something and leaving it ambiguous is perfect. Throughout the runtime, Bong Joon Ho leans on an actor’s face so that the audience can understand what that character is feeling through its expressions, which will explain its actions later on.

There’s a sequence that surely has been heavily discussed for the past months. It’s raining, and Bong cleverly divides the screen with how the wealthy family is dealing with it against the poor neighborhood where the Kim family comes from. The gorgeous cinematography, the unforgettable musical score, the seamless editing… Everything about this sequence is technically flawless, and it carries such an emotionally powerful message. Something astonishing and beautiful to look at for some can be a horrible disaster for others.

It’s a movie that balances a lot of tones. In ten minutes, the tone goes from funny to dramatic to suspenseful to scary to absolute tragedy… and it all feels incredibly realistic. That’s one of my major compliments to Parasite: I never felt like it was fiction. I never thought “this is too much, this would never occur”. Even in the third act, where the narrative takes some bold decisions, everything makes sense with what had been shown until then. From shocking character actions to surprising plot points, Bong and Han Jin-won’s screenplay is excellent.

Everyone in the cast is fantastic, but Song Kang-ho is the standout, in my opinion. His role as the father of the Kim family is brilliant. I’m actually surprised he wasn’t nominated for Best Actor in more award shows. I created a connection with this family in such a way that the ending truly impacted me. It’s tough to deny that the writing is what makes Parasite the phenomenon that so many people fell in love with, myself included.

Technically, I don’t have any defects to point out. It’s one of those films that I firmly believe in having virtually no flaws. I’m in love with the score, I gasped several times at the impressive cinematography, and the editing is perfect. Whatever genre the story decides to go to, it’s always entertaining and extremely captivating. Its comedy is very smart, and it made me laugh a lot of times. Its dramatic storylines kept my eyes always focused on what was happening. Even when it briefly delves into the horror territory, it’s more suspenseful and scary than most of that genre’s flicks nowadays.

All in all, Parasite genuinely surprised me. With so many people hyping it to a ridiculously high level, my expectations were very moderate. Nevertheless, I love it as much or more as everyone else. I know that watching it this late can make some people question my opinion/rating, but I would never love a movie because I “should” or because other people do. It deserves every award it received, especially the ones concerning the screenplay. It’s one of the best original stories of the last few years, and it’s written in such a brilliant manner, with beautiful visual storytelling instead of the overused exposition. An emotionally resonant message is present throughout the whole runtime, and the various tones are balanced seamlessly. Technically flawless: cinematography, score, editing… everything’s absolutely perfect. Nothing is placed without purpose. Not a single line of dialogue is wasted. Bong Joon Ho is a phenomenal filmmaker, one that cares about the art and everything that comes with it. He truly put his heart and soul into this, and it would be a shame if anyone fails to watch this magnificent movie just because it’s in a foreign language. Please, don’t make such an awful mistake…

Rating: A+

Review By: MSB

One of the funniest and most disturbing films I’ve ever seen. Probably some of the best cinematography ever. 10/10
Review By: RustyBoi
Achieves what Jordan Peele set out to do with Us
As a film about a family imposing on another, and keeping dark secrets hidden beneath the surface, Parasite achieves what Jordan Peele set out to do with Us: tell a multi-layered story in a widely entertaining manner, but without sacrificing the believability of its central narrative.

That’s not to say that Us is an ineffective film by any means, but when it comes to crafting weighty social commentaries under the guise of lighter fare, writer-director Bong Joon-ho is in a class of his own.

The film follows a lower-class South Korean family as they slowly integrate themselves in the lives of an upper-class family and their lavish household. As their entanglement is spun out of a web of deceit, the lowly family find themselves skating on thin ice when it comes to keeping up appearances.

It’s a twisty satire on social-economic disparities in South Korean society that swings broadly in tone, and sometimes threatens to tip over the edge, but never feels less than meticulously calculated in its tonal shifts.

However, to reveal anything more about the story would be to take away from the overall experience, as each act is marked by a major plot twist or revelation that keeps the film one step ahead of the viewer at all times. Go in blind if you can and expect an unforgettable ride.

Review By: DJKwa
Thought It Might Win Best Foreign Movie
When the buddy who got into college tells him he’s moving to the US, and he’s passing on the 14-year-old he’s been tutoring — just tell ’em you’re enrolled in college, even though you aren’t — the son of a family so low class they’ve sunk through the foundation finds them very nice, very accepting, and very clueless. So he and his layabout family get all the help fired; his sister is hired as an art psychologist to help the sister, the father as the new chauffeur, and the mother as the cook/housekeeper. Yet even though you don’t see them, there are vermin living in the foundations, and they come out when the people in charge aren’t around.

It’s a movie that starts out as a situation comedy and then abruptly changes gears into horror, with a script that handles the theme of the people we don’t see because they’re not our problem in a way that jostles the boundaries of symbolic and mimetic fiction in a very disturbing fashion. When I saw it in a theater during its New York run, I was impressed. I was convinced it would be nominated for Best Foreign Movie, and might even win!

Review By: boblipton

Other Information:

Original Title 기생충
Release Date 2019-05-30
Release Year 2019

Original Language ko
Runtime 2 hr 12 min (132 min)
Budget 11363000
Revenue 257591776
Status Released
Rated R
Genre Drama, Thriller
Director Bong Joon Ho
Writer Bong Joon Ho, Han Jin-won
Actors Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong
Country South Korea
Awards Won 4 Oscars. 308 wins & 271 nominations total
Production Company N/A
Website N/A


Technical Information:

Sound Mix Dolby Atmos
Aspect Ratio 2.39 : 1
Camera Arri Alexa 65, Arri Prime DNA Lenses
Laboratory N/A
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (6.5K) (source format), Digital Intermediate (4K) (master format), Dolby Vision (2021 4K Ultra HD Blu-Ray release)
Printed Film Format D-Cinema

Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Parasite 2019 123movies
Original title 기생충
TMDb Rating 8.517 14,777 votes

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