Saw IV 2007 123movies

Watch: Saw IV 2007 123movies, Full Movie Online – Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry’s murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw’s latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend or face the deadly consequences..
Plot: Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry’s murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to assist the veteran Detective Hoffman in sifting through Jigsaw’s latest grisly remains and piecing together the puzzle. However, when SWAT Commander Rigg is abducted and thrust into a game, the last officer untouched by Jigsaw has but ninety minutes to overcome a series of demented traps and save an old friend…or face the deadly consequences.
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Ratings:

	5.9/10 Votes: 151,931
	18% | RottenTomatoes
	36/100 | MetaCritic
	N/A Votes: 3077 Popularity: 31.316 | TMDB

Reviews:

It surpassed my expectations…Saw reigns again for the fourth year in a row.
As a die hard Saw fan, Saw IV was one of my top must sees of 2007. Fortunately, I didn’t get my hopes up, and therefore I wasn’t disappointed. The movie has its fair share of flaws, don’t get me wrong. However, the movie made this Saw fan happy because it maintained the spirit of the series. The movie’s biggest flaw is that it is by far the most unrealistic of the series and relies too much on chance within the story. Too many events are contingent on others, which makes Jigsaw look almost clairvoyant. However, I was able to look past this and enjoy the fourth Saw film.

Jigsaw (Tobin Bell) is dead. Though he is gone, he vows that his work will continue. And it appears he is true to his word, for SWAT Lt. Rigg (from Saw 2 & 3) is the latest member of the police force to be thrust into one of Jigsaw’s deadly games. Meanwhile, Detective Hoffman (Costas Mandylor) is joined by a pair of FBI agents to help stop the Jigsaw killer once and for all…They’ll start by looking into his past, beginning with his ex wife, Jill.

The acting is pretty good. Costas Mandylor, Tobin Bell, and Scott Patterson are the standouts. Bell brings so much more to the character this time around through flashbacks as we learn more about John Kramer. Showing that he has created one of the most memorable characters of recent memory, Bell makes us almost sympathize with him, despite the acts he has committed. Mandylor is really good as Detective Hoffman, even though he has limited screen time and dialog. I liked Patterson a lot because of the toughness and reality he brought to the character. Agent Strahm is a good character and definitely one of my favorites in the series. One big surprise was Lyric Bent as Rigg. He definitely showed a lot of range in this movie. He has a future.

The plot is probably the most complex, as there can be as many as 3 different subplots going on at the same time, all while the audience has questions from the first 3 movies answered. The ending also leaves a little to be desired, as it is the least impacting twist of the series (and most obvious). However, I really enjoyed the traps, which were definitely a step up from Saw 3. The random gore was kept to a minimum, but the beginning is absolutely horrifyingly gory. It also felt rushed, which means I can’t wait to see the unrated DVD. Hopefully it’ll have more extra footage than the others. Saw 4 has the weakest script of the series, but it’s still better than I expected. At this point, it appears as if Darren Bousman is going through the motions, and that’s what keeps the series spirit alive. As long as Bousman, Wan, or Whannell continue to be involved, the spirit should live on. I also have to give props to the editor for the smooth and catchy transitions, not to mention the production design is top notch. That and the lighting provide at least some horror realism, as the plot does border on absurd at times. The sound is better than ever, with the classic ‘Hello, Zepp’ tune that has become one of the most recognizable tracks in movie history making its dramatic appearance in the climax of the film. The ending also leaves us wanting more, so I’m expecting Saw 5 next Halloween.

8/10 –spy

A scary but also perplexing game
Finally saw all the ‘Saw’ films prior to seeing ‘Jigsaw’ (as part of my wanting to see as many 2017 films as possible this year, during a quieter and less intensive period). Heard a lot about the films, good and bad, but wanted to see them for myself to know what to expect.

The films as an overall series are a very mixed bag. The original ‘Saw’ had a great premise and while it was problematic it was still pretty good and one of the best in the series. ‘Saw II’ had its own problems but it was still one of the few follow-ups to be just as good and have what made the first click as well as it did. Things did go downhill with the overblown and confusing ‘Saw III’, which was suggestive of not just the novelty wearing off but done to death. ‘Saw IV’ improves on the third instalment and is among the better sequels, but not up to the level of the first two films. It’s neither great or terrible, more uneven, but unlike the third film there is at least a sense that it’s remembered what made the first two films work.

Lets start with ‘Saw IV’s’ strengths first. The traps, tortures and such are closer in spirit to the suitably diabolical and inventive ones of the first two, almost like medieval torture, and there are a few clever, if not exactly bold, twists and turns. It’s scarier and more suspenseful than the third film, being not as rambling, a little more cohesive and not being as over-reliant on what the third film overblew distastefully.

Production values, apart from the haphazard editing, are slicker and not as amateurish here and the music score is suitably eerie. The opening sequence is the single most disturbing opening of the whole series and one of its most disturbing scenes full stop, despite being dead Jigsaw still has what makes him an interesting and quite unique character and the seeming frailty of the human condition, done in a way that’s pretty embittered, and Jigsaw’s moralism being painted seemingly sympathetically is just as creepy as the traps and torture. Tobin Bell looms ominously and Donnie Wahlberg makes much of little.

On the other hand, the story is still very flawed. It is more atmospheric and eventful than the third film, but there’s not enough to hide that it’s more of the same stuff that does try to do too much and doesn’t have enough original material to set it apart. Also, structurally with the back and forth and with laudably trying to tie up loose ends from before (but unsatisfyingly) it’s still not easy to follow, culminating in one of the most perplexing head scratcher endings of any film from the 2000s from personal view. It’s not just cohesiveness the film struggles with, credibility also goes out of the window.

‘Saw IV’, while not as much as the third film, still goes too far with the gore and violence (the latter almost pornographic level) which is not handled with much taste or subtlety. At least one doesn’t feel as exhausted or find themselves trying not to laugh here though, which is an improvement, just that one doesn’t have a good taste in their mouth after. The script is still flat and contrived and Jigsaw is the only character that interests the viewer and doesn’t leave one feeling bored or frustrated. Bell and Wahlberg aside, the acting is nothing to write home about with Lyriq Bent’s performance being one of the series’ low points.

In short, watchable but not entirely satisfying. 5/10 Bethany Cox

Other Information:

Original Language en
Runtime 1 hr 33 min (93 min), 1 hr 36 min (96 min) (unrated director’s cut)
Budget 10000000
Revenue 139352633
Status Released
Rated R
Genre Crime, Horror, Mystery
Director Darren Lynn Bousman
Writer Patrick Melton, Marcus Dunstan, Thomas Fenton
Actors Tobin Bell, Scott Patterson, Louis Ferreira
Country Canada, United States
Awards 2 wins & 7 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, SDDS, DTS, DTS (Dolby 5.1)
Aspect Ratio 1.85 : 1
Camera N/A
Laboratory N/A
Film Length 2,529 m (Portugal, 35 mm)
Negative Format 35 mm (Fuji Eterna 500T 8573)
Cinematographic Process Digital Intermediate (master format), Spherical (source format)
Printed Film Format 35 mm