Song to Song 2017 123movies

Watch: Song to Song 2017 123movies, Full Movie Online – Two intersecting love triangles. Obsession and betrayal set against the music scene in Austin, Texas..
Plot: In this modern love story set against the Austin, Texas music scene, two entangled couples — struggling songwriters Faye and BV, and music mogul Cook and the waitress whom he ensnares — chase success through a rock ‘n’ roll landscape of seduction and betrayal.
Smart Tags: #love #nudity #prostitute #sexual_humiliation #female_nudity #music_producer #experimental_film #threesome #infidelity #cheating_girlfriend #menage_a_trois #love_triangle #sex_scene #repetition_in_title #lucifer_morningstar_character #boyfriend_girlfriend_relationship #lesbian_character #nonlinear_timeline #voice_over_narration #betrayal #obsession

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Ratings:

	5.6/10 Votes: 21,207
	44% | RottenTomatoes
	54/100 | MetaCritic
	N/A Votes: 759 Popularity: 11.127 | TMDB

Reviews:

Pretentious crap seems mostly improvised
“Song to Song” (2017 release; 129 min.) brings the story of Faye. As the movie opens, we hear Faye announce in voice over “I went through a period where sex had to be violent”, and with that we are off. Fay seems to have a relationship with both BV (a budding musician) and Cook (a record executive). We see them at various Austin landmarks and outdoor shows (ACL Music Festival, I assume). At this point we are about 10-15 min. into the movie, you’ll just have to see for yourself how it all plays out.

Couple of comments: this is the latest movie from writer-director Terrence Malick, Here he follows a path that s very similar of his previous film “Knight of Cups”: essentially an abstract film about relationships, with not much dialogue but plenty of voice-over thoughts (“Any experience is better than no experience” and “I went along like someone in a dream”, just to give you a glimpse). This movie was actually shot in 2011-12, and is only now seeing the light of day. Rumor has it that Malick had 8 hours of film which he had to cut down to this final version, just over 2 hrs., and when you are watching it, it does feel like we skip from scene to scene without any sense or purpose. As for the lead actors (Rooney Mara as Faye, Ryan Gosling as BV, Michael Fassbender as Cook; Natalie Portman appears about a half hour into the movie for some scenes; yet later Cate Blanchett, as a fling of BV, makes her entrance), it feels like most of what they are doing seems improvised. Not much of it makes sense or is coherent in any way, shape or form. Tons of cameos from the music world (RHCP, Iggy Pop, Patti Smith, Johnny Lydon, etc., mostly in a blink and you’ll miss it moment). As a long-time fan and admirer of Terrence Malick, it pains me to tell you that, on the heels of the so-so Knight of Cups, this is even worse. Given the all-star ensemble cast, what a colossal waste of talent all around!

“Song to Song” opened this weekend at my local art-house theater here in Cincinnati, and given who all was involved in this production, I couldn’t wait to see it. The Saturday matinée screening where I saw this at was attended okay but not great. “Song to Song” is not a movie that I can recommend to anyone, although there may be some curiosity about this film, given the all-star cast attached to it. Viewer beware! (*UPDATE* The movie sank like a stone at the box office, and disappeared after just one week from the theater here in Cincinnati.)

Other Information:

Original Language en
Runtime 2 hr 9 min (129 min)
Budget 10000000
Revenue 1710528
Status Released
Rated R
Genre Drama, Music, Romance
Director Terrence Malick
Writer Terrence Malick
Actors Ryan Gosling, Rooney Mara, Michael Fassbender
Country United States
Awards 8 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera Arri Alexa M, Zeiss Master Prime Lenses, Arri Alexa, Zeiss Master Prime Lenses, Arricam LT, Zeiss Master Prime Lenses, Arriflex 235, Zeiss Master Prime Lenses, Arriflex 435, Zeiss Master Prime Lenses, GoPro, Red Epic, Zeiss Master Prime Lenses
Laboratory N/A
Film Length N/A
Negative Format 35 mm (Kodak Vision3 50D 5203, Vision3 200T 5213, Vision3 500T 5219), Codex, Digital, Redcode RAW
Cinematographic Process ARRIRAW (2.8K) (source format), Digital (source format), Digital Intermediate (4K) (master format), Redcode RAW (5K) (source format) (some shots), Super 35 (source format)
Printed Film Format D-Cinema