Suffragette 2015 123movies

Watch: Suffragette 2015 123movies, Full Movie Online – A drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality – their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational..
Plot: Based on true events about the foot soldiers of the early feminist movement who were forced underground to evade the State.
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Ratings:

	6.9/10 Votes: 42,480
	73% | RottenTomatoes
	64/100 | MetaCritic
	N/A Votes: 1458 Popularity: 14.679 | TMDB

Reviews:

This is a good example of what a solid ensemble of strong women actors, coupled with an equally strong story and a creative style of direction (from Sarah Gavron) can do to illustrate really well an historical scenario. Inspired by the sparingly used Meryl Streep as Emmeline Pankhurst, this film depicts the tale of a group of women who decide that they have had enough of being put upon because of their sex, and who put their liberty on the line with a campaign of civil disobedience. The central character is “Maud” (Carey Mulligan) married to the nice but rather ineffective “Sonny” (Ben Whishaw). When she joins what he sees as the rabble-rousers, he chucks her out of their family home and denies her access to their son. She must now take up lodgings with other, like-minded women and take up the cudgels for their suffrage. It is very wordy, the dialogue is actually intrusive at times. We can see what is happening, and we can use our own emotions to empathise – we don’t need quite the running commentary we are provided with here, but that said this is still a potent mix of drama and fact that demonstrates the multitude of factors that influenced the politics of the day. Not least that it wasn’t just men who wanted to deny women the vote – there were plenty of women who also felt the activity of these “radicals” was downright un-ladylike trouble-making. The film looks good, the attention to details and the costumes add a richness (and, on occasion, quite an effective stuffiness) to the proceedings, and though I am really not a great fan of POV cinematography, it does lend an intimacy as we get into the thick of things. It’s probably worth saying that this film really only deals with the start of the struggle for emancipation – not in a ball and chain sense, but of a rebellion against illiberalism of sex, faith, sexuality that is still ongoing a century after this is set. A touch melodramatic at times, but still the contributions of Anne-Marie Duff and a slightly over-cooked Helena Bonham Carter all serve to present us with an entertaining and plausible drama that is enjoyable and informative to watch.

Deeds, not words.

It’s a telling point in history, that of the Suffragettes, the militant women’s organisations in the early 20th century who, under the banner “Votes for Women”, fought for the right to vote in public elections. So case in point that any filmic treatments are greatly anticipated – and wanted of course, so here we have Sarah Gavron’s film that is written by Abi Morgan and starring Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw and in cameo Meryl Streep.

Right off the bat it should be noted on two crucial points, one is that this is merely a story strand involving a group of Suffragette women, this is not all encompassing, something which is emphasised by the fact that Suffragette leader Emeline Pankhurst is only cameoed here by Streep. Secondly it has to be said that this is a condensed narrative for story telling emotional gain in favour of the Suffragettes, their more serious activities for attention are very much played down. So with that in mind anyone interested in the subject are urged to seek out literary sources for story as facts.

Filthy Panks!

The gripping story here dramatizes events that builds to the death of Emily Davison at the 1913 Derby. We are privy to the harsh realities of the life of women in this era (period detail superb), the employment pay structures, the treatment at the hands of the authorities, and the home lives that could result in losing ones child on account of poverty. It’s potent stuff and ensures that we at least understand the need for change and fully support the women in their ultimate goal, the arguments put forward viable and just.

Thankfully the makers are not on a one way mission to portray all men as monsters, there’s a nice balance between good and bad. The implications of the women’s long road to reckoning is given thought, the social distortion possibility hanging in the air alongside economic murkiness. So although the narrative often gets heavy handed in striving for dramatic impact, the point is well and truly made and begs all to delve further into a cause that ultimately needed winning.

Small in scale as regards the Suffrage Movement as a whole, but important as an historical pointer and acted with professional assuredness by the cast, this achieves its goals regardless of condensement gripes. 7/10

It’s hard to watch this one without becoming angry…or incredibly sad.
This film is a fictionalized story of a woman caught up in the suffrage movement in Britain in the early 20th century. Carry Mulligan plays Maud Watts…a woman who slowly comes into the movement and the sacrifices she personally made as a result.

I noticed that a few of the reviews on IMDb hated the film and by the way they worded the reviews, they seemed upset that women earned the right to vote or thought women never had fight to achieve this!! Strange…very strange. Women DID have to fight and fight hard to earn their rights and the film does a very nice job of it. Why anyone would give the film a 1 or see it as some lie is just baffling…and ignorant of British history. The fictionalized life of Carry Mulligan’s is essentially true of many women and the horrific event concerning Emily Davison DID occur in 1913….so why hate that the film dramatizes this?

Overall, the film is extremely compelling and very emotional to watch. Seeing women abused and mistreated is tough….and should grab your heart. Well acted and worth seeing. My only complaint is ts are that the film, at times, is a bit sterile…which is odd considering the events. And, it uses a modern device I hate–the roving camera (hold that camera still #@&@#%^…it’s NOT arsty to have bad camera work–particularly on closeups). Still, well worth seeing– particularly for teens to realize how bad things were and how far we’ve come.

Decidedly grim, sadly it never fully engages.
After watching Suffragette for the second time I had hoped to have formed a different opinion, initially I left the cinema feeling bored and underwhelmed. The problem I’d say I have with it is that I find it strangely vacuous, on no level can I connect with it, or any of its characters. That is not to say that I find the acting bad, indeed far from it, there are some cracking performances, Carey Mulligan, Anne Marie Duff and for the amount she’s actually in it, Helena Bonham Carter. Mulligan delivers frustration and despair well, she loses her family, her job, dignity and lashes out on her pig of a boss.

I found it a little like a grim version of Made in Dagenham with hats on. There are much better sources out there detailing the Suffragette movement, I know it’s a film, but the core essence of what was being demanded, and exactly who was demanding it seemed to be lacking. Why wasn’t there a single sympathetic man in the entire film, surely every single man at the time was the same? Even lovely Ben Whishaw was nasty.

Meryl Streep’s speech was the highlight of the film, she had presence and added a realism to the character, in her all to brief appearance.

It’s not the easiest film to get through, it leaves you feeling a little flat, with the cast and subject matter it could have been special, I wonder had it been made on the small screen as a series would it have worked better? A few lighter touches would have truly helped. I thought the credits at the end were a nice touch.

Disappointing, 5/10

Other Information:

Original Language en
Runtime 1 hr 46 min (106 min)
Budget 14000000
Revenue 16002420
Status Released
Rated PG-13
Genre Drama, History
Director Sarah Gavron
Writer Abi Morgan
Actors Carey Mulligan, Anne-Marie Duff, Helena Bonham Carter
Country United Kingdom, France
Awards 17 wins & 21 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Arri Alexa XT Studio, Kowa Cine Prominar and Cooke Varotal Lenses, Arriflex 16 SR3, Zeiss Ultra 16 and Angenieux Optimo Lenses, Arriflex 416, Zeiss Ultra 16 and Angenieux Optimo Lenses
Laboratory Cinelab, London, UK
Film Length N/A
Negative Format 16 mm (Kodak Vision3 250D 7207), Codex
Cinematographic Process ARRIRAW (2.8K) (source format: night scenes), Digital Intermediate (2K) (master format), Super 16 (source format: day scenes)
Printed Film Format D-Cinema