The Dark Knight Rises 2012 123movies

Watch: The Dark Knight Rises 2012 123movies, Full Movie Online – Despite his tarnished reputation after the events of The Dark Knight (2008), in which he took the rap for Dent’s crimes, Batman feels compelled to intervene to assist the city and its Police force, which is struggling to cope with Bane’s plans to destroy the city..
Plot: Following the death of District Attorney Harvey Dent, Batman assumes responsibility for Dent’s crimes to protect the late attorney’s reputation and is subsequently hunted by the Gotham City Police Department. Eight years later, Batman encounters the mysterious Selina Kyle and the villainous Bane, a new terrorist leader who overwhelms Gotham’s finest. The Dark Knight resurfaces to protect a city that has branded him an enemy.
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Ratings:

	8.4/10 Votes: 1,696,282
	87% | RottenTomatoes
	78/100 | MetaCritic
	N/A Votes: 20208 Popularity: 62.46 | TMDB

Reviews:

I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn’t find this. The length of the film is longer than some (but doesn’t feel it), I liked that the film took it’s time rather than shoving more elements in it – I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.

Tom Hardy is superb in this denouement to Christopher Nolan’s “Batman” trilogy. His depiction of the clever and malevolent “Bane” is intricate and terrifying in equal measure. Christian Bale also has the role very much under control now as he joins forces with his old pal “Gordon” (Gary Oldman) and jewel thief turned “Catwoman” (Anne Hathaway) to rise to his biggest challenge yet… What’s great about this film is that is ties up all of the loose ends from the first two; it dots some i’s and crosses the t’s as the story neatly, and frequently quite subtly, introduces new threads to an old suit of clothes. This is an hugely characterful outing for all concerned – especially Sir Michael Caine as the wonderfully underplayed “Alfred” and Morgan Freeman as the arch-inventor “Fox”. The plot takes it’s time to develop, there is plenty of to-ing and fro-ing as they battle for the upper hand; new allies must learn to trust and to rely on each other. I found myself drawn to the “Bane” cause more than I ought to admit – a sign of a great baddie; you empathise with the evil (I think of “Darth Vader”) especially once the story unveils traits in his character and elements of his history that, to a certain extent, justify his behaviour. The dialogue is sparing and potent and photography is really effective: the light and shade are used creatively with the Hans Zimmer score an huge improvement on his last outing. This is certainly one for a big screen – there is loads to see each time you watch, and though “Batman” was never my favourite super-hero, this has to be up there as one of the darkest and best super-hero films.

My personal favourite of the trilogy
I think as a film stand point, the dark knight is a better movie that is better acted and tense the whole way through. The dark knight rises to me is a more fun and action filled movie that you can sit back a bit more. The acting is still amazing and combined with the atmosphere/visuals of the movie creates a the sense of realism that the movie has. That realism is where the intensity stems from throughout the movie, the audience believing that something like this could actually happen makes it that much scarier. Bane is also an excellent villain, in the dark knight the joker challenges Batman mentally but Bane physically challenges him which is a completely new challenge for Batman. The plot is incredible, it it starts fast and instantly brings you into the action. It then takes a step back to develop the characters further and build up the challenge Batman has to face. Once one of the many challenges was overcome by Batman in launches the viewer straight back into action for one epic final battle that lasts almost an hour……and it is GLORIOUS! Not one second was I bored, it is truly incredible how each movie in the trilogy is this good, it shouldn’t be possible. I’ve not even mentioned the incredible soundtrack to compliment the astounding yet grounded action. I can’t compliment this movie enough. If you haven’t someone seen this trilogy yet….watch it, you won’t be disappointed.

The Citizen Kane of superhero movies
Apologies, Dominus, I have done many reviews here but to get this one right took me 5 years and multiple re-watchings.

Conclusion? Not merely great, but the “great-est” superhero film of all time. The story is iconic and majestic in scope. The script not merely good, it borders on perfection. The performances are nothing less than stunning.

Bale and Oldman could not give a bad performance even if you asked them. Hathaway has never looked this good, her height and frame infusing her Catwoman with a vibe never seen before or since. And the almost-invisible Tom Hardy (one of the greatest actors of our age, BTW) makes Bane as interesting a character, if not moreso, than even Darth Vader himself.

So why did this review take me 5 years? To discover the dissonance between the three parts of the trilogy, which is the only flaw, the Achilles Heel of the boxed set.

Ordinarily a trilogy should be harmonious and consistent. Look at the original Lord of the Rings as the best example. Each part not only stands on its own but, taken in sequence, the story builds, the characters become clearer, everything works to a conclusion.

Like an orchestra reaching a crescendo.

Not so here. The whole is weakened by the sum of the parts. Batman Begins is, frankly, sloppy. Great ideas and even great performances are lost in a weak narrative with a unsatisfying conclusion.

The Dark Knight has become iconic in its own right but not because of the way it continues the story, but rather because of the amazing one-of-a-kind performance by Ledger.

It is only when we get to Part 3 that we achieve perfection. This film is not merely better than than the first two, it may be the best film of its genre, ever.

Other Information:

Original Language en
Runtime 2 hr 44 min (164 min)
Budget 250000000
Revenue 1081041287
Status Released
Rated PG-13
Genre Action, Drama
Director Christopher Nolan
Writer Jonathan Nolan, Christopher Nolan, David S. Goyer
Actors Christian Bale, Tom Hardy, Anne Hathaway
Country United States, United Kingdom
Awards Nominated for 1 BAFTA Award39 wins & 103 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Datasat, Dolby Digital, IMAX 6-Track
Aspect Ratio 1.43 : 1 (70mm IMAX – some scenes), 1.78 : 1 (IMAX Blu-Ray & DVD version – some scenes), 1.78 : 1 (IMAX version) (original ratio), 1.90 : 1 (Digital IMAX – some scenes), 2.39 : 1, 2.39 : 1 (35 mm prints), 2.39 : 1 (IMAX version) (original ratio)
Camera Arriflex 235, Panavision C-, E-Series and Super High Speed Lenses, Beaumont VistaVision Camera, Panavision Primo Lenses, IMAX MSM 9802, Hasselblad and Mamiya Lenses, Panavision Panaflex Gold II, Panavision C-, E-Series and Super High Speed Lenses, Panavision Panaflex Millennium XL2, Panavision C-, E-Series and Super High Speed Lenses, Panavision Panaflex System 65 Studio, Panavision System 65 Lenses
Laboratory Consolidated Film Industries (CFI), Hollywood (CA), USA (IMAX prints), Technicolor, Hollywood (CA), USA (also prints), Technicolor, London, UK (processing), Technicolor, New York (NY), USA (processing)
Film Length 4,331 m (Portugal, 35 mm), 4,473 m (Spain)
Negative Format 35 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219), 65 mm (also horizontal) (Kodak Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (4K) (2017 remaster), IMAX (some scenes), Panavision (anamorphic), Panavision Super 70 (some scenes), VistaVision (some scenes)
Printed Film Format 35 mm (Kodak Vision 2383), 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383), D-Cinema