The One I Love 2014 123movies

Watch: The One I Love 2014 123movies, Full Movie Online – A troubled couple vacate to a beautiful getaway, but bizarre circumstances further complicate their situation..
Plot: On the brink of separation, Ethan and Sophie escape to a beautiful vacation house for a weekend getaway in an attempt to save their marriage. What begins as a romantic and fun retreat soon becomes surreal, when an unexpected discovery forces the two to examine themselves, their relationship, and their future.
Smart Tags: #relationship_therapy #swimming_pool #troubled_marriage #vacation_gone_wrong #surrealism #weekend_getaway #narrated_by_character #swimsuit #underwater_scene #wedding_anniversary #two_narrators #sadness #therapist #stairway #prologue #piano #man_wears_eyeglasses #flashback #flash_forward #therapy #looking_out_a_window

Find Alternative – The One I Love 2014, Streaming Links:

123movies | FMmovies | Putlocker | GoMovies | SolarMovie | Soap2day

Ratings:

	7.0/10 Votes: 40,320
	82% | RottenTomatoes
	66/100 | MetaCritic
	N/A Votes: 580 Popularity: 6.672 | TMDB

Reviews:

The Aardvark and the Gorilla
It’s interesting – and maybe a little TOO in-depth, just perhaps – looking at the message board for this movie on IMDb. There’s all sorts of theories that are flying about this way and that, what this means, who did what to whom, is there any meaning in an ‘Oragnutang’, things like that. What the filmmaker Charlie McDowell and writer Justin Lader have done is create a work that can bring a lot of different interpretations, that’s what’s so spectacular bout it. It’s a relationship comedy-drama, but it has the structure of something like a Luis Bunuel movie (Exterminating Angel) – a couple comes to a retreat to try to work out their issues and deal with past pain, in part from Ethan, thanks to the advice of a therapist – how they came to him is a bigger question never addressed, but whatever), and whenever they go into a guest house one of them meets a ‘version’ of the significant other who is, in their own certain way, perfect. Or ideal, or something that makes them… happy, I suppose.

The One I Love has only two characters, though one could/should say there are four. However you want to look at what’s happening here – a science fiction experiment, a mind-control device, brain manipulation, or just a simple narrative trick that one would probably never question if it were in a novel instead of a movie – as far as the character dynamics go. It’s an endlessly clever but emotionally involving story of mind-games; are Ethan and Sophie, the new ones, really ALL good for the ‘real’ Ethan and Sophie? How do they know all of these things about one another? Perhaps they’re projections or part of the subconscious mind. No matter. What matters is how the characters go from scene to scene, being happier – or not, as happens to Ethan – and the ups and downs when, finally, the ‘New’ Ethan and Sophie reveal themselves without tricks to the ‘Real’ Ethan and Sophie as… Ethan and Sophie you guys!

There is confusing stuff here. I thought I could watch the movie sort of half-asleep, and not only did that not work, the movie really kicked my head up into gear to get into the mix of it. I also thought it being Mark Duplass – he serves too as producer with brother Jay – it would be quite funny, but less… heady, perhaps? What really cements the film is that whether it’s Real or Not-Real Ethan, or Real or Not-Real Sophie, Duplass and especially Elizabeth Moss make them funny, awkward, sad, angry, sensual, crazy, scared, weird and angry again all in natural measure. The wonderful thing about most of the film, until a certain point perhaps (though it’s gradual, not a sudden turn for the worse or anything), it’s organically developing. When the characters enter their ‘fantasy’ space – and like Bunuel they can’t seem to get out when they may want to the most – they may be changing for the better… or worse.

So for all of the gimmicks of the story it has to work with the characters and the actors, whether one is ‘real’ one scene and then ‘fake’ the next, and who can tell outside of the glasses (hey, he’s like Clark Kent, non?) The movie works best, and is riveting in a kind of harrowingly comic way, when the husband and wife are getting used to what they see as a “safe’ environment to play out their other’s better qualities, as if it’s a ‘tag-you’re-it’ thing, and we get to see how one views the other and one tries to be more or less comfortable. In other words, it’s just a lot of fun outside of the obvious psychological implications. Where it gets a bit fuzzy is when the ‘plot’ kind of kicks in a bit more, or it felt that way for me, in the third act when the ‘Fakes’ and their actual origins are revealed (more or less, some of it remains obscure, which is maybe for the best for the sake of the sanity of the piece), and it kind of falls apart.

And yet, the end scene brought me back again, so it’s a strange thing. The whole movie features two actors, both with magnetic, awesome chemistry, getting to play a wide swath of emotions, albeit in how the particular ‘version’ goes from moment to moment (not unlike earlier this year with Eisenberg in The Double). It’s a surreal farce that resonates because it asks what a lot of the great movies about marriage ask: who is this person I am with, and can I continue to be with them the same way? For a while, it’s one of those marvelous, original comedies of the past few years, and should be seen on VoD. 8.5/10

Good episode of the Twilight Zone
I rarely watch a romantic comedy, and I wouldn’t have watched this one based on the IMDb plot description, so thanks to the then 15 reviews that changed my mind. That was a very pleasant hour and a half.

I like to be told a story, and that’s what the movie does. This story is completely centred around its characters, the young couple next door, portrayed with simplicity and in a way that lets us relate and empathise. They also act and react like sane and sensible people, which is so uncommon nowadays that it’s worth mentioning.

I’ll sum it up as both intriguing and amusing, a double source of entertainment. One way to achieve that is to confuse the viewer as much as the protagonists. A very right thing to do, and done in the right proportion in my opinion. We can get confused for a minute, yet we always understand what’s happening. There is also a constant undertone of drama. The ending alone can be felt very differently based on our mood of the moment.

Rich writing and solid delivery can satisfy you on several levels. A theatre screen is not necessary though; renting it is fine if you’re on a budget.

Other Information:

Original Language en
Runtime 1 hr 31 min (91 min)
Budget 0
Revenue 513447
Status Released
Rated R
Genre Comedy, Drama, Fantasy
Director Charlie McDowell
Writer Justin Lader
Actors Mark Duplass, Elisabeth Moss, Ted Danson
Country United States
Awards 2 wins & 2 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Red Epic, Zeiss Ultra Prime, Bausch & Lomb Super Baltar and Kowa Prominar Lenses
Laboratory N/A
Film Length N/A
Negative Format Redcode RAW
Cinematographic Process Digital Intermediate (4K) (master format), Kowa Scope (anamorphic) (source format), Redcode RAW (5K) (source format)
Printed Film Format D-Cinema