We’re the Millers 2013 123movies

Watch: We’re the Millers 2013 123movies, Full Movie Online – After being robbed of a week’s take, small-time pot dealer David is forced by his boss to go to Mexico to pick up a load of marijuana. In order to improve his odds of making it past the border, David asks the broke stripper Rose and two local teenagers to join him and pretend they’re on a family holiday..
Plot: A veteran pot dealer creates a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico.
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Ratings:

	7.0/10 Votes: 449,399
	49% | RottenTomatoes
	44/100 | MetaCritic
	N/A Votes: 7762 Popularity: 33.633 | TMDB

Reviews:

We’re the Millers
A very interesting movie. I really enjoyed watching movies that made me laugh most of his comedy attempts, especially from Jennifer Aniston and Emma Roberts. The drama side was very weak.

A Good Deal Funnier than I Expected
When the trailers for WE’RE THE MILLERS started making rounds, I had no intention of watching it. It just looked dumb. Another low-brow comedy catering to the lowest common denominator. Then the reviews starting creeping out and the general consensus seemed to be that it wasn’t all that bad. It wasn’t going to win any awards and it’s doubtful to be on anyone’s top ten list for 2013, but it was fun. So with that little bit of encouragement (and Jennifer Aniston as a stripper) I finally relented and, you know, I don’t regret it. It’s not a great movie, but it’s definitely got some laughs thanks to a pretty nice bit of casting. It’s a road trip movie with familial themes but it never slaps you upside the head with them. The movie is about small-time drug dealer David Clark (Sudeikis). He’s robbed one night by a gang of thugs who make off with all of his drugs and cash, leaving him on boss man Brad Gurdlinger’s (Ed Helms) bad side. But he’s willing to forgive David and even give him a nice little payday if he’ll run down to Mexico, grab a “smidge” of marijuana, and bring it back across the border for him. David reluctantly agrees and formulates a plan of bringing the drugs across the border while attracting minimal attention: pose as a family on vacation and cross the border in an RV. But he’s going to need a family. He recruits his stripper neighbor Rose (Aniston), a homeless punk (Emma Roberts), and a sheltered neighbor kid (Will Poulter) and soon the “Millers” are on their way to Mexico.

My big concern with any “family” movie is, well, the family part. I hate overly saccharine, heart-felt moments in movies when someone realizes how much they love/need their family/loved ones/whatever. I was worried about finding that sort of sugary sap in WE’RE THE MILLERS with Sudeikis realizing how much better he feels when he drops the loner bit and starts to act as if these misfits are truly family. And…well, OK…that does sort of happen but it doesn’t shove your nose in it. It happens in small doses and usually comes with some raunchy humor to soften the blow and remind you, “Don’t worry, this is still a movie about drug smuggling and there’s a stripper.” Aside from a final monologue moment from Sudeikis around the movie’s climax, it’s never too much. Each of the four main characters has the family deficiency issue and have their reasons to embrace their situation. David’s a drug dealer and a bit of a loser, and he’s reminded of the fact when he sees an old college buddy in the beginning of the movie who became a family man. Rose is a stripper but it’s obviously not where she wants to be. Casey’s a runaway, living on the streets with her iPhone, and Kenny’s been home alone since his mom went out for a drink with friends…two weeks ago. So, the seeds are all there for the finale we all expect but it’s nice to see it’s all thought out better than I expected from a drug comedy.

The main reason this movie works as well as it does it the casting. I stopped watch “Saturday Night Live” before Jason Sudeikis joined the cast but I loved him in HORRIBLE BOSSES and he was one of the funnier bits of MOVIE 43, and WE’RE THE MILLERS gives him the chance to be the main character. He handles it well. I love his sense of humor and his comedic timing, and some of his line deliveries had me rolling. The other highlight is Nick Offerman as a fellow RV vacationer whose family the Millers meet and can’t seem to shake. An All-American sort of dad with a distaste for profanity and the ultimate family man, Offerman’s hilarious as he goes from leading his family in campfire songs one minute and offering the Miller’s the chance for a little swinging the next. His wife Edie is played by Katherine Hahn and the two work perfectly together. The rest of the cast is fine enough. Aniston still seems a little odd delivering the raunchy dialogue but she’s still hot, and so is Emma Roberts. Despite any flaws, the film works because the main four (Sudeikis, Aniston, Roberts, and Poulter) had a real good chemistry. WE’RE THE MILLERS was a lot funny than I ever anticipated, even when it wasn’t firing on all cylinders. It was a fun comedy to help close out the summer and it sets itself up for a sequel with the Millers that, honestly, I’m not adverse to. I’d be down for another adventure with the family.

Other Information:

Original Language en
Runtime 1 hr 50 min (110 min), 1 hr 59 min (119 min) (Extended Cut)
Budget 37000000
Revenue 269994119
Status Released
Rated R
Genre Comedy, Crime
Director Rawson Marshall Thurber
Writer Bob Fisher, Steve Faber, Sean Anders
Actors Jason Sudeikis, Jennifer Aniston, Emma Roberts
Country United States, United Kingdom
Awards 4 wins & 17 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix SDDS, Datasat, Dolby Digital
Aspect Ratio 2.39 : 1
Camera Arri Alexa, Cooke S4 and Angenieux Optimo Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (color) (digital intermediate), nextLAB/FotoKem Laboratory, Los Angeles (CA), USA (dailies)
Film Length 3,002 m (Portugal, 35mm), 3,010 m (6 reels)
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema