#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Based on an incredible true story of one man’s fight for survival and freedom. In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty personified by a malevolent slave owner, as well as unexpected kindnesses, Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.
Plot: In the pre-Civil War United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery. Facing cruelty as well as unexpected kindnesses Solomon struggles not only to stay alive, but to retain his dignity. In the twelfth year of his unforgettable odyssey, Solomon’s chance meeting with a Canadian abolitionist will forever alter his life.
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|8.1/10 Votes: 645,844|
|7.9 Votes: 8731 Popularity: 19.555|
This movie is very, very well done. Well, edited and with the proper long shots at the proper moments bringing you to the life of Solomon without remedy.
All the cast performs exceptionally well and Ejiofor is to be remembered for this film.
A must to be seen.
**Dreaded at the thought that human kind ACTUALLY had this kind of livelihood at some point of time..**
Could not gather my thoughts to write this review at the end of the movie.Feeling really bogged down by some heaviness on my chest. Thinking about the times in history when we actually used to do these atrocities on other human beings makes me cringe.To imagine waking up one day and find me in chains just because I’m a colored man and living my life like an unwanted child of god makes me question humanity altogether. Just sitting through a little over than 2 hours and watching this movie made my heart bleed, I can’t even begin to think of the people who lived their entire lives as SLAVES… 12 years a slave heart breakingly makes you feel the pain and suffering of almost the entire human kind at one point of time or other. Direction by Steve McQueen is brilliant.Chiwetel Ejiofor plays a helpless slave in Solomon Northup to the hilt and also the small but impactive role played by Brad Pitt as a man with conscience is superb.Lupita Nyong’o’s Patsey too was depicted heart warmingly. You can’t help but question yourself that how could MAN stoop such low and do these cruel acts and that too over such a prolonged period of time without even a single ounce of doubt in his mind for what he would have to pay for his actions.. All in all a GEM of a movie showing one of the lowest point in human history !
McQueen’s epic is beautiful and tragic anchored by sensational performances…
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One of the things that have been thrown around for months now is the notion that awards season voting bodies won’t respond to it because it’s too “difficult” to sit through. Let’s define difficult, shall we? Is it difficult to see the first openly gay politician gunned down by his closeted colleague? Is it difficult to see a reformed convict put to death by our country for his crimes? Is it difficult to see a mother choose which one of her children dies during the Holocaust? I’d argue that these answers add up to a resounding yes. Yet, no one threw those phrases of “too difficult” around.
I’ve watched hundreds of films throughout my short 29-year history and I’ve seen some difficult cinema. Steven Spielberg’s “Schindler’s List” can make anyone quiver in shame as it shows the despicable reality of the Holocaust. Paul Greengrass’ “United 93”, which is almost an emotional biopic of America’s darkest hour, makes me want to crawl up into a ball and cry. And finally, Mel Gibson’s “The Passion of the Christ”, one of the highest grossing films of all-time, shows the labor of our sins fleshed out into the beaten skin of an honest man. And still, no one threw these hyperbolic terms out saying, “it’s too hard watch.” Is it because this is an American tragedy, done by Americans? Is it the guilt of someone’s ancestors manifesting it in your tear ducts? I can’t answer that. Only the person who says it can. The structure of this country is built on the backs and blood of slaves. But slavery didn’t just exist in America, it was everywhere. It was horrifying what occurred for over 200 years and believe it or not, still exists in some parts of the world TODAY.
Now when approaching the powerful film by McQueen and distributed by Fox Searchlight Pictures, there is a resounding honesty that McQueen and screenwriter John Ridley inhabit. There are no tricks or gimmicks, no cheap takes on a side story or character that is put there for time filling or a life-lesson for Solomon to learn. Everything is genuine. Is the film heartbreaking? Oh my God yes. Did I cry for several minutes after the screening? Embarrassingly so. I was enamored the entire time, head to toe, moment to moment.
I have long admired the talent that’s been evident in the works of Chiwetel Ejiofor. I’ve known he was capable of what he has accomplished as Solomon Northup and he hits it out of the park. He has the urgency, worry, and drive to get home to his family and executes every emotion flawlessly even when all hope seems to be lost. Where he shines incredibly are the small nuances that he takes as the story slows down, you notice aspects of Solomon that make him even more believable.
As Edwin Epps, Solomon’s last owner, Michael Fassbender digs down deep into some evil territory. Acts as the “Amon Goeth” of our tale, he is exactly what you’d expect a person who believes this should be a way of life to behave. He’s vile and strikes fear into not only the people he interacts with but with the viewers who watch. As Mrs. Epps, Sarah Paulson is just as wretched. Abusive, conniving, entitled, and I loved every second of her.
Mark my words; Lupita Nyong’o is the emotional epicenter of the entire film. The heartache, tears, and anger that will grow inside during the feature will have our beautiful “Patsey” at the core. She is the great find of our film year and will surely go on to more dynamic and passionate projects in the future. You’re watching the birth of a star.
Hans Zimmer puts forth a very pronounced score, enriched with all the subtle ticks that strike the chords of tone. One thing that cannot be denied is the exquisite camera work of Sean Bobbit. Weaving through the parts of boat and then through the grassroots of a cotton field, he puts himself in the leagues of Roger Deakins and Seamus McGarvey as one of the most innovative and exciting DP’s in the business. Especially following his work in “The Place Beyond the Pines” earlier this year. Simply marvelous.
Oscar chances, since I know many of you are wondering. Put the Oscar’s in my hands, you have a dozen nominations reap for the taking. Best Picture, Director, Lead Actor, Supporting Actor, dual Supporting Actresses, Adapted Screenplay, Production Design, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Original Score. There’s also a strong and rich sound scope that is present. The sounds of nature as the slaves walk or as Solomon approaches his master’s house is noticed. The big question is, can it win? I haven’t seen everything yet so I cannot yet if it deserves it or not. I can say, if critics and audiences can get off this “difficult” watch nonsense and accept the cinematic endeavor as a look into our own history as told from a great auteur, there’s no reason it can’t top the night. I’m very aware that seeing this film along with Steve McQueen crowned by Oscar is nearly erasing 85 years of history in the Academy. Are they willing and ready to begin looking into new realms and allowing someone not necessarily in their inner circles to make a bold statement as McQueen and Ridley take in “12 Years a Slave?” I remain hopeful.
A disturbing but powerful portrayal of slavery in America
Directed by Steve McQueen and staring Chiwetel Ejiofor, Michael Fassbender, Benedict CUmberbatch, newcomer Lupita Nyong’o, and a ton of other stars, ’12 Years a Slave’ is based on the memoir of Solomon Northup, a freeman who was living in Saratoga, NY before being tricked, drugged, and sold into slavery in the south.
McQueen is an auteur known for his honest and brutal direction, and he keeps filming when others would shut the camera off or look away. While making the picture that much more difficult to sit through, his steadfastness greatly elevates the emotional impact of the film. It’s a must-see, if only for educational purposes—just as ‘Schindler’s List’ is used to teach about the Holocaust and ‘Milk’ about the struggle for gay rights.
I’m not trying to compare the events depicted in this film with the events depicted in those I just mentioned, all I’m saying is that they are all equally important in portraying the reality of their respective situations. There is a moment in ’12 Years a Slave’ when, as a form of punishment, Northup is hanged by his neck, the tips of his toes just able to reach the ground below him. The camera stays on him for a few minutes. It is silent, and all you can do is listen to him struggling for breath.
This is one of the more disturbing moments in the film, but not the worst. Eventually, Northup is sold to Edwin Epps, a short-tempered and impulsive plantation owner portrayed by Michael Fassbender. He is by far the most villainous and terrifying character in the film, and Fassbender brilliantly captures his mood swings and tempestuous personality.
It is Chiwetel Ejiofor, however, who steals the show. He brings so much life to Northup, and completely disappears into his characters. He is able to depict so many deep levels of emotion, while also bringing dignity to a man who was unwilling to let anyone take away his will to “live” rather than just “survive.” Additionally, Lupita Nyong’o, in her first big film role, is mesmerizing as Patsey, and hardworking and desperate woman, and the object of her master Epps’s attention. She is hated by Epps’s wife—masterfully played by Sarah Paulson— and most of the more dramatic moments in the film revolve around her character’s tragic story.
If I have one complaint, it’s that 12 years do not seem to pass by at all, mainly because none of the characters substantially age. Also, Brad Pitt is thrown in for ten minutes to depict a kind-hearted abolitionist, and while he does a good job, it just feels like Brad Pitt on a slave plantation, which is totally out of place.
Regardless, while the film may be harrowing and difficult to sit through, it is simply brilliant all the way through, and by far the most honest depiction of slavery that I’ve ever seen.
Original Language en
Runtime 2 hr 14 min (134 min)
Genre Biography, Drama, History
Director Steve McQueen
Writer John Ridley (screenplay by), Solomon Northup (based on “Twelve Years a Slave” by)
Actors Chiwetel Ejiofor, Dwight Henry, Dickie Gravois, Bryan Batt
Country USA, UK
Awards Won 3 Oscars. Another 240 wins & 335 nominations.
Production Company River Road, New Regency Pictures, Plan B Entertainment
Sound Mix DTS (Digital DTS Sound), Dolby Digital, SDDS, Dolby Surround 7.1, DTS (5.1 surround)
Aspect Ratio 2.35 : 1
Camera Arricam LT, Cooke S4 and Angenieux Optimo Lenses, Arricam ST, Cooke S4 and Angenieux Optimo Lenses
Laboratory Cineworks, New Orleans (LA), USA (telecine), DeLuxe, Hollywood (CA), USA (prints)
Film Length 3,684 m (8 reels)
Negative Format 35 mm (Kodak Vision3 50D 5203, Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema