#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – At 17 Mike O’Donnell is on top of the world: he’s the star of his high school basketball team, is a shoo-in for a college scholarship, and is dating his soul-mate, Scarlet. But at what’s supposed to be his big game where a college scout is checking him out, Scarlet reveals that she’s pregnant. Mike decides to leave the game and asks Scarlet to marry him, which she does. During their marriage, Mike can only whine about the life he lost because he married her, so she throws him out. When he also loses his job, he returns to the only place he’s happy at, his old high school. While looking at his high school photo, a janitor asks him if he wishes he could be 17 again and he says yes. One night while driving he sees the janitor on a bridge ready to jump, and goes after him. When he returns to his friend Ned’s house, where he has been staying, he sees that he is 17 again. He decides to take this opportunity to get the life he lost.
Plot: On the brink of a midlife crisis, 30-something Mike O’Donnell wishes he could have a “do-over.” And that’s exactly what he gets when he wakes up one morning to find he’s 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he’d never made. But maybe they weren’t so bad after all.
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|6.4/10 Votes: 181,857|
|6.2 Votes: 3919 Popularity: 32.628|
A genuinely good teen film. Something this generation has been lacking…
I’ve just returned from the cinema after watching this film and I have to say, my friends and I laughed like a bunch of hyenas (probably to the annoyance of anyone behind us) all the way through it. The story of course is nothing original, but you knew that going in, and yes, there are some seemingly ridiculous or stereotypical character setups, again acknowledged beforehand, but the direction and the acting, more than makes up for this. Most of the actors, especially Efron, who proves he’s definitely not just a wanna-be pretty boy and actually stores away some talent, play their parts well. Matthew Perry seemed slightly misplaced, even if he was the reason I went to see the film in the first place. Not to mention the director being Burr Steers who directed one of my favourite films. I could kind of tell how in the wrong hands this movie could have been embarrassingly bad, but Steers manages to balance the right amount of comedy with drama and turn it into something really worth seeing. Efron blew me away. I have to say, I didn’t see it coming, and I never thought I’d say such a sentence, but this boy can do better than TV Disney movies. I’m kind of glad he has turned down re-make, Footloose, not only because it’s a ‘re-make of footloose’.
On the negative side of things the writing lacked in terms of Mark’s relationship with his daughter. The daughter didn’t really seem to have a personality, now I’m not totally sure if this is down to Trachtenbergs terrible acting (one of very little who deliver poor performances actually) or poor character development but something was wrong there.
I don’t really rate the cinematography, but I don’t think it’s something to be taken quite seriously in teen films. It’s all about the characters and the comedy – but what was up with that image of Zac right before ‘Mark’ falls into the water? Some interesting choices of music. One of the funniest movies I’ve seen in a while. Quite moving and Mark is a much more 3 dimensional, well developed character than most PG-13 rated movies you see. I genuinely cared about him, where as, even in Mean Girls, (which is particularly hilarious and legendary as far as contemporary teen films go) I didn’t care too much for any of the characters. It’s probably because this film went that little bit further than most and took itself seriously, if only for parts of the movie. It makes a big difference.
So, yeah, ’17 Again’, fairly well written, hilarious, well and sometimes greatly acted and awesome direction for the most part, and a genuinely good, enjoyable and moving film. Take a look and you’ll probably be surprised… but don’t go in hoping for anything Oscar worthy. I get the impression there is only so much a director can do with a film like ’17 Again’ and he did it alright.
Trustworthy director and impressive lead, I’d say. Can make all the difference.
p.s. I’d also watch out for that Sterling Knight actor – he plays Marks awkward son. He gave a genuinely good performance also.
Awful, just awful…
Me pushing the ‘stop’-button on the DVD-player halfway through a movie doesn’t happen a lot, but it happened this time. I was expecting to see an enjoyable and witty teen movie, nothing more, nothing less. But it wasn’t enjoyable, nor was it witty.
The acting was terrible, and the Ned-character was just downright annoying. I guess he was supposed to be the funny guy (which every teen movie has at least one of), but he was so NOT funny. I don’t think I can blame the actor, it’s probably just the absolutely rubbish script.
These types of movies should be ‘light’, enjoyable and cleverly produced no-brainers, but even at this 17 Again failed big time. It’s not worth buying the DVD, and watching it when it comes out on TV would also be a waste of your time. You’d better go dish washing or something. Honestly…
Original Language en
Runtime 1 hr 42 min (102 min)
Genre Comedy, Drama, Fantasy, Romance, Sport
Director Burr Steers
Writer Jason Filardi
Actors Zac Efron, Leslie Mann, Thomas Lennon, Matthew Perry
Awards 3 wins & 5 nominations.
Production Company Offspring Entertainment
Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium XL2, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory DeLuxe, Hollywood (CA), USA (also prints), EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 2,800 m (Portugal, 35 mm), 2,810 m (Spain)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic), D-Cinema