#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
Plot: Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
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|6.2/10 Votes: 16,143|
|5.8 Votes: 194 Popularity: 10.24|
Better than expected, with its approach to “global”, disconnected, modern life
Movies linking different stories taking place all over the world are usually are praised for the interweaving plot coming together with some big revelation. Think about Babel, universally praised for mixing intercontinental tragedy. I liked it moderately, as it was a bit too gloomy, and I would not put it in my top-ten list.
On the other hand, 360 working on a similar take, was vilified almost unanimously. On a different merry-go-round we have the stories of an English businessman ready to stray with a prostitute in Vienna, while his wife is already straying in London with a Brazilian guy, whose fiancée is dumping him for said infidelity and traveling back home, etc Since the prostitute is having her photos taken by a photographer for her online advert, the movie starts and finishes with a girl entering the study, thus coming round 360 degrees. A couple of stories are quite weak, such as the Brazilian girl meeting a sex offender en route to Brazil and the prostitute’s sister running away with a stranger. However, compared to Babel what is missing here is mega tragedy and that is exactly what made Babel so pretentious, with its existentialist grandeur.
Therefore, I liked 360 better because its characters are more “normal” – except, perhaps, the Russian mobsters – and their lives are not experiencing huge calamities. They just change or adjust slightly. I guess that was not liked by the critics (and public). Nowadays, a level of extra-drama seems to be required in ever massive doses to relieve with excitement our numbed existences at least for a couple of hours.
a pleasant surprise
I ran across 360 by chance and really enjoyed it. Yet, when searching for more information in internet the generic title proved difficult to google. After some clicking things started to unfold: the same author directed City of God and the movie is a loose adaptation of one Arthur Schnitzler’s play. Although i can’t say much about the latter, the former impressed me even more since i’ve enjoyed that movie, as well.
The cast is brilliant with famous actors popping in and out of view and blending discreetly with otherwise great performance of less known colleagues. We effortlessly move with them across cities, countries and continents as it otherwise is the case in globally interconnected world at the start of the 21st century.
The more i think about 360 the more interesting details i discover in retrospect. Probably the strongest message is that there is a good seed even in the worst of us. The other is that we all eventually get what we want but some of us also get what they deserve.
What i particularly enjoyed is that a lot of things are either foreshadowed or left unsaid. This gives room for viewer’s imagination to kick in, which, in turn, is rather uncommon in the era of realism and boredom in movies with artistic tendencies.
To sum it up, the only reason my vote is two stars shy of the best note is that i understand how this kind of movie might not be everyone’s cup of tea.
Original Language en
Runtime 1 hr 50 min (110 min)
Genre Drama, Thriller
Director Fernando Meirelles
Writer Peter Morgan (screenplay)
Actors Lucia Siposová, Gabriela Marcinková, Johannes Krisch, Danica Jurcová
Country UK, Austria, France, Canada, Brazil, USA
Awards 3 nominations.
Production Company Muse Productions, Wild Bunch, BBC Films, Unison Films, UK Film Council, O2 Filmes
Sound Mix Dolby Digital, Datasat
Aspect Ratio 2.35 : 1
Camera Arricam LT, Zeiss Super Speed, Ultra Prime and Angenieux Optimo Lenses, Arriflex 416 Plus, Zeiss Ultra 16 Lenses
Laboratory Company 3, London, UK (digital intermediate), DeLuxe, London, UK, LISTO Videofilm, Vienna, Austria
Film Length N/A
Negative Format 16 mm (Kodak Vision3 200T 7213), 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format), Super 35 (3-perf) (source format)
Printed Film Format 35 mm (anamorphic) (partial blow-up), D-Cinema