#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – After years of no contact with his Uncle Henry, London banker and bond trader Max Skinner learns that Henry has died intestate, so Max inherits a château and vineyard in Provence. Max spent part of his childhood there, learning maxims and how to win and lose, and honing his killer instinct (at chess, which serves him well in finance). Max goes to France intent on selling the property. He spends a few days there, getting the property ready to show. Memories, a beautiful woman, and a young American who says she’s Henry’s illegitimate daughter interrupt his plans. Did Max the boy know things that Max the man has forgotten?
Plot: Failed London banker Max Skinner inherits his uncle’s vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
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|7.0/10 Votes: 89,177|
|6.7 Votes: 1064 Popularity: 13.556|
Very enjoyable – ignore the reviews!
This is definitely the first time I have gone to see an Russell Crowe and/or Ridley Scott film at the cinema, fully bracing myself to be disappointed and…
I am very pleased to be able to say that I enjoyed it thoroughly. It has a very warming glow to it – beautifully played; gorgeously shot. Anyone who isn’t just a little bit seduced by Provence after seeing it needs their head (or more likely their heart) examining. The lessons may well have been taught in a hundred films before, but that doesn’t make them any less relevant or resonant for the commercial era in which many of us now live…
So, why the terrible reviews? I really don’t know. The comedy was not overplayed in the way implied by the critics at all. To be blunt, it was not really necessary, as the warmth and effectiveness of the film and story lies in the romantic drama. The comedy is fine, but doesn’t really add anything to the film. However, it does give it a very upbeat, cheerful and likable feel and maybe that is reason enough.
Max’s character and Russell Crowe’s performance? It’s in the quieter moments where Crowe really excels and shows just why someone would want to cast him, as opposed to say Hugh Grant, in a film like this. His reactions to memories and the things that other characters do and say are just so much deeper and more real than Grant is capable of: which is why Grant always comes off as the same character in these films (a variation on the Grant formula) and Max comes off as real.
It almost seems as though the critics have a film with this plot pegged into a box: because they can only see (and can only expect to see) a Hugh Grant characterisation, they cannot accept anything other than a Hugh Grant characterisation. Whereas the actual reason that Crowe doesn’t come off as Hugh Grant is because he isn’t channelling that kind of characterisation at all. This is a very different kind of film.
Also, the critics seem to be completely off the mark in assessing the character, when they say that he starts off a bastard and ends a bastard too. Actually, this is far more about unearthing other qualities – not completely rejecting those ‘bastard’ qualities that he begins the film with, but refining and diluting them, as he becomes more and more adjusted to his past. He doesn’t change, he opens his heart and mind to qualities that he has been ignoring within himself. You can see that other Max from the moment he opens the letter telling him Henry is dead – but he tries to resist the feelings that are clearly there, in large part because he doesn’t want to face the fact that he has let his Uncle down – and all of the guilt that is allied with that.
The film is not the best film I have ever seen. The questions it asks are fairly fundamental, but they aren’t startling or especially thought provoking.
But the film is highly enjoyable, from start to finish; and it’s warm, something that is pretty rare in films these days.
So, to end, clearly I am not in tune with the critics – but then, increasingly that seems to be the case nowadays. I just think that I see completely different films to them…
A very enjoyable film with lots of laughs and excellent performances.
A demographically mixed audience seemed to enjoy this film very much. The photography was beautiful, the acting excellent, and the supporting players added an extra “punch” to the story line. Tho not an exact replica of the book it is based more on a story line running thru Crowe’s and Marion’s characters. The emphasis being on Crowe’s character finding out what is truly meaningful in his very hectic super-charged rather non ethical life. He rediscovers what he is missing i.e. love, trust, and friendships.
A “Great” date movie. The local scenery should definitely be seen on the “big” screen and not on a DVD! Tho not “Oscar” caliber” it is why most film goers go to the movies; pure entertainment and escapism. Ridley and Crowe have achieved that goal. A “Great” date movie and worth the price of admission
Original Language en
Runtime 1 hr 57 min (117 min)
Genre Comedy, Drama, Romance
Director Ridley Scott
Writer Marc Klein (screenplay), Peter Mayle (novel)
Actors Freddie Highmore, Albert Finney, Russell Crowe, Rafe Spall
Country USA, UK
Awards 1 win & 2 nominations.
Production Company Scott Free Productions
Sound Mix DTS, Dolby Digital
Aspect Ratio 2.39 : 1
Camera Arricam LT, Panavision Primo Lenses
Laboratory DeLuxe, Hollywood (CA), USA (color) (prints), Modern VideoFilm, Los Angeles (CA), USA (digital intermediate)
Film Length 3,195 m (Portugal), 3,208 m (Sweden), 3,216 m (Germany)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (4K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic)