#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Returning to England from a bombing run in May 1945, flyer Peter Carter’s plane is damaged and his parachute ripped to shreds. He has his crew bail out safely, but figures it is curtains for himself. He gets on the radio, and talks to June, a young American woman working for the USAAF, and they are quite moved by each other’s voices. Then he jumps, preferring this to burning up with his plane. He wakes up in the surf. It was his time to die, but there was a mixup in heaven. They couldn’t find him in all that fog. By the time his “Conductor” catches up with him 20 hours later, Peter and June have met and fallen in love. This changes everything, and since it happened through no fault of his own, Peter figures that heaven owes him a second chance. Heaven agrees to a trial to decide his fate.
Plot: When a young airman miraculously survives bailing out of his aeroplane without a parachute, he falls in love with an American radio operator. But the officials in the other world realise their mistake, and dispatch an angel to collect him.
Smart Tags: #british_pilot #year_1945 #american_woman #heaven #appeal #royal_air_force #post_world_war_two #falling_in_love #alternate_world #stairway_to_heaven #brain_surgery #world_war_two #doctor #surgeon #pet_dog #english_channel #kiss #playing_flute #playing_harmonica #reference_to_william_shakespeare #reference_to_sir_walter_scott
|8.1/10 Votes: 19,970|
|7.8 Votes: 223 Popularity: 11.248|
A young WWII airman misses his heavenly call, and challenges the laws of the universe to remain on earth.
I LOVE this movie. Director Michael Powell once stated that this was his favorite movie, and it is mine as well. Powell and Pressburger created a seemingly simple, superbly crafted story – the power of love against “the powers that be”. However, its deception lies in the complexity of its “is it real or is it imaginary” premise. Basically, one could argue that it is simply a depiction of the effects of war on a young, poetically inclined airman during WWII. Or is it? The question is never answered one way or the other. Actually, it is never even asked. This continuous understatement is part of the film’s appeal.
The innovative photography and cinematography even includes some nice touches portraying the interests of the filmmakers. For instance, Pressburger always wanted to do a cinematic version of Richard Strauss’ opera, Der Rosenkavalier, about a young 18th century Viennese aristocrat. This is evident in the brief interlude in which Conductor 71, dressed in all his finery, holds the rose (which appears silver in heaven). The music even has a dreamy quality.
All of the acting is first rate – David Niven is at his most charming, and he has excellent support from veteran Roger Livesey and relative newcomer Kim Hunter. But, in my opinion, the film’s charm comes from Marius Goring as Conductor 71. He by far has the most interesting role, filling each of his scenes with his innocent lightheartedness, brightening the film. It’s a pity that some of Conductor 71’s scenes were left on the cutting room floor. It is also a pity that Goring’s comedic talents are rarely seen again on film, except in the wonderful videos of The Scarlet Pimpernel television series from the 1950s. This is by far and away the most memorable role of his film career. He is a perfect foil for relaxed style of Niven, and his virtual overstatement contrasts so nicely with the seriousness of the rest of the characters. Ironically, also in the mid -1940s, Niven also starred against another heavenly “messenger”, played by Cary Grant, in The Bishop’s Wife. Their acting styles were so similar that I found the result boring, unenergetic, and disappointing. As a note, according to Powell, Goring desperately wanted the role of Peter Carter, initially refusing Conductor 71. It’s a good thing he gave in and gave us such a delightful portrayal.
The movie, “commissioned” to smooth over the strained relations between Britain and the U.S., overdrives its point towards the end. But it is disarming in its gentle reminders of the horrors of war – the numerous casualties, both military and civilian, the need to “go on” when faced with death. There is a conspicuous lack of WWII “enemies” in heaven, but the civilians shown are of indeterminate origin. Powell and Pressburger could have been more explicit in their depiction but it wasn’t necessary. The movie may not have served its diplomatic purpose as was hoped for, but its originality continues to inspire moviemakers and viewers alike on both sides of the Atlantic.
Beautiful love story in stunning Technicolor!
This is one of the most overlooked gems Hollywood has ever produced. — A young WWII British fighter ace whose plane is about to crash, has radio contact with a young American woman who comforts the brave pilot, knowing that within minutes he will be dead. For some reason the man who should certainly be dead walks away from the wreckage and eventually learns that he was meant to report to heaven. When a messanger is sent to ask the pilot to accompany him to heaven, the man refuses and demands to have his “day in court” to argue his case. The man argues that his situation had changed during the final moments of his earthly life, that he had fallen in love and therefor had become a different person, one who deserved a chance to live on.
The “heavenly court” is a cinematic delight! The “announcement of the jury of peers” is a definite highlight. The story, as fantastic as it seems, is an engaging one and will keep you spellbound for the nearly 2 hours play time. The final scene is simply beautiful and will require a “Kleenex treatment” for most viewers. This film is in my personal all-time favorite top 10, it has my highest recommendation!
Original Language en
Runtime 1 hr 44 min (104 min)
Genre Comedy, Drama, Fantasy, Romance, War
Director Michael Powell, Emeric Pressburger
Writer Michael Powell, Emeric Pressburger
Actors David Niven, Kim Hunter, Robert Coote, Kathleen Byron
Awards 1 win & 2 nominations.
Production Company The Archers
Sound Mix Mono (Western Electric Recording)
Aspect Ratio 1.37 : 1
Laboratory Technicolor (color and dye-monochrome processing)
Film Length 2,856.6 m (10 reels) (UK)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 4K DCP (restored version), 35 mm