#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – High school seniors Nathan and Karen find a website with photos of children who are missing or believed abducted. One of the photos is of Nathan as a child, putting into question the identities of the couple whom he’s always called Mom and Dad. Contacting the site to learn more only results in Nathan becoming the target of an intense, high-tech, international manhunt. Before his “parents” can explain themselves, they are executed by hired guns, and Nathan is on the run with Karen in tow (who just happened to be there at the wrong time). Phone use by either of them only connects directly to a man claiming to be C.I.A., in whom they find reasons not to trust. With encroaching shootouts, car chases, hand-to-hand combat and explosions around them, this seems quite much for a mere case of child abduction, and Nathan can only rely on the wrestling, boxing and martial arts skills taught by his “dad” to protect both himself and Karen as they follow a lead to find Martin, Nathan’s biological father, who can likely shed light on what all this is about.
Plot: A young man sets out to uncover the truth about his life after finding his baby photo on a missing persons website.
Smart Tags: #teenager #on_the_run #visiting_mother’s_grave #pittsburgh_pennsylvania #assassin #tape_over_mouth #bad_actor #pinching_cheek #cia_central_intelligence_agency #website #high_school #neighbor #missing_person #abduction #hospital #car_chase #wrestling #shootout #hand_to_hand_combat #martial_arts #chase
|5.1/10 Votes: 76,927|
|5.9 Votes: 2369 Popularity: 19.818|
‘Abduction’ …not bad & pretty much what you would expect
Watched this last night, and it was mostly what I expected. After a wonky beginning, it’s generally a popcorn, action/date movie that’s not exactly high-art. The film is not the worst thing you’ve ever seen – it’s really just an escape, with a good production, and that’s it.
Zillions of reviews say Lautner was horrible. Huh? I really think people are just jealous. He was fine and didn’t overact – he was sincere, fit the role & there is little reason to be upset.
These reviews lacerating Lautner were like people destroying Paris Hilton from “House of Wax,” when in actuality, she was honestly alright in that. Not a big deal. Granted, I don’t have strong feelings about either performer.
With a strong budget of $30M, the film looked confident and solid by John Singleton, the film is a fairly easy watch as it goes along, & the supporting cast of admired actors (Weaver, Molina, Bello) were fine.
Singleton isn’t too flashy, and might just be cashing a check… but one thing he would do is make sure that the actors would have their moments, instead of too many quick cutaways.
The story is kind of fun in the moment, but, sure it’s silly when you think about it afterwards. But, mehh. It was fun. Nothing is horrendous about ‘Abduction.’ I saw two of the Twilight films and thought they were easy to watch as well & not really a big deal. And Lautner’s disposition is somewhat similar in Abduction as he was in Twilight. I think that’s alright & he fit the roles fine.
If I were to complain about anything is that ½ of the fighting looked good, but ½ wasn’t that great. Secondly, the dialog was usually fine, but it could get so dull/ cliché I felt sorry for the actors.
Thirdly, the ending climax with the villain was just straight-forward; you really see it coming. It’s not clever at all & it felt very ’80s. Fourthly, some of the chasing sequences were good, but sometimes they could lack blood-pumping momentum. Despite the complaints, the film is still a fun adventure.
I’d read so many bad reviews of this film…that maybe my expectations were low. But honestly, the film was fine and kinda fun. Just an escape.
Just refuses to admit it’s a B-movie.
Let me open with what any film review should address: I did not enjoy this movie. But first, a disclaimer: despite my reasons, I want to assure you that none of my negative points will verbally lambast lead actor Taylor Lautner just because ‘he’s some guy from Twilight.’ Nor will I make scalding reference to his gratuitous lack of upper body wear; the kind that one would hope comes off as witty commentary but ends up sounding more like an awkward combination of contempt and jealousy. So, with that out of the way, let’s get started.
When the shy but short-tempered Nathan (Lautner) is paired up with girl next door Karen (Lily Collins) for a school research assignment, he is shocked to find an image of his younger self on a ‘missing persons’ website, prompting him to question everything he thought was normal about his life. When the cover is blown, he and Karen find themselves on the run, unable to trust anyone in their search for the truth.
Not only will I not target any more of this review towards Lautner personally, I will even concede that he does his best on what is otherwise a sinking ship from the opening scene. Naturally, his acting skills do need refinement, and I expect we’re not looking at the next De Niro here, but his occasionally lackluster delivery is simply a branch of a much bigger problem- the script.
As an unapologetic actioner, it should be expected that Abduction possesses some of the clunky dialogue clichés associated with the genre. These include, but are not limited to ‘trust has to be earned’, ‘I’m not leaving without her’ and perennial favourite ‘wait how do you know my name?’, which is actually used more than once. But among these tired expressions is a handful of headscratchers; lines intended to act as cool quips but possessing an undoubtedly cringe-worthy aftertaste. For example, after Gerry (Sigourney Weaver) helps Nathan escape using balloons to cover security cameras (a la Ocean’s Eleven) she releases them with the deadpan, utterly serious line of ‘I hate balloons’. So you see my point.
The set pieces are just as ludicrous, asking the viewer to buy into the movie too much when we have not been given any reason to engage with the plot in the first place. In one instance, we bear witness to a CIA agent (operating undercover as a suburban housewife) easily take out two trained assassins. The climax set at a baseball game is a storytelling train wreck, fraught with inconsistencies and overly convenient outcomes. At the very least, I hoped a film set in Pittsburgh would show some love for the mighty Steelers instead of the lowly Pirates, but I digress.
General flaws in logic and realism are other aspects that can be attributed to this type of movie without having them become a major concern. Often, we tend to overlook moments which would result in serious injury for the hero in real life simply because he’s just that, a hero. I’m also willing to pass these moments off, but in Abduction they occur so often, and on such a noticeable scale that they severely detract from any engagement with the film that could be developed as it progresses, and therein lies its greatest letdown.
I commend the satisfactory action scenes, which minimised the kind of close-up, rapid camera movement that has drawn the bulk of my ire in recent months. Also, I was pleased to see the film show a bit of gumption by avoiding an entirely happy, alls-well-that-ends-well conclusion, but these upsides are not enough to sweeten what is otherwise an inherently flawed film.
*There’s nothing I love more than a bit of feedback, good or bad. So drop me a line on [email protected] and let me know what you thought of my review.*
Original Language en
Runtime 1 hr 46 min (106 min)
Genre Action, Mystery, Thriller
Director John Singleton
Writer Shawn Christensen
Actors Jake Andolina, Oriah Acima Andrews, Ken Arnold, Maria Bello
Awards 2 wins & 3 nominations.
Production Company Lionsgate Films, Vertigo, Gotham Group
Sound Mix Dolby Digital, Datasat, SDDS, Dolby Surround 7.1
Aspect Ratio 2.35 : 1
Camera Arriflex 435 ES, Panavision Primo Lenses, Panavision Panaflex Millennium XL2, Panavision Primo and Angenieux Optimo Lenses, Panavision Panaflex Platinum, Panavision Primo and Angenieux Optimo Lenses
Laboratory DeLuxe, Hollywood (CA), USA (also prints), EFILM Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length 2,952 m (Portugal, 35 mm)
Negative Format 35 mm (Fuji Eterna 250D 8563, Eterna 500T 8573)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Fuji Eterna-CP 3514DI), D-Cinema