#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Magali, 45, is a wine producer in the south of France. She’s a widow, and her best friend, Isabelle, decides to find her a new husband. She puts an ad in the local newspaper and finds a nice man, Gérald. At Isabelle’s daughter’s wedding, Magali eventually meets Gérald. But there’s another man around, Etienne…
Plot: Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.
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A humanist critique of blind faith
For this, the last of his Tales of the Four Seasons, Eric Rohmer chose the somewhat pastoral setting of a vineyard in French wine country. It’s the story of a middle aged winemaker who wants to find a man but isn’t willing to look for one; essentially she hopes to encounter the perfect man by chance but she severely limits the likelihood of a meeting because she rarely ventures away from her work/home. Her two friends (who always visit her, never vice versa) each try to set her up with a man. Her older friend attempts to deceive her into thinking the man she has picked is a chance encounter while her younger friend, who happens also be dating her son, makes her intentions clear.
Essentially what Rohmer is saying with this film is that passively expecting things to happen without working for them in any way is foolish. Faith is a key theme in Rohmer’s work and this might be taken as a sort of critique of blind faith. When the winemaker is thrust into these romantic entanglements she reacts like a petulant child instead of a mature adult. The logical plans of her wordly friends are a sharp contrast to her own naivety. Still, this isn’t some cold rejection of her character; in spite of her flaws the winemaker still has some admirable traits and things work out well for her. This is the difference between Rohmer and certain other directors who attempt to analyze human nature: he never lets his ideas overcome the realistic boundaries of human behavior and thus avoids the all too common pitfalls of misanthropy and didacticism.
Like almost every Rohmer film I’ve seen, An Autumn’s Tale expresses some truths about human nature with a captivating realism. However, this film didn’t really speak to me the way some of his films do because I ultimately don’t have much in common with the winemaker. It’s still well worth watching, especially for people who have more in common with the central character.
Prentious, talky and sloppy…
One of those French films where people walk through vineyards talking about love. Funny how you only find these relaxed chatty French people in movies yet the real Paris is as high strung and angry as New York. Maybe they act like this when they go to the country on weekends.
Don’t let this laid back act fool you, though. A stereotypical French professor lusting after his teenager students and lovesick middle aged women without anything to do is what passes for love here. The younger pretty people are so one dimensionally uninteresting they may as well be pets. It would appear that vineyard farming near a nuclear power plant is both glamorous and apparently not very time consuming. This leaves our characters plenty of time to wax melancholy about “l’amour”.
Among this films many conceits is the lack of a hairbrush or a comb for miles. Shaggy wind blown hair and weeds are the metaphors here. Give me a break!
Original Language fr
Runtime 1 hr 52 min (112 min)
Genre Comedy, Drama, Romance
Director Éric Rohmer
Writer Éric Rohmer
Actors Marie Rivière, Béatrice Romand, Alain Libolt
Awards 5 wins & 3 nominations
Production Company N/A
Sound Mix Dolby
Aspect Ratio 1.33 : 1 (negative ratio), 1.66 : 1 (theatrical ratio)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm