#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Jerry Falk and David Dobel, who meet at a business meeting, become fast friends. Their commonality is that they are both fledgling New York based comedy writers, largely writing material for stand-ups, are Jewish (although David is an atheist), and are each of bundle of different neuroses. Their big difference is that Jerry is twenty-one, while David is sixty, with forty more years worth of life experience, knowledge and neuroses. While Jerry writes full time – he also working on a novel – David has kept his day job as a public school teacher just in case. In their relationship, David becomes somewhat of Jerry’s mentor, providing advice on Jerry’s life issues, most which revolve around the fact that Jerry is a product of inertia, he having trouble leaving anyone. That’s why Jerry’s still with the one and only manager he’s ever had, Harvey Wexler. Jerry not only being Harvey’s only client (which is a testament to his effectiveness in the job), Harvey also has a 25% take as stipulated in their contract, which he wants to extend for another seven years. That’s why Jerry is still in therapy with a psychiatrist who has done him no good, and who advised Jerry to stay in therapy with him as opposed to taking a job in Los Angeles. But that not being able to leave largely applies to his love life. Jerry already has one divorce, his wife who left him. He is having problems with his current girlfriend Amanda, who he believes is the love of his life. He fell in love with her at first sight, when he was already in a cohabitational relationship with Brooke, and Amanda dating Jerry’s friend, Bob Stiles. Even after Jerry began sleeping with Amanda, he could not be up front with Brooke about the situation, he leaving her to figure out his lies. What Jerry is unable or unwilling to see is that Amanda not only manipulates him, but that he focuses on the things between them that make them truly compatible, while disregarding those many more things which make them totally incompatible. What has made their relationship more difficult of late is that her mother, who is trying to find herself, has moved in with them in their small apartment. Despite David’s unique view of life, he may be able to see Jerry and Amanda’s relationship more clearly as an objective bystander. The question becomes how much of David’s advice Jerry will take in its entirety.
Plot: Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like “anything else,” but soon he finds that life with the unpredictable Amanda isn’t like anything else at all.
Smart Tags: #writer #love_at_first_sight #teacher #sex #new_york_city #moving #panties #two_word_title #written_and_directed_by_cast_member #manhattan_new_york_city #voice_over_narration #flashback #central_park_manhattan_new_york_city #reference_to_sophia_loren #directed_by_co_star #self_discipline #wedding_anniversary #directed_by_star #kitchen #vandalism #taxi_ride
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It’s a film of small ambitions.
Having had to visit Woody Allen’s previous two films on Region One dvd (Hollywood Ending and Curse of the Jade Scorpion) it’s actually quite a revelation to see the white on black characters appear on a cinema screen — I’d forgotten how that looked and the anticipation of what the first moments will be as the usual jazz track plays out, it feels comfortable and familiar. And its this familiarity which fuels the film — for the first time in a while we are back in the Manhattan of the here and now watching a character based story. Although his films have been no less enjoyable lately they have hung on a concept or mcguffin which drives the plot when for me he’s always been more comfortable exploring characters within a simpler structure. Which is why Anything Else works so well.
Yet again I find myself rush headlong against general critical opinion. Does it do anything absolutely new? No. Does it at times feel like Woody Allen by numbers? Yes. But it doesn’t matter. I would much rather go to the cinema and see something with a script which is half literate with a good 10-15 belly laughs and god forbid actually makes me thing than the usual crud which passes itself off as a smart twentysomething comedy. The magic this time is that despite what poster might being telling you these aren’t perfect characters. For once the director lets their mess of neurosis come into conflict and see what happens.
Jason Biggs like most people in their early twenties doesn’t know what they want but can’t break from the life they’ve been dropped into (its actually a much stronger performance than people are giving him credit for — compare his work here to Loser and you can see he’s learnt a few things in the intervening years. Woody himself might be the mentor of the piece but he’s also a psychoanalytical mess (and the director seems to enjoy not having to carry the film as well as write and direct it — he’s always underestimated his talents but here he’s very touching). Christina Ricci is adorable but as a girlfriend would a pain to get along with but for perfectly good reasons (secretly I assumed that the work she does here is similar to what we’re missing in the still painfully unreleased Prozac Nation) including her mother played by Stockard Channing (I can’t believe she’s never been in a Woody Allen film before). The main ensemble is set off my Danny DeVito the gatekeeper to Biggs freedom (oddly also not been through the Woodster mill either before).
It’s a film of small ambitions. It plays out against a backdrop of very few sets and locations. A massive amount of the story takes place in Bigg’s apartment and on the benches of Central Park. This has the effect of allowing the audience focus on the dialogue. Instead of following the usual route of giving kids hip references which both immediately date a film and clang about to anyone the same age as the characters, Allen instead drops mentions for the giants of literature, philosophy and music. If this is the environment these characters have grown up in and the culture they’ve been exposed to they’re hardly going to start talking about Britney Spears (although do look out for a cameo by a contemporary music artist). Which is I suppose what makes it so involving. We’re watching someone else’s world and getting lost there. No one complains about Middle Earth, so why all the back biting about this version of Manhattan?
Woody’s best since the 70’s!!!!
Yesterday I went to see “Anything else… WOW!!!! To those who know and love Woody, those who DON’T love Woody and those (few) who don’t even know him, GO WATCH IT!!! This is definitely his best movie among the latest! It’s a bit like “Annie Hall” (a lot of citations from that, too), but with more sarcasm, more acidity. The movie is also quite aggressive, contrary to his old style: he’s not a victim anymore he exploits a splitting of his usual character for even more aggressive cinism! it’s ABSOLUTELY GREAT!!!!! I don’t know how somebody could define it “dull” or “empty”: this movie is a cannonball for human relations and it gathers all the acidity and sarcasm he couldn’t throw in in the past. He did it. YEAH!!!!!!
Original Language en
Runtime 1 hr 48 min (108 min)
Genre Comedy, Romance
Director Woody Allen
Writer Woody Allen
Actors Woody Allen, Jason Biggs, Fisher Stevens, Anthony Arkin
Country USA, France, UK
Production Company Metro-Goldwyn-Mayer, United Artists
Sound Mix DTS (Mono), Dolby Digital (Mono), SDDS (Mono)
Aspect Ratio 2.35 : 1
Camera Panavision Panaflex Millennium, Panavision Primo and C-Series Lenses
Laboratory Technicolor, Hollywood (CA), USA (prints), Technicolor, New York (NY), USA (color)
Film Length 2,973 m (Switzerland)
Negative Format 35 mm (Eastman EXR 100T 5248, Kodak Vision 320T 5277)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm (Kodak Vision 2383)