#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, ‘does not exist – nor will it ever exist’. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard’s job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz’s outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will Willard & the others be able to fulfill their mission?
Plot: At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, “does not exist, nor will it ever exist.” His goal is to locate – and eliminate – a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Smart Tags: #vietnam #vietnam_war #jungle #insanity #secret_mission #anti_war #army #u.s._army #battle #severed_head #river #green_beret #cambodia #patrol_boat #violence #reference_to_richard_wagner #animal_abuse #actual_animal_killed #odyssey #1960s #napalm
|8.4/10 Votes: 611,146|
|8.3 Votes: 5665 Popularity: 23.818|
I think a lot of people who think this film is a classic are deranged, the only memorable scene in the film is when they drop exploding napalm and the guy in the hat says “I love the smell of napalm in the morning”, the rest of the film is a completely boring bombshell and it’s like the film was high on drugs as there’s this one part where people are butchering a cow in the most grotesque way possible… poor cow, now I’m offended by this film.
This film is just weird, the characters are not memorable at all not even Marlon Brando’s character, the story is non-existent and the ending just sucks. Overall this film is absolutely terrible and I don’t care what others think, I did not enjoy this film at all.
**Ponderous, meandering epic with a few bright spots.**
This film is about a soldiers quest to find a renegade and insane Colonel (a bald Brando in an extended cameo) who has hidden himself away in the depths of the jungle and is causing all manner of commotion. Quite what it was – I can’t remember, but it _was_ important enough to go down stream in search of him.
Sheen’s character decides to head down river with his fellow soldiers and seek out the bald lunatic before its too late. Robert Duvall is hilarious as a war immune soldier – especially when a shell explodes near him and he merely gives it a disinterested glance. Amusing!
On the whole, though, this is a ponderous trip – the film seems to meander aimlessly with little to keep this viewer interested.
– Ian Beale
Redux: still brilliant – but now with new strengths and weaknesses
In an updating of `Hearts of Darkness’ a soldier is given a mission to travel up a river During the Vietnam war in order to terminate the command of Colonel Kurtz. Kurtz is operating without orders and is leading a group of natives in brutal violent strikes against the enemy. Despite his history of brilliance and decoration he has clearly gone mad. Willard joins a military boat and travels up river to his destiny. However the further he travels the more madness appears to have become the norm.
That Redux was going to be anything less than brilliant was never in doubt: it was never going to be so different from the original that it would destroy or significantly damage the reputation or impact that the film has. What was in question to my mind was whether or not Coppola should have just left well enough alone. I have seen the documentary about the making of the original film, wherein Coppola derides many of his scenes and decides to cut them out of his movie even as he finishes shooting them – the plantation scene being one of the key ones that he felt just didn’t work. It was for this reason that I was interested to see what the additions and rejigging of scenes had done to the film.
The strengths of Redux is that Apocalypse Now was never about the straight story, it was more about the journey Willard undertakes rather than a build up to a traditional conclusion – while the ending is big, it is no more or less important that anything that has gone before it. So for that reason it is a good thing that, simply put, there is now more of the journey to be enjoyed! `49 minutes of new material’ my dvd cover screams at me; combine this with the movement of scenes and certainly it does have the feel of a different (albeit familiar) film rather than just a bit of spit and polish with some new CGI effects (yes ET, I’m looking at you). However this increased material also brings with it the problems that not all the material compliments the film in terms of total quality.
None of the added scenes or sequential movements are bad or even average, they are all interesting, but some just don’t seem to really fit. The plantation scene has some great dialogue (that strikes a real chord so recently post-Iraq) and it makes it’s points but it just didn’t seem to fit. I can see what Coppola was trying to do and, if you watch Hearts Of Darkness, you can see that it frustrates him that it doesn’t work, but he got it right first time, it doesn’t fit despite it’s standalone merits. Likewise the playboy bunny scene intrigued me as I tried to get more from the bunny’s semi-speech about being made to do things and the theme of objectification, but again it didn’t totally work and seemed out of place.
Despite these two major scenes not totally fitting, they are still interesting and, if you came for the journey, then that is what matters and they present themselves as a flawed part of that journey – but a part of that journey nonetheless. Some of the smaller additions actually contribute a lot more to the film. Little moments in the boat show Willard to be more relaxed as a man than the original did – and this greatly benefits my understanding and appreciation of his character. How he interacts with the rest of the crew is also improved. Other minor additions to existing scenes serve to enhance them, but improvement in some areas is difficult when it comes to this film.
I won’t go into details on cast, performances and the themes of the film as I have already done that in my other review. Suffice to say that, if you loved Apocalypse Now then Redux will likely both enhance your enjoyment and slightly irritate you at the same time. The film easily stands up to the longer running time – as another user said, I could easily give the five hour version a stab (well, maybe once!) as the journey is the all. The additions may not be without flaw, but then that’s why they were higher on the editing hierarchy than the rest of the stuff! However they add interest and minutes to the journey – both of which are good things.
Overall, it is very difficult to take `one of the best films ever madeT ‘ and make it better – and Coppola hasn’t done that here, but he hasn’t damaged it either. It isn’t a brand new film and it doesn’t mess around with the original so much that it could be called a different film – so I won’t compare the two as to which is `better’. Suffice to say that, while I don’t totally agree that you `can’t have too much of a good thing’, certainly an extra 49 minutes is gratefully received where it doesn’t damage or cheapen but only seeks to enhance and support.
Original Language en
Runtime 2 hr 27 min (147 min), 3 hr 16 min (196 min) (Redux), 5 hr 30 min (330 min) (workprint), 3 hr 2 min (182 min) (Final Cut)
Genre Drama, Mystery, War
Director Francis Ford Coppola
Writer John Milius, Francis Ford Coppola, Michael Herr (narration)
Actors Marlon Brando, Martin Sheen, Robert Duvall, Frederic Forrest
Awards Won 2 Oscars. Another 19 wins & 32 nominations.
Production Company Zoetrope Studios
Sound Mix 70 mm 6-Track (70 mm prints), Dolby Digital (Redux version), Dolby Stereo (35 mm prints), DTS (Redux version), Dolby Atmos (Final Cut)
Aspect Ratio 2.00 : 1 (DVD version) (Univisium), 2.20 : 1 (70 mm prints), 2.39 : 1
Camera Arriflex 16 ST (newsreel scenes), Arriflex 35 BL, Technovision/Cooke and Todd-AO Lenses, Arriflex 35-IIC, Technovision/Cooke and Todd-AO Lenses, Mitchell BNCR, Technovision/Cooke and Todd-AO Lenses
Laboratory Technicolor, Hollywood (CA), USA (prints)
Film Length 4,205 m (Sweden, 35 mm), 5,255 m (Sweden, 70 mm), 5,533 m (Sweden, 35 mm) (Redux version)
Negative Format 16 mm (newsreel scenes), 35 mm (Eastman 100T 5247)
Cinematographic Process Digital Intermediate (4K) (2019 remaster), Dolby Vision (Final Cut), Technovision (anamorphic), Todd-AO 35 (anamorphic)
Printed Film Format Digital (Digital Cinema Package DCP), 35 mm, 70 mm (blow-up)