Atomic Blonde 2017 123movies

Watch: Atomic Blonde 2017 123movies, Full Movie Online – The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies..
Plot: An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.
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Ratings:

	6.7/10 Votes: 195,055
	79% | RottenTomatoes
	63/100 | MetaCritic
	N/A Votes: 5580 Popularity: 28.097 | TMDB

Reviews:

I have seen it said of _Atomic Blonde_ that it is hollow piece wrapped in an attractive shell. I would respond by saying that “attractive” hardly does the shell justice, it’s absolutely fucking gorgeous. Otherwise though that sounds about right.

No, in all seriousness, the plot itself is more than fine. Even the absolute worst aspects from any individual part of _Atomic Blonde_, no matter how much you pick them apart, more than pass the litmus test for minimum acceptable standard. It truly is a case of style over substance, and that is something that I can understand the complaint for. But it’s style **over** substance, not style **instead of** substance. At no point did I feel that the story was cobbled together as an excuse to get to the next setpiece. The story was what it was (a pretty genuine throwback to the espionage thrillers of the late and post-Cold War era) and the aesthetic, the music, the design, was simply how that story was chosen to be delivered. And a brilliant choice at that.

Walking in, I was already certain that I was going to like the film, because even if it was just an extended version of the trailer, then it appealed enough to my personal tastes that I was in for a good time. Walking out, I knew that taking everything beyond those factors into account, I didn’t just like _Atomic Blonde_, I loved it.

_Final rating:★★★★ – Very strong appeal. A personal favourite._

IN MY DREAMS I AM LORIANNE BROUGHTON, IN REALITY I AM MONA LISA VITO. OH WELL A GIRL CAN DREAM. CHARLIZE THERION IS ICEY COLD PERFECTION.

This is Entertaining Though Not Everyone’s Cup of Tea
Stylish, eye-popping, bouncy. The story, acting, music are energetic and fun. The plot is not realistic even though it references some of the realities of a time and place: Berlin, Germany, 1989. (I like the disclaimer at the beginning that gives the historical background and then says, This is not that story.)

What this is, of course, is an adaptation of a graphic novel, “The Coldest City”. The title “Atomic Blonde” is rather campy, though it suggests the nuclear threat that was on everyone’s mind at the time.

Reality, also of course, need not apply here. I agree with those who say that this is the answer to the call for a female James Bond. This probably better than the Broccoli people would do it. It is amusing that people – including me – pair this movie with “Red Sparrow” because the latter movie is actually more realistic than this one in its use of a female spy who uses sex first and violence sparingly because she knows she can’t sustain a physical fight with ten men (or even one powerful man) without a gun or at least sharp objects.

Charleze Theron is a kick-butt fantasy. She can do anything physical that she has to. Not only fending off multiple male attackers but jumping off of balconies with makeshift ropes and pulleys and counterweights made out of bad guys.

I liked the twists in the plot and the surprise ending. It is part of the fun.

Loraine Broughton navigates a world where she quickly realizes that everybody is out to betray everybody else, and somebody has decided to have everybody gang up on her. Does she whine about it? Only a little. Mostly she just deals with it by shooting or kicking somebody in the head.

The spycraft is a bit contrived not to say outright laughable. Somebody does not understand that the purpose of a code name is to obscure the person or thing the spies are talking about. So “Spyglass” is a very bad code name for a spy or asset. And “the list” is a very bad code name for a maguffin that is, in fact, a list. (I recently read a spy novel by a real life spy in which an operative’s code name is “Tulip”. See the difference?)

My pet peeves with some critics are that 1) The present generation did not invent feminism. That is not necessarily a thing that is anachronistic about this movie. In the 1980s, women were already making headway into previously male-dominated professions. 2) This movie was not an ad for tobacco but a reflection of how much a lot of people still smoked in the ’80s.

Putting out Fire with Gasoline
So many negative reviews – why I wondered. Then it sunk in. Many viewers misunderstood the premise. This film was adapted from a graphic novel series, basically adult comic books. Don’t compare it to The Spy who Came in from the Cold; instead think Sin City.

It’s obviously a vehicle for Charlize Theron, and it works. Whenever she’s in a scene (which is almost every scene), it’s impossible to take your eyes off her. I have one question: When she emerges from the ice bath in the beginning and we see her looking at her reflection, how did they manage the lighting & camera to make her eyes look almost reptilian?

Other Information:

Original Language en
Runtime 1 hr 55 min (115 min)
Budget 30000000
Revenue 100014025
Status Released
Rated R
Genre Action, Thriller
Director David Leitch
Writer Kurt Johnstad, Antony Johnston, Sam Hart
Actors Charlize Theron, James McAvoy, John Goodman
Country United States, Germany, Sweden, Hungary
Awards 10 wins & 18 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Atmos, Dolby Digital, DTS (DTS: X)
Aspect Ratio 2.39 : 1
Camera Arri Alexa M, Hawk V-Lite Vintage ’74 Lenses, Arri Alexa XT Plus, Hawk V-Lite Vintage ’74 Lenses
Laboratory N/A
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (2.8K) (source format), Digital Intermediate (2K) (master format), Dolby Vision, Hawk Scope (anamorphic) (source format)
Printed Film Format D-Cinema