#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – It’s the late 1950s. Mid-twenty-something Kit is a restless and unfocused young man with a James Dean vibe and swagger which he has heard mentioned about him more than once. Fifteen year old Holly has a somewhat cold relationship with her sign painter father, if only because she is the primary reminder of his wife, who died of pneumonia when Holly was a child. The two meet when Holly and her father move from Texas to the small town where Kit lives, Fort Dupree, South Dakota. They slowly fall in love, something about which she cannot tell her father because of their age difference and Kit coming from the wrong side of the tracks. When he tries to take Holly away with him, Kit, on an impulse, shoots her father dead. After letting the initial emotions of the situation settle down, Holly decides voluntarily to go with Kit, they trying to make it look like they committed suicide in a house fire. But they soon learn that their plan did not work, there being a bounty on their heads. As such, Kit continues his murderous ways in order to protect the life he wants to eke out with Holly. She, on the other hand, wants to support Kit, especially as he begins to feel more and more trapped, but she may only be able to endure what looks increasingly to be a battle they cannot win as a couple. Through it all, they openly and privately muse about their philosophies on their life considering their current circumstance.
Plot: A dramatization of the Starkweather-Fugate killing spree of the 1950s, in which a teenage girl and her twenty-something boyfriend slaughtered her entire family and several others in the Dakota badlands.
Smart Tags: #killing_spree #serial_killer #cult_film #anti_hero #on_the_run #father_shot_by_boyfriend #first_sex #father_daughter_relationship #cult_director #zippo_lighter #lovers_on_the_lam #underage_smoking #psychopath #existentialism #national_film_registry #sociopath #garbageman #sepia_tinted_scene #acquaintance #anti_villain #barren_desert
|7.8/10 Votes: 66,362|
|7.6 Votes: 775 Popularity: 9.253|
A Not Unimpressive Amoral Film
While the end credits were rolling I noticed an on screen disclaimer along the lines of ” All the characters and situations are fictional and any relation between the events depicted in this film is entirely coincidental ” which had me scratching my head because whenever I read about Terence Malik’s BADLANDS I’m told that it’s based on a true story about two teenage lovers who went on a killing spree in 1950s America . Thank you very much IMDb for pointing out via the trivia section and other reviewers comments as to why the producers suddenly wanted everyone to think that this is not intended as a true story . I’m sure it would have been impossible to make anti heroes out of the true life protagonists
As it stands Kit and Holly are portrayed as two amoral children living out a childhood wish fulfillment . They kill someone and then spend a long period of time living out in the woods . It’s almost like these childhood fantasies we have when we’re younger how wonderful it would be if we could just escape from a world of industrialization and adults and just do whatever the hell we wanted with no interference and the point is hammered home when Kit builds a tree house out in the woods . Who but a child has ambitions to spend their life in a tree house ? However I find myself asking myself how this would be possible , is it likely that two teenagers wanted for murder , who have no probable experience of rural life and who both smoke cigarettes being to live off the land without having to buy groceries or go into town ? I could have accepted this if it stuck to a true story but not if it’s been heavily fictionalised . Likewise we really don’t find out the motivation behind the killing spree , Kit and Holly ( Well Kit since Holly is portrayed as being a bystander of sorts ) allow some people to live and some people to die without any rhyme or reason to it . Come to think of it perhaps the reason BADLANDS is so well regarded is because it’s supposedly based on a true story . If you start looking upon it as a made up story it seems shallow and unimpressive for the most part doesn’t it ?
Not to be negative this is a good debut by director Terance Malik who manages to bring out two very good performances from the then fairly unknown Sissy Spacek and Martin Sheen . Remember I said something about childhood wish fulfillment ? that’s exactly how Spacek and Sheen play their roles – As two children with misguided views on the world in general and love in particular . It’s as if Kit and Holly are unaware of what consequence is , which again seems like a child’s mentality would be . I also couldn’t help noticing that Malik seems to have a great love of nature with shots of wild life and glorious and beautiful sun sets filling the screen , something he used in his later masterwork of THE THIN RED LINE which made me ask myself if Malik is a member of Greenpeace ? Perhaps not since he’s an auteur who seems to know that while there’s great beauty in nature there’s also great cruelty present too
A good though perhaps not great example of cinema from the 1970s when amorality was all the rage
The voice of innocence whispers in our ears…
Is it really possible that this luminous masterpiece is a first feature film? It is as though Mozart had started his career in composition with one of his mature symphonies. What is totally special about ‘Badlands’ is the visual control that Terrence Malick applies to the story, and his use of fabulous music to embed his amazing images in our mind. The ‘Bonnie & Clyde’-ish story could have been turgid, but Malick turns it into a mythic journey.
At the heart of Malick’s method is the fabulous interior monologue by Holly explaining and ironically commenting on the story. “Kit made me take my schoolbooks so I wouldn’t fall behind with my studies…”. This has been characteristic of each of Malick’s films – Linda in ‘Days of Heaven’ and Witt in ‘The Thin Red Line’ have somewhat similar monologues – and ‘New World’ is monumentalised by the haunting monologue/montage with which it ends. Here it totally sucks the viewer into the story and makes the montages that it accompanies into, just about, the high-point of seventies cinema.
Alongside this, Malick uses some of the most haunting music in existence. Whether it is Carl Orff or Nat King Cole, Malick transports us with fabulous romantic imagery that perfectly balances it.
I started on this comment determined not to use the word ‘poetry’, but I just can’t avoid it. With nearly all filmmakers, including very great ones, the style that they present is very much prose – great prose, perhaps, but firmly rooted on the ground. With Malick, we are taken, emotionally, to the stars by the lyric magnificence of the totality of his vision.
It is said that Welles learned cinema by watching John Ford’s ‘Stagecoach’ before embarking on ‘Citizen Kane’. Every young filmmaker should watch this amazing masterpiece again and again and again and inform their work with Malick’s matchless sense of true cinema.
Original Language en
Runtime 1 hr 34 min (94 min)
Genre Action, Crime, Drama
Director Terrence Malick
Writer Terrence Malick
Actors Martin Sheen, Sissy Spacek, Warren Oates, Ramon Bieri
Awards Nominated for 1 BAFTA Film Award. Another 3 wins.
Production Company Badlands Company, Pressman-Williams
Sound Mix Mono, Mono (Glen Glenn Sound)
Aspect Ratio 1.85 : 1
Camera Mitchell BNCR (uncredited)
Laboratory Consolidated Film Industries (CFI), Hollywood (CA), USA (uncredited), Technicolor, Hollywood (CA), USA (uncredited) (prints)
Film Length 2,568 m
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm