#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – When three curvaceous babes, stripper Trixe, business executive Hel, and the feisty ex-con Camero, arrive at a desert hideaway to steal a stash of diamonds from an underworld kingpin, things quickly spiral out of control. Allegiances are switched, truths are revealed, criminals are unmasked and nothing is quite what it seems as the fate of the world is precariously balanced among this trio of sexy femmes fatales.
Plot: Three bad girls (a down-and-out stripper, a drug-running killer and a corporate powerbroker) arrive at a remote desert hideaway to extort and steal $200 million in diamonds from a ruthless underworld kingpin.
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BOOBS CLEAVAGE GUNS PUNCH-UPS!! Erin Cummings is GORGEOUS!!! Worth seeing no matter what! Awesome girl on girl lesbian scenes n the BEST girl on girl punch up EVER!
**_Russ Meyer meets Frank Miller_**
I had read a lot of bad reviews recommending not wasting time watching this movie, but I have to honestly say that **I really enjoyed _”Bitch Slap”_**. I think you have to take the movie as what it is and what it is intended to be, an homage to the 1950s-70s B movies mixing hot girls, fast cars, foul language, and outrageous action.
And cleavage, of course, tons of jaw-dropping shots of double-D cleavage.
The **story** is indeed a bit flat, but **never boring** and has quite a few surprises due to its non-linear storytelling.
**Visually the movie is stunning**. The mix of slow-motion shots and fast paced scenes is superb and it is extremely well edited. Overall it reminded me a bit of Zack Snyder’s adaptation of Frank Miller’s 300. (No, I am not joking.)
It is in deed a kind of a modern remake of the infamous Russ Meyer movie “**Faster, Pussycat! Kill! Kill!**” from 1965 in the style of a Frank Miller comic.
The three main female characters – a dark-haired stripper, a feisty red-head and a psychopathic blonde – are cleverly chosen and perfectly portrait by Julia Voth, Erin Cummings, and America Olivo. The acting is not what you would expect from a self-declared B movie – it is actually very good – and the change from serious acting to comical performance is well done.
But what stands out are the **stunning cat-fights** and **steamy love scenes**. Stunt Choreographer Zoe Bell has done a marvelous job as the fight scenes look gorgeous.
_Bitch Slap_ is definitely not a movie you want to watch together with your wife at movie night, but if you like hot girls with over-the-top cleavage, sexy outfits, well choreographed cat-fights, and have a stomach for the sometimes graphical violence then you will enjoy this movie.
I for sure did – even if I was maybe more staring than actually watching. **It was a lot of fun!**
Bitch Slap (2009)
Bitch Slap sees a gang of scantily clad ladies journey into the desert in an attempt to steal 200 million dollars worth of diamonds. If you’re a fan of trashy exploitation flicks and love guns, cleavage, and women getting out of cars in slow-motion, then Bitch Slap was made with you in mind. It’s fun, it’s hyperactive, and it’s a film that does not disappoint. Never promising to be more than it is, it succeeds in being more fun and funnier than one would expect. It’s the kind of film where they take a break from the plot in order for the women to just pour water over each other. Many memorable scenes take place as a ridiculous but engaging plot unravels. I hope we can see more films like Bitch Slap over the next decade.
Weak satire/homage of material that was already a spoof and satire of itself to start with.
It begins with one of our heroines sitting bruised and broken in the middle of carnage and looking up and wondering aloud how it all came to this.
I was wondering the same thing.
This is a send up/homage/satire of the bad girls gone worse genre that Russ Meyer did so well (for some tastes anyway). It has three well endowed girls going after a fortune held by a crime lord and chronicles the death and destruction that follows. Its very tongue in cheek with an over abundance of close ups of the female form, pithy dialog and lots of violence.
The trouble is that the film is essentially sending up material that was sending itself up to start. Meyer was a very knowing filmmaker and its kind of hard to be any more knowing then he was. The other trouble is that in order to send up the material the filmmakers here have tried to take an intentionally “bad” take on some things. the bump up and inflate things to the point of silliness. The trouble was that the type of film that they are sending up were more often then not played painfully straight which is what made them so much fun. If you play the material with any sort of real knowing the films become unbearable (Russ Meyer was one of the very few people who ever managed to make the knowingness work).
I found the film to be a waste of my time. I get the jokes, I get the idea behind it (I could probably quote you the films this is riffing on) but I don’t think it works at all. No thats not true, this is a five minute SNL sketch stretched to 100 minutes. This is one of the couple dozen recent and semi recent films that have been made in the wake of Quentin Tarantino’s re-purposing exploitation classics as mainstream films (think Grindhouse, Kill Bill or Inglorious Basterds). Everyone seems to think that they can do what Tarantino does, but its clear that few people understand that he’s not just sending up the schlock masterpieces but taking the good parts and making something more out of them (And as much as I complain about Tarantino I must insist that I do so because I think he is wasting his talent).
Frankly there are better ways to spend your time, like watching a Russ Meyer film or one of the real exploitation films this film tries to emulate and send up (Better yet, go find one of the films by the late great Claudia Jennings and you’ll see how unnecessary this film was).
Original Language en
Runtime 1 hr 49 min (109 min) (unrated), 1 hr 46 min (106 min) (R-rated)
Genre Action, Comedy, Crime, Thriller
Director Rick Jacobson
Writer Rick Jacobson (poet laureate), Eric Gruendemann (poet laureate)
Actors Julia Voth, Erin Cummings, America Olivo, Michael Hurst
Production Company IM Global
Sound Mix Dolby Digital
Aspect Ratio 2.35 : 1
Camera Red One Camera
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format Digital