Blade Runner 2049 2017 123movies

Watch: Blade Runner 2049 2017 123movies, Full Movie Online – Thirty years after the events of Blade Runner (1982), a new Blade Runner, L.A.P.D. Officer “K” (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former L.A.P.D. Blade Runner, who has been missing for thirty years..
Plot: Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
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Ratings:

	8.0/10 Votes: 569,517
	88% | RottenTomatoes
	81/100 | MetaCritic
	N/A Votes: 11292 Popularity: 66.548 | TMDB

Reviews:

As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.

I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.

As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.

The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.

Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.

Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.

_Final rating:★★★★ – Very strong appeal. A personal favourite._

Quality Sci-Fi
The user reviews seems to be over-run by a troll. Lots of repetitive 2 and 3 stars reviews that all read like they’re written by the same person.

It’s a relief they still make movies like this; movies for adults. Yes it’s a sequel, but it’s quality and it stands on its own. This is real sci-fi, made with a proper budget and brought to life by artists. It’s serious and paced so that you have time to think. If you’re a fan of the genre and can appreciate some ambiguity and a little space for questions to breathe then I think you will appreciate this film. But if you can’t remember the last time you read a book then maybe you will find this movie long and boring.

The cast, acting, and plot are all quite good with only a few misses. The soundtrack doesn’t blow me away but it’s suitable. The visuals are incredible though and where this movie really shines; I can’t think of a single moment in the film where I felt like the vision was held back by the technology available. And the scene at K’s apartment with Joi (you will know it when you see it) pushed the envelope of what I thought was possible to do in a film. This one is a real stunner visually. Like the original, I expect Blade Runner 2049 to hold up extremely well over time.

This was special
It’s amazing after repeated viewings the lack of patience or inability moviegoers have to simply follow a plot. The lack of concentration throughout the cinema, the talking throughout and some of the comments I have read is downright disturbing. This movie is high art and some people need it spoon-feed to them. If you’re not invested from the get-go, just go home.

Blade Runner 2049 is not your typical movie and it was never meant to be. There are no superheroes or giant robots. Explosions are scarce and it’s not funny either. It’s about emotion and memories and like the original Blade Runner (1982). It poses the same Philip K Dick inspired questions about humanity – what does it mean to be human and are we just the sum of our memories? It now raises questions about artificial intelligence and real love.

It is a sequel 35 years in the making to one of the most thoughtful and provocative movies ever. The original movie was a box office flop which later developed a cult following and and has since been hailed a masterpiece. Ridley Scott created a multilayered world which seduces you into a nostalgic like trance for a place which never really existed and a sequel to a film held in such high regard is rarely ever a good idea but Blade Runner 2049 is a rare exception. Think The Godfather Part II, Aliens and Terminator 2: Judgment Day before it.

No spoilers. We follow Officer K (Ryan Gosling), a new character and a new breed of Blade Runner on the trail of an old model replicant but what he uncovers along the way is so much bigger and threatens to shift the balance of what is left of humanity.

Director Denis Villeneuve (Sicario, Arrival) and his crew have crafted a beautiful looking film which pays homage to the original without trying to copy it at all. The same rain-soaked, neon-lit streets are present in L.A, only the Eco-system is even more shattered. Sustenance is scarce with protein farming a way of life and while there are obvious nods to the first movie 2049 relishes the opportunity to avoid the familiar and takes us outside the city limits.

The cast in 2049 is excellent. Ryan Gosling carries the main story with ease, playing his detective character with an ice-cold calm until…

Harrison Ford as Rick Deckard, the original Blade Runner delivers a highly emotional and raw performance which I found very surprising. Not because Ford is not capable as an actor but Deckard was played so dryly in the original, especially next to Rutger Hauer’s Roy Batty. Clearly time and circumstance have clearly changed him here and it’s a refreshing approach.

The casting choices of side characters in limited roles such as Dave Bautista, Robin Wright and Ana De Armas in her very unique role were fantastic. Jared Leto gets only a few scenes as villainous creeper Niander Wallace, the corporate tycoon with a god complex but his best ‘angel’, Luv (Sylvia Hoek) gets plenty and rightfully so because she’s excellent.

If I I had to choose any negatives from 2049 it would be need to spoon-feed the audience in scenes by adding a small flashback here and there which I thought was unnecessary. The score was clearly not Vangelis who did the first movie and made up so much of the nostalgic atmosphere in it. While good I did miss the sadness, the piano keys and blues of Vangelis for a time but could tell the score was aiming for something different, more urgent, a sense of dread which was probably more appropriate anyway with 2049 being much larger. That’s not to say there aren’t hints of Vangelis because there most definitely is.

It has been 35 years and the need for a sequel can be debated forever. Was it necessary? No. But was it good. Yes, really good. Is it a masterpiece? I would say that it’s an extremely satisfying conclusion to Deckard’s story and having seen it it’s made the original even better.

A movie like this does not come around very often. The world needs more movies like Blade Runner, 12 Monkeys, Ex Machina… and Blade Runner 2049. High praise.

Best movie of the year!

Other Information:

Original Language en
Runtime 2 hr 44 min (164 min)
Budget 150000000
Revenue 259239658
Status Released
Rated R
Genre Action, Drama, Mystery
Director Denis Villeneuve
Writer Hampton Fancher, Michael Green, Philip K. Dick
Actors Harrison Ford, Ryan Gosling, Ana de Armas
Country United States, United Kingdom, Canada, Spain
Awards Won 2 Oscars. 100 wins & 165 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Atmos, Auro 11.1, DTS (DTS: X), IMAX 6-Track, 12-Track Digital Sound (IMAX 12 track), Dolby Surround 7.1, Sonics-DDP, SDDS
Aspect Ratio 1.55 : 1 (shooting ratio), 1.90 : 1 (IMAX version), 2.39 : 1
Camera Arri Alexa Mini, Zeiss Master Prime Lenses, Arri Alexa Plus, Zeiss Master Prime Lenses, Arri Alexa XT Studio, Zeiss Master Prime Lenses
Laboratory DeLuxe, Hollywood (CA), USA, EC3 (digital dailies), EFilm Digital Laboratories, Hollywood (CA), USA (digital intermediate)
Film Length N/A
Negative Format Codex
Cinematographic Process ARRIRAW (3.4K) (source format), Digital Intermediate (4K) (master format), Dolby Vision, Panavision (anamorphic) (source format) (flashback sequence)
Printed Film Format D-Cinema (also 3-D version)