#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Holly Golightly is a flighty Manhattan party girl, who expects “money for the powder room as well as for cab fare” for her companionship. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally’s lawyer the weather report that Sally tells her as proof of her visits with him in return for payment. Her aspirations for glamor and wealth are epitomized by the comfort she feels at Tiffany’s, the famous high end jewelry retailer where she believes nothing can ever go wrong. Her resolve for this wealth is strengthened, if not changed slightly in focus, upon news from home. Into Holly’s walk-up apartment building and thus her life is Paul Varjak, a writer who Holly states reminds her of her brother Fred, who she has not seen in years and who is currently enlisted in the army. The two quickly become friends in their want for something outside of their current lot. Paul’s situation is closer to Holly’s than he would like to admit. Having not had anything published in over five years, he is a kept man by his wealthy married “decorator”, Emily Eustace Failenson – who he refers to as 2E – which allows him not to write, which he no longer truly does. Eventually, Paul falls for Holly, and wants to take care of her, instead of being taken care of as is his current situation. Although Holly also seems to be falling for him, the question becomes whether Paul can fulfill Holly’s life aspirations, and if not what needs to change for there even to be the possibility of a future for them.
Plot: The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote’s best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her next-door neighbour, a writer who is “sponsored” by a wealthy Patricia Neal. Guessing who’s the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this gem-like treat set to Henry Mancini’s Oscar®-winning score and the Oscar®-winning Mancini-Johnny Mercer song “Moon River.”
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|7.6/10 Votes: 167,191|
|7.7 Votes: 3140 Popularity: 13.574|
Still a prize after all these years.
This film is an amazing achievement for Audrey Hepburn. The part was clearly written for Marilyn Monroe. (To think of Hepburn as a backwoods girl is absurd.) Monroe would have made a meal of this and it would have been her signature role. But she was in the midst of her emotional troubles at this time and the role was given to a very different actress in Hepburn who produced a very different Holly Golightly. And yet she did it so well that it became HER signature role instead. It’s not unusual for an actor to make a role his own such that you can’t picture someone else in the role even thought there are actually many who could have played it. But to take a role intended specifically for another, one for which one does not appear suited, and make that your own well, that’s a great acting achievement. It certainly is Audrey Hepburn’s greatest role, a performance with many more complexities than any other she ever gave.
It’s also a fabulous film. I love beauty emerging form contradiction, like a rhapsody emerging from apparently unrelated themes and musical noises. Here we have something that is at times a wacky comedy, a breezy romance and yet is full of depth and drama. So many things have happened and we have been introduced to so many characters at the end, it’s amazing they all fit together. I also like the bravery of doing a story about two people who are basically prostitutes in 1961. It’s daring yet there’s nothing sleazy about he film because it concentrates on who these people are as people- what they are, not what they do.
And the film has the most eclectic cast I can imagine. Romantic heroine Audrey Hepburn. Method actor George Peppard. Sleek man-killer Patricia Neal. Actor’s actor Martin Balsam. Old reliable Buddy Ebsen, just before he hammed it up as Jed Clampett, playing a subtle and touching version of the same thing. Mickey Rooney provides the only jarring note with his scenery chewing performance as the Japanese landlord, something we could surely have done without. Did you know that Audrey’s gangster sugar daddy is played by Alan Reed, the voice of Fred Flintstone? And don’t forget John McGiver’s delicate turn as the clerk at Tiffany’s.
You can debate the virtues of a film into the night. What really counts in the end is: Does it stay in the memory vividly years later? Would you like to watch it again? And when you watch it again, does it take you back to when you first saw it? Breakfast at Tiffany’s certainly does. It will always be the prize in the cracker-jack box.
A Real Charmer: Comfort Viewing At It’s Best
The celebrated author on whose novel it was based despised the film version, describing it as “mawkish.” The star wasn’t much more enthusiastic; she never considered it among her best work. And the reviews were mixed. But regardless of what Truman Capote, Audrey Hepburn, or the critics thought about it, the public adored it–and the image of Audrey Hepburn wearing a black evening dress, nibbling pastry, and window shopping has passed into our cultural iconography.
The film is indeed lightweight stuff. Audrey Hepburn is a New York good-time girl who makes a living by clipping her wealthy escorts for fifty here and fifty there. When she meets handsome George Peppard–a writer who makes ends meet by trading favors with society matron Patricia Neal–can love be far behind? But Audrey’s mysterious past and her determination to marry rich, George’s status as a kept boy-toy, and their occasionally questionable associates provide plenty of complications to fill out the story.
What makes the film work is the remarkable charm of its two stars. Most of the attention goes to Audrey Hepburn and the film shows her to remarkable advantage: she is a remarkable actress, personality, and beauty, and she works wonders with the ultralight script. But when it comes to charm, George Peppard is no slouch either: the film catches him at the height of his early golden-boy good looks, and he is the perfect foil for Hepburn in both their comic and dramatic scenes. Mickey Rooney’s excessive performance as Yunioshi aside, the supporting cast is also very entertaining, with Patricia Neal, Buddy Ebsen, Martin Balsam, and Dorothy Whitney all give enjoyable turns. The film looks great (make sure you get the widescreen version), the score (which includes “Moon River”) is excellent, and director Blake Edwards keeps everything moving at a pleasant pace. This a great film to cozy up with on a cold night–romantic, entertaining, and as comforting as a cup of hot chocolate. Recommended.
Gary F. Taylor, aka GFT, Amazon Reviewer
Original Language en
Runtime 1 hr 55 min (115 min)
Genre Comedy, Drama, Romance
Director Blake Edwards
Writer Truman Capote (based on the novel by), George Axelrod (screenplay)
Actors Audrey Hepburn, George Peppard, Patricia Neal, Buddy Ebsen
Awards Won 2 Oscars. Another 8 wins & 13 nominations.
Production Company Paramount Pictures, Jurow-Shepherd
Sound Mix Mono
Aspect Ratio 1.85 : 1
Film Length N/A
Negative Format 35 mm (Eastman 50T 5250)
Cinematographic Process Spherical
Printed Film Format 35 mm