#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – WWII. Charles Ryder, in his civilian life, rose out of his middle class London background, which includes being an atheist and having a distant relationship with his eccentric father, to become an up and coming artist. He is currently an army officer, who is stationed at a makeshift camp set up at Brideshead estate before imminently getting shipped into battle. The locale, which is not unfamiliar to him, makes him reminisce about what ended up being his doomed relationship with Brideshead’s owners, the Flytes, an ostentatiously wealthy family. Charles first met Sebastian Flyte when they both were students at Oxford, where Sebastian surprisingly welcomed Charles into his circle of equally wealthy, somewhat stuck up and flamboyant friends. Charles ended up getting caught up in Sebastian’s family struggles, where Sebastian used excessive alcohol to deal with the pain resulting from his family relationships. Although Charles and Sebastian were more than just friends, Charles ultimately fell in love with Sebastian’s sister, Julia Flyte. But the biggest obstacle to Charles being intimately involved with anyone in the Flyte family was the family matriarch, Lady Marchmain, a strict and devout Catholic who ruled the family with that adherence to a strict Catholic lifestyle. That was despite her and Lord Marchmain’s own marriage being in name only, as he lived in Venice with his mistress, Cara.
Plot: Based on Evelyn Waugh’s 1945 classic British novel, Brideshead Revisited is a poignant story of forbidden love and the loss of innocence set in England prior to the Second World War.
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|6.7/10 Votes: 12,276|
|6.5 Votes: 111 Popularity: 8.331|
A sketchy remake
Is this film a worthy interpretation of “Brideshead Revisited”? Well, up to a point, Lord Copper, as another one of Evelyn Waugh’s characters was wont to say.
First, scriptwriter Andrew Davies, a past master of adaptation of great and not-so great literary works, has put the focus on the Charles and Julia love story rather than the Charles and Sebastian ‘romantic friendship’ as Cara, Lord Marchmain’s Italian mistress puts it. The religious aspect is dealt with almost incidentally.
Second, Lady Marchmain, as played by Emma Thompson, is a very grim person with total emotional control over her children and whose particular Christian beliefs means that she is indifferent to their suffering as to her this life is a mere precursor to the glorious afterlife the same attitude as a 9/11 hi-jacker in fact. She has none of the sweetness that Claire Bloom brought to the 1981 TV series.
Third, some of the performances owe a good deal to those in the TV series, especially Matthew Goode as Charles who has an uncanny likeness to Jeremy Irons. And of course Castle Howard reprises its role as Brideshead. Some characters were reduced to ciphers; for example Bridey who played by Simon Jones stole several scenes in 1981 but the part is reduced to a non-entity here. Michael Gambon, a consummate actor, gives us a new take on Lord Marchmain to compare with Lawrence Olivier’s earlier version.
Overall, though, I was left with the impression this film has not much to say which is new. Like the recent feature film version of “Pride and Prejudice”, it gives a broad outline of the story but misses out much of the rich context provided by the minor characters. Oh, read the book instead.
Brideshead . . . Revised? Brideshead . . . Reviled? Definitely NOT Brideshead Revisited
Here is the ultimate definition of cowardice. Mr. Jarrold apparently wanted to make a period piece but didn’t have the courage to actually write his own stuff from scratch, so he stole character names and isolated scenes from Evelyn Waugh’s classic, then superimposed his own much less interesting, much more banal story. The crime is that the Waugh estate allowed this piece of tripe to be released under the name “Brideshead Revisited.”
How far does this thing go from the original? Well, let’s see. Waugh wrote a profound meditation on the power of memory, the inevitable tragedies of life and love, and the mystery of faith. Jarrold gives us a not-very-titillating bisexual love triangle with a pasted on last reel reveal of the main character’s shallow motivation. Waugh’s characters were rich, multi-layered creations. Jarrold’s are plasticine clichés with no depth, no recognizable motivation, and no growth . . . hell, they don’t even age. In the 15 or so years in which Jarrold sets his story his characters look EXACTLY the same at the end as they did at the beginning.
One has to wonder what Jarrold was thinking If he didn’t want to make something even remotely resembling Waugh’s work, why use its title and steal a handful of its scenes? Was it just that he didn’t think he could sell “Last Love Triangle in 1920s Venice?”
Original Language en
Runtime 2 hr 14 min (134 min), 2 hr 13 min (133 min) (Argentina), 2 hr 13 min (133 min) (USA)
Genre Drama, Romance
Director Julian Jarrold
Writer Andrew Davies, Jeremy Brock, Evelyn Waugh (novel)
Actors Matthew Goode, Thomas Morrison, David Barrass, Anna Madeley
Country UK, Italy, Morocco, USA
Awards 11 nominations.
Production Company Ecosse Films
Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Panavision Cameras and Lenses
Laboratory DeLuxe, London, UK, Midnight Transfer, London, UK (digital intermediate)
Film Length 3,667 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic)