#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – With the intention to venture into the unexplored areas in the deep jungle of the Amazon rainforest at the border between Brazil and Peru, in 1979, a film crew composed of four young Americans attempted to make a documentary about the never seen before indigenous cannibalistic tribes. However, it’s already been two months since anyone last heard from the crew, so without further delay, the noted anthropologist Professor Harold Monroe and his rescue team of the seasoned guide Chaco Losojos and his assistant, embarked on a mission to locate them in the depths of the Green Inferno. Following the Yakumos, a tribe that no white has ever seen before, soon enough, the Professor’s rescue party will encounter the elusive Yanomamos or Tree People and the fearsome Shamataris or the Swamp People. Eventually, as more evidence is found concerning the fate of the film crew, the Professor will try to recover the raw footage that was paid in blood, and return it to New York to the executives of the Pan American Broadcasting System who crave to get the riveting unedited footage. What has really happened to the overambitious documentarists, and above all, what was in the final two reels?
Plot: A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area’s local cannibal tribes.
Smart Tags: #actual_animal_killed #film_within_a_film #revenge #exploitation_film #animal_cruelty #rape #exploitation #extreme_film #nude_in_nature #found_footage #female_full_frontal_nudity #female_rear_nudity #nudity #abuse #male_frontal_nudity #female_frontal_nudity #cannibalism #snuff_film #female_nudity #penis #bare_breasts
|5.9/10 Votes: 51,043|
|6.3 Votes: 1017 Popularity: 19.727|
Better than NATURAL BORN KILLERS, could do without the animal slaughter
Political correctness is not something I usually expect to see in an Italian cannibal gut-muncher flick, and there’s none to be found in CANNIBAL HOLOCAUST. But the filmmakers would like you to think there’s some in there, and that, in a way, actually hinders what could have been a really powerful movie.
Not that CANNIBAL HOLOCAUST isn’t outrageously violent and extremely disturbing at times, but like so many other “serious” exploitation movies (e.g. SALO, MEN BEHIND THE SUN), the filmmakers go so far over the top depicting the spilling of blood and guts that whatever points they purport to want to make are drowned in their own gruesome sensationalism.
This is especially counter-productive in CANNIBAL HOLOCAUST because it is the very thing that director Ruggero Deodatto claims to be satirizing. The movie lacks the sophistication of George Romero’s DAWN OF THE DEAD or Stanley Kubrick’s CLOCKWORK ORANGE, two similar movies which tackle their social commentary with wit and style.
It’s similar to (and better than) Oliver Stone’s NATURAL BORN KILLERS, in that it claims to be a satire of the media’s passion for presenting violence and depravity to audiences who eat it up, while it’s really just an exploitation of it. Deodatto, like Stone, smacks you over the head with a bludgeon, making his points so obviously and self-righteously that they go right out the window, and the movie winds up being little more than a freakshow of eye-popping special effects and nauseating live animal slaughter.
The animal slaughter in CANNIBAL HOLOCAUST is especially offensive, more so than any other of this odd subgenre, because most of it is perpetrated by the explorers and not the (supposedly real) native cannibal tribe. In CANNIBAL FEROX and JUNGLE HOLOCAUST, one can make an attempt to condone the violence against animals only because it appears to be committed by jungle dwelling people as part of their natural routine. One cannot make the same excuse for CANNIBAL HOLOCAUST.
But if you’re looking for outlandish sleaze and carnage, look no further than CANNIBAL HOLOCAUST. It’s definitely a must-see for any self-respecting cannibal movie fan. Everyone else should steer way, way clear.
It was obviously an inspiration for both THE LAST BROADCAST and THE BLAIR WITCH PROJECT.
Original Language it
Runtime 1 hr 35 min (95 min), 1 hr 29 min (89 min) (heavily cut) (UK), 1 hr 30 min (90 min) (animal cruelty-free) (USA), 1 hr 26 min (86 min) (Québec) (Canada)
Genre Adventure, Horror
Director Ruggero Deodato
Writer Gianfranco Clerici (story and screenplay), Giorgio Stegani (additional dialogue: Italian version)
Actors Robert Kerman, Francesca Ciardi, Perry Pirkanen, Luca Barbareschi
Production Company N/A
Sound Mix Mono (RCA Sound System), Dolby Digital (2001 re-release)
Aspect Ratio 1.85 : 1
Laboratory Luciano Vittori, Roma, Italy
Film Length 2,588 m
Negative Format 16 mm, 35 mm (partly)
Cinematographic Process Spherical
Printed Film Format 35 mm