#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Mary Henry is enjoying the day by riding around in a car with two friends. When challenged to a drag, the women accept, but are forced off of a bridge. It appears that all are drowned, until Mary, quite some time later, amazingly emerges from the river. After recovering, Mary accepts a job in a new town as a church organist, only to be dogged by a mysterious phantom figure that seems to reside in an old run-down pavilion. It is here that Mary must confront the personal demons of her spiritual insouciance.
Plot: Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
Smart Tags: #carnival #car_accident #female_protagonist #surrealism #b_movie #zombie #drag_racing #driving_off_a_bridge #driving_off_a_road #organist #amusement_park #bridge #spirit #ghost #bathtub #hallucination #drowning #river #doctor’s_office #car_pulled_out_of_water #church
|7.1/10 Votes: 21,470|
|6.9 Votes: 266 Popularity: 10.449|
This film of Herk Harvey is a gem of cult, a unique product, considering that the director never would film again due to the commercial failure of this prime opera. A true pity, since from the titles we are in front of an absolutely original and punctilious piece of work, as much in the aesthetic aspect as in casting and the production. A calm little town as many in the average American west, in the early ‘ 60s. A race cars between boys and girls that finishes in tragedy. The car of the young people falls from a bridge to the river and apparently all suffocates. But Mary Henry leaves the water. Later she obtains a solitary job as an organist in the church of a near town. Her life seems to take control again , when Mary begins to have strange visions of macabre figures… but her will is put under taste more .Mary is a cold of great clear eyes, independent and distant blonde; . In fact, the personage of Mary is few years subsequent to the one of the blondes of Psychosis and Vertigo, even a doctor appears who does the times of psychiatrist, who resembles films of the great British director again. and three years previous to the one of Catherine Deneuve in Repulsion, of Polanski;(the personal style of the film it just remains me o a Polanski film,I wonder if he saw this movie) been compared to Wild Strawberries-era Ingmar Bergman and the dreamstates of Jean Cocteau. Nevertheless, the carnival of the souls has with all these titles a great climate affinity and characters; . I cannot say more; The carnival of the souls is dream like, hypnotic, frightful per moments, always disquieting is a total experience. Notice the ballroom scene of the macabre people(In fast motion). Shot on location in and around the spectacular Saltair pavilion (since destroyed by fire), and the soundtrack is pretty creepy too.
Effective and Uneasy
This is something like a full-length episode of the Twilight Zone, popular at the time of the movie’s release. It’s cheaply made, the photography is grainy, the story basically simple, and the acting nothing to write home about — but this is one effective film if you’re into dread.
Candace Hilligoss is a pretty blonde with a sharp nose and a vulnerable quality about her. (She might remind the viewer of that Twilight Zone episode that starred Inger Stevens continually running into a guy in black, “The Hitch Hiker,” maybe?) Candace Hilligoss is not a major actress but it’s difficult to imagine a better fit between the individual and the role. She’s pretty enough so that men might find it pleasant to stand next to her in the supermarket checkout line, but not too pretty. Her face is defined by its bone structure so that you can almost see the skull beneat the skin. Her slanted, over-sized blue eyes suggest some sort of startled prey animal. And her movements, her body language, are both clumsy and extremely feminine. She wobbles when she runs and minces when she walks. And she’s the right age too — thirtyish — not a fledgling with a great big Future ahead of her. The successive loss of her friends, her home town, her job in Utah, her room in the boarding house, and eventually her car, is enough to leave anyone in a state of desperation — especially someone whose sole marketable skill seems to be playing the organ.
The narrative has been gone over so I’ll skip any description of it. What distinguishes this movie from others of its type is that, with the exception of the opening scenes of the accident at the bridge, there is no one at all who acts in a perfectly normal manner. (Unlike Inger Stevens, Hilligos has no ordinary sailor to pick up and talk to.) The pervading sense of disquiet is enhanced by the efficient use of locations — a church, a vast ballroom, a decrepit and deserted amusement park at the end of a pier. And I think the performers contribute as well, their very amateurish awkwardness promoting in the viewer a feeling that “something” is not quite right about what we’re witnessing. Even the scenes of quotidian life — finding a job, fending off a neighbor’s advances, trying to be polite to a polite landlady — seem to be imbued with a kind of hard-to-define cockeyed quality, as in a De Chirico painting. Hilligoss is living in a universe in which nothing, and nobody, has an identity whose validity can be taken for granted. Not even her psychiatrist can be trusted to be what he seems.
There are no big shock moments. Nobody gets slaughtered in a shower. Nothing is “evil” in any ordinary sense. Everything is simply “wrong.” And the only music in the score is played on a church organ, mostly eerie chords that shimmer in the background. It’s quietly done by director Herk Harvey.
Sidney Berger, who plays Hilligoss’s odd neighbor, was in real life a speech instructor at the nearby University of Kansas. The leader of the dead is played by the director. This weird, subdued piece comes to us out of Lawrence, Kansas. It’s pretty good for Lawrence, Kansas. But don’t set your expectations too high. It’s an old black-and-white horror movie, made by amateurs on a minescule budget. But within the limits set by those conditions, it’s pretty good for anywhere, for that matter.
Original Language en
Runtime 1 hr 18 min (78 min), 1 hr 24 min (84 min) (director’s cut)
Genre Horror, Mystery
Director Herk Harvey
Writer John Clifford (written)
Actors Candace Hilligoss, Frances Feist, Sidney Berger, Art Ellison
Production Company Harcourt Productions
Sound Mix Mono
Aspect Ratio 1.85 : 1 (intended ratio), 1.37 : 1 (negative ratio)
Camera Arriflex Cameras
Laboratory General Labs, California, USA (uncredited)
Film Length 2,300 m (Finland)
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm