Carol 2015 123movies

Watch: Carol 2015 123movies, Full Movie Online – In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light..
Plot: In 1950s New York, a department-store clerk who dreams of a better life falls for an older, married woman.
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Ratings:

	7.2/10 Votes: 130,355
	94% | RottenTomatoes
	94/100 | MetaCritic
	N/A Votes: 3229 Popularity: 18.179 | TMDB

Reviews:

‘Carol’ is beautifully shot and very maturely made. The acting was very class all around the film. The whole thing seemed like it was taken from the 40s. I loved how fine it all looked and felt and it deserved a lot more awards than it got.

★★★★

> Just when it can’t get any better…

The first thing I noticed was after seeing the movie is there’s some kind of mistake in the Oscars nominee. Rooney Mara should have been on the lead role list, while Cate Blanchett in the supporting character’s. Maybe the Academy people misunderstood that the title role must be the lead character. Theirs switched place actually does not make any sense. Anyway the Oscars never made sense at all.

This story was okay, but adapted screenplay and direction, especially the music was excellent. For the ending scene alone, you will be tempted to raise your rating than what you initially thought it deserves. I was not expecting the movie to be awesome, so I’m not upset for the overall movie.

Believe me, the last thing I want in this movie is to see Cate Blanchett in naked. Maybe out of respect or her age or she’s not attracted to me, there are plenty of reasons that I can’t figure it out which one, but after knowing what this theme is, I was only praying for that not to happen. And obviously that is unavoidable, otherwise the movie will lose its soul and strength.

Well, it was better than I thought, both the actresses were good, but Rooney Mara dominated. Whatever category she’s in for the Oscars, I’ll be happy if she wins. It is not a must watch, but a decent movie and betters in some parts.

7/10

Achingly tender romance about how love is a part of the human condition.
It’s an inevitability that Carol will face categorisation as an LGBT film, but that’s not the limits of how it should be considered. It’s simply a heartfelt and deeply human love story where the principle couple confronts insurmountable odds. In Carol’s case, these obstacles are the prejudices of the time and culture they live in. The film frames this discrimination in a tangible and legal way, as the titular Carol is accused of a morally indecent lifestyle by her ex-husband in order to win custody of their daughter. The film isn’t interested in being a courtroom drama though, instead focusing on the blossoming relationship between Rooney Mara’s Therese and Cate Blanchett’s Carol.

Todd Haynes is known for his heightened style that evokes the melodrama of Douglas Sirk, for instance. His 2002 film Far From Heaven feels plucked from the cinema of the 1950s. However, Carol is a film that feels plucked from the New York streets of the 1950s as the aesthetic here is surprisingly naturalistic. It doesn’t quite breach a documentary-esque style with Edward Lachman’s understated and pleasantly grainy cinematography, but it all comes organically and authentically with the elegant fashion of production and costume design and the atmosphere that its cold Christmas setting provides. It’s a very restrained film – as there are only two particularly intimate scenes – but the film carries an air of sexual and romantic tension throughout.

As Carol, Cate Blanchett challenges her polar opposite and equally excellent work with Haynes as a Bob Dylan incarnation in I’m Not There here. By nature of the film’s structure, the first half is in the perspective of Therese and the second focuses on the perspective of Carol. There’s an interesting inaccessibility about Blanchett in the first half that draws you into Therese’s infatuation. Mara, one of the most promising actresses of this decade since her small memorable part in The Social Network, uses her own reserved detachness – something she’s been frequently criticised for – to her own advantage. To watch someone like Therese open up after being so repressed is thoroughly cathartic.

However, Blanchett whips the film from under her feet in the second half. She litters the first half of the film with nuanced hints and clues to her past desires, also communicating so much with very little. She’s elusive, but Mara is a key source of intrigue at that point due to the honesty in her performance and unexpected dry wit. Once Carol is struggling to deal with her own internal conflicts, Blanchett is on fire and burns the house down with her ultimate rebuttal of the accusations against her. Kyle Chandler, her suffering husband soon to be ex-husband, shows such painful anguish in his brief outbursts. It’s a measured performance that anchors the film and the stakes of the relationships. Every performance of the ensemble – from extras to bit parts – are delivering among their finest work.

It’s an all-rounder in terms of Oscar-contention, with Haynes perhaps being a more likely bet for Best Director than the film is for Best Picture. Blanchett has won too recently but if Weinstein works his magic, Mara would be a strong contender in either leading or supporting. Phyllis Nagy will certainly duel with Aaron Sorkin in Best Adapted Screenplay, even if her work is more patient, while the production and costume design ought to destroy competition. A sure bet should be Carter Burwell for his beautiful score that sunk my chest with its few powerful notes. It’s an achingly tender film that will be timeless, even if it doesn’t resonate with everyone with such specificity. Carol shouldn’t just be a statement for our time and a condemnation for past mistakes, it’s a demonstration that love is a part of the human condition regardless of sexuality.

8/10

Simply beautiful
I watched Carol at the New York Film Festival, days after watching Freeheld. Since both movies talk about love relationship between two women, I was afraid I was going to see the same thing. Gladly, I couldn’t be more wrong. Carol is such a beautiful movie, subtler than I had expected.

Even though I loved the movie, I’m aware that it’s not for everybody. It’s not fast paced, as current films tend to be. It takes its time to carefully construct the characters and to make us root for them. Credit is due to the cast, as Cate Blanchett and Rooney Mara are brilliant, and to the director Todd Haynes, who conducts well the story.

Moreover, the film is visually stunning, with impeccable make-ups and wardrobes, not to mention the beautiful locations covered in snow while they take a road-trip. Finally, the soundtrack is equally wonderful, with songs that correctly set the tone of their relationship.

It probably won’t be a box office hit, but I do hope everybody gets a chance to see it eventually.

Full review: http://wp.me/p5Rk4c-f6

Other Information:

Original Language en
Runtime 1 hr 58 min (118 min)
Budget 11800000
Revenue 40272135
Status Released
Rated R
Genre Drama, Romance
Director Todd Haynes
Writer Phyllis Nagy, Patricia Highsmith
Actors Cate Blanchett, Rooney Mara, Sarah Paulson
Country United Kingdom, United States, Australia
Awards Nominated for 6 Oscars. 77 wins & 255 nominations total
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex 416 Plus, Cooke Speed Panchro, Varopanchro, S4, Zeiss Ultra 16, Master Zoom and Angenieux HR Lenses
Laboratory Film Lab, New York (NY), USA (processing), Goldcrest Digital Laboratory, New York (NY), USA (dailies), Goldcrest Post, New York (NY), USA (digital intermediate), Technicolor, New York (NY), USA (film processing: Super 16 mm)
Film Length N/A
Negative Format 16 mm (Kodak Vision3 50D 7203, Vision3 250D 7207, Vision3 200T 7213, Vision3 500T 7219)
Cinematographic Process Digital Intermediate (2K) (master format), Super 16 (source format)
Printed Film Format 35 mm (spherical) (blow-up) (Kodak Vision 2383), D-Cinema