#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Cherry drifts from college dropout to army medic in Iraq – anchored only by his true love, Emily. But after returning from the war with PTSD, his life spirals into drugs and crime as he struggles to find his place in the world.
Plot: Cherry drifts from college dropout to army medic in Iraq – anchored only by his true love, Emily. But after returning from the war with PTSD, his life spirals into drugs and crime as he struggles to find his place in the world.
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A man’s journey that starts during his years as a college student and leads to a stint as an Army medic in Iraq, a suffering drug addict, and eventually an armed robber is told in “Cherry,” a film by the Russo brothers. Based on Nico Walker’s 2018 novel of the same name, this semi-autobiographical story is like an encyclopedia of bad decisions that focuses too heavily on portraying another American tale of opioid abuse. It’s a shame because this atypical coming-of-age movie could’ve been something so much better.
Cherry’s (Tom Holland) life seems normal enough. He’s an average guy working average jobs and doing well enough in school. He’s become smitten with beautiful co-ed Emily (Ciara Bravo), and it’s soon clear that she’s “the one.” After a breakup leaves him in agony, Cherry hastily decides to drop out of college and enlists in the Army, which brings Emily back into his life. The two get married before he’s sent off to basic training, and eventually Cherry is pushed into combat in the Middle East. While serving in the medical unit during the war, he sees the horrors of humanity first-hand, and comes home a changed man. Unable to function and with his marriage crumbling, he begins popping Oxycodone. This turns into an addiction spiral that eventually leads to a debilitating heroin habit that leaves him no choice but to start robbing banks for drug money.
It’s an interesting (if sad) story, but it’s not well told. Directors Anthony Russo and Joe Russo throw in too many gimmicky devices that are all over the place, creating a chaotic potpourri of annoyance and exasperation. Not only are many of the scenes scored with opera and the lead character breaks the fourth wall to directly address the audience, but the whole vibe of the movie is so disorderly that it makes me wonder if the Russos refused to make any edits to the hurricane of ideas in their heads. It’s as if they stuck anything and everything that came to mind into one two hour feature, and it’s like a headache come to life.
The basic training segment is the strongest part of the film, as is most of the material set during the war. Once the story shifts from Iraq, everything falls apart and it turns into another tedious addiction movie that’s not fun to watch. Seeing a couple strung out and shooting heroin to get through the day isn’t compelling, especially when it’s continuously repeated and every other scene serves little purpose other than to make you think “oh, how awful.”
It is horrible to see a young veteran who is consumed by an addiction that is a result of his paralyzing PTSD. It’s sad to see a man who can’t get help dealing with his psychological problems as he relives the worst horrors of war. It’s understandable that he and his wife become addicts who will do anything, including robbing banks, to score their next fix. But it’s the same old, same old when it comes to strung-out druggie movies, and the Russo brothers don’t present any fresh ideas or views on the topic.
The story is told from Cherry’s perspective, and screenwriters Angela Russo-Otstot and Jessica Goldberg don’t neglect the specifics of the man’s worldview (the film’s authority figures, for example, are introduced as anonymous figureheads like Sgt. Whomever at the Army enlistment office and Dr. Whomever, the Oxy-pushing counselor). The casual writing fits the material well, with vivid, descriptive writing and dialogue that’s wonderfully detailed.
All of this is brought to life through a career-best performance from Holland. He shows off his range and is terrific in the lead role. It’s a far cry from his “Spiderman” days, and Holland is growing as a big screen talent that will be one to watch for years to come. He’s not falling into the trap of agreeing to roles that will pigeonhole him, and his level of risk taking should be applauded.
“Cherry” is a mess of a movie that tries to do too much. Despite the film’s positive elements, I can’t get past the unnecessary excess.
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I’ve been an advocate for Apple TV+ since I saw Servant. I genuinely believe it’s the most underrated streaming service out there, especially in my country. Even though I’ve only watched one TV show, I’ve yet to seriously dislike a single film (Wolfwalkers, Palmer, On the Rocks), which only elevated my already high expectations for Cherry. I sincerely appreciate the magnificent, genre-defining work that the Russo Brothers did in the Marvel Cinematic Universe, mainly with the last Avengers flicks, so I’d always be interested in seeing how they handle things outside of the MCU. Cast Tom Holland (The Devil All the Time, Onward) as the protagonist, and you’ve got yourself one of the most anticipated movies of the first half of 2021.
One of the best attributes of the Russo Brothers’ filmmaking style is their incredible capability of tackling an overwhelming amount of distinct storylines and characters without ruining the film’s pacing, tone, and narrative structure. “Less is more” is not exactly a guideline followed by these directors, which is far from being an issue in the superhero genre. However, when it comes to a smaller movie like Cherry, the combination of genres and different narratives deeply hurts the overarching story. What starts as a simple, cute love story transitions to a heavy war action-drama and ends with a monotonous, dull, slow-paced plot surrounding drug addiction, PTSD, and bank robberies.
These three storylines have served as individual premises to hundreds of films throughout cinema history. This doesn’t mean they can’t be developed in a single movie, but Angela Russo-Otstot and Jessica Goldberg’s screenplay needed to be better structured. The first half of the film is quite captivating and entertaining, to say the least. Cherry (Tom Holland) and Emily (Ciara Bravo) are two compelling characters who get emotionally attached naturally, making the eventual dilemma that leads Cherry to join the army pretty convincing, besides being a reasonably common situation. In this first genre shift, the tone changes without issues, and the entire war plot is definitely worth the viewer’s investment.
This portion of the movie is where the directors shine. High production value goes into creating riveting action set pieces, and Newton Thomas Sigel’s energetic camera work elevates every major sequence. Marvel fans will surely be delighted during this subplot, but the film’s biggest problem comes with its second half. Featuring an extremely abrupt genre transition, Cherry goes downhill throughout its last 80 minutes or so, drowning itself in a pool of taboo subjects. From the drastic drop in pace to the dismal tone, Cherry and Emily go through a painfully repetitive, cliche drug addiction story. Adding PTSD and silly bank robberies to the mix doesn’t work at all.
Overall, it’s an incredibly messy screenplay that tries to do too much, but the Russo Brothers’ overwhelming directing method also doesn’t quite work for the movie. Excess of slow-motion, an all-over-the-place score (Henry Jackman) – it’s actually quite good, just not used appropriately – and numerous camera angles that, despite delivering gorgeous shots, distract the viewer from the actual story, which should be the main focus. Cherry feels like a showcase for what the famous brothers can do with a smaller budget. While they’re successful in demonstrating their talent behind the camera, it’s not something they needed to prove to the audience, who just wants to watch a film with great story and characters, not be confused by technical wonders that have no place in this movie.
In the middle of the directing and writing chaos, Tom Holland sweeps in and delivers his career-best performance. In my humble opinion, I strongly believe he could be an Oscar-winner by the end of the decade. At 26-years-old, Holland shows an exceptional emotional range, particularly powerful in interpreting the most solemn emotions. Add a fantastic physical display, and you’ve got yourself an actor who can basically do anything. With this role, Holland deeply explores his acting skills, performing shocking scenes that everyone will find hard to watch due to his all-out commitment. Ciara Bravo might start as just a “pretty face”, but the problematic second half actually helps her get out of her shell and step up her game. Excellent portrayal, surprising even from someone who doesn’t have that big of a feature-film career.
Cherry is an indisputable mess, but it hangs on due to a captivating first half, a career-best performance from Tom Holland, and an overall well-shot film. The frustrating, damaging mishmash of genres might originate from the rumpled screenplay, but the unnecessary directing showcase for the Russo Brothers also hurts the multiple-narrative movie. The generic yet accurate “less is more” motto wasn’t used during the making of this film, something proved by the sumptuous yet distracting camera angles, a gripping yet all-over-the-place score, and an impactful yet excessive use of slow-motion. The first part boasts a compelling, entertaining storyline featuring an authentic love story and a war drama packed with outstanding action set pieces. However, its other half heavily drops the pacing and depressingly changes the tone, leading the viewer into a tiresome, formulaic, much less interesting storyline. Despite all that, Holland’s impressive interpretation will leave no one indifferent, grabbing the audience’s attention until the very end and elevating every single scene. Ciara Bravo works beautifully as the female counterpart, delivering a surprising performance. In the end, I do recommend it, even though I expected a lot more from the people involved.
Critics are so wrong
Its a good movie, yes the message is kind of confusing but still you can understand what’s it trying to say, emotional film no doubt great performance by Tom and Ciara
I enjoyed this film – but I know it’ll be divisive
You will either love this film, or really dislike it, and I very much doubt there’ll be an in between owing to the subject matter and style choices – but I for one really appreciated this film and it’s one that’ll stay with me for quite some time.
I can’t use the word “enjoy” because the story is so desperately sad overall, and some of the scenes are so harrowing that it makes for uncomfortable viewing.
The first half an hour of Cherry struggles to find its place. The longer I think on it, the more it feels like that was an intentional choice. The character himself is drifting through his life, never really going anywhere and the feel of the movie at the start is much the same. As it finds its footing though, what becomes abundantly clear is that the systems Cherry puts his trust in, fail him. And as he scrabbles to find some sense of normalcy, bad decisions lead him along a path that way too many people have found themselves down.
The Russo Brothers take a lot of stick – and I feel cannot win. It’s as though film critics are not willing to allow them to move away from the blockbusters they made. Not that they want them to make those blockbusters any more either. Here, they’re clearly indulging in their passions, and though I didn’t like some of the style choices, and I wish they’d given Emily a slightly deeper character arc, I respect those choices and I understand why they made them.
Cinematography is everything I would come to expect from Newton Thomas Sigel, the chapters “Basic” and “Cherry” my absolute favourites. Critics have slated the script – again a criticism that I feel is a bit harsh given a lot of the text is directly lifted from the book of the same name.
Tom Holland is transcendent in this role as the titular anti-hero. To start with he acts as you would come to expect (especially if you’ve seen his work in The Devil All The Time) – but as his character descends into the deepest pit of despair, he knocks it out of the park. There’s times you lose the fact it’s actually him – by the end he’s a shell of a man. He really leaves it all out there, and criticisms that he’s miscast are, to my mind, absurd. Ciara Bravo is excellent too as his wife, Emily, and the supporting cast do their jobs well as wasters and chancers who enable Cherry’s demise.
My overwhelming sadness by the end of the movie is stemmed from the fact that while this is the story of one man, there’s so many more out there facing the same struggles, so many people out there who could so easily fall down the same hole.
Original Language en
Runtime 2 hr 22 min (142 min)
Genre Crime, Drama
Director Anthony Russo, Joe Russo
Writer Angela Russo-Otstot (screenplay by), Jessica Goldberg (screenplay by), Nico Walker (based on the novel by)
Actors Tom Holland, Ciara Bravo, Jack Reynor, Michael Rispoli
Awards 2 nominations.
Production Company N/A
Sound Mix Dolby Digital
Aspect Ratio 1.50 : 1 (some scenes), 2.39 : 1
Camera Red Ranger Monstro, Bausch & Lomb Super Baltar Lenses (one scene), Sony CineAlta Venice, Hawk class-X, V-Lite, Leitz M 0.8, Sigma Cine, Todd-AO, Arri Swing Shift and Lomography Petzval Lenses
Laboratory Company 3, Los Angeles (CA), USA (digital intermediate)
Film Length N/A
Negative Format AXS-R7, Redcode RAW
Cinematographic Process Digital Intermediate (4K) (master format), Dolby Vision, Hawk Scope (anamorphic) (source format), Redcode RAW (8K) (source format) (one scene), Todd-AO 35 (anamorphic) (source format), X-OCN ST (4K) (6K) (source format)
Printed Film Format D-Cinema