#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – When a protective father meets a murderous ex-con, both need to deviate from the path they are on as they soon find themselves entangled in a downwards spiral of lies and violence while having to confront their own inner psyche.
Plot: While investigating noises in his house one balmy Texas night in 1989, Richard Dane puts a bullet in the brain of a low-life burglar. Although he’s hailed as a small-town hero, Dane soon finds himself fearing for his family’s safety when Freddy’s ex-con father rolls into town, hell-bent on revenge.
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|6.8/10 Votes: 34,210|
|6.5 Votes: 520 Popularity: 10.143|
Cold In July brings synthesised chills, bloody sleet and fatherly responsibilities. The distinction between murder, manslaughter and self-defence is one that continues to grow more appropriate in America with each passing year. How does one determine the truth when only one key witness is available to divulge in their perspective? Especially when the odds are in their favour by accidentally shooting a “wanted felon” in the eye. The police view it as heroism. The general public questioning its intent. The victim’s father overwhelmed with rage and demented turmoil, threatening the safety of the family thrown into the icy-cold chills of crime.
Mickle’s intentionally masculine crime thriller is one that evokes themes of fatherhood. The paternal rights and responsibilities of their children who may, or may not, be following the path of sin. Ever increasing the protectorship of their guardian figure for the sake of the family they have lovingly crafted. It’s a natural instinct. To protect our own flesh and blood, no matter the cost. But what if that expenditure is too severe? What if their existence is causing suffering to others? The morality of these two fathers, the shooter and the victim’s patriarch, is tested through unlawful extremities. Challenges that conjure inner turmoil. And it’s only through Mickle’s astute direction do we as viewers journey down this careening route of masculinity.
What starts off as a simplistic revenge thriller soon complicates itself into an absorbingly comedic drama, whilst still shrouded in pulpy neo-noir aesthetics. Grace’s booming synthesised score and Samul’s ornate use of vivid neon backdrops cement the noir elegance. Yet it’s Mickle’s insistence in shifting genres, adding a quirky aura of surrealism to the mix, that acts as gritty adhesive. Does it work? Not quite. The brutal tension that is meticulously built up in the first hour is palpable. Slow panning through tight corridors. Strikes of lightning illuminating the bleak darkness of 80’s Texas. The atmosphere compact with nullified thrills.
Then the plot thickens. The local police become involved, a recruited Private Investigator struts his stuff and suddenly the genre changes. Intrinsic comedy is injected through Johnson’s character, contrasting against Shepard and Hall’s intimidatingly serious performances. Unfortunately, this relieves the suffocating tension that preceded it, relying on a clichéd yet stylistic conclusive shootout with moments of jarring humour. Whilst it does add characterisation, Mickle’s screenplay rarely furthers itself by being weighed down by overly basic dialogue. Conversational scenes, particularly between the two fathers, seemed muted. Lacking in fire and anger. If the script had been tighter with some sharper tongues for the characters, the complacent genre shift would’ve been more forgiving. The two were unable to mesh cohesively.
That’s not a detriment to the overall technicality and theatricality of Cold In July. It remained bitterly deadly throughout and utterly watchable. If only the script had been tighter and the narrative differences more seamless when transitioning, we could’ve had ourselves an incredibly rare hidden gem of noir excellence.
All right, boys, it’s Howdy Doody time.
Cold in July is directed by Jim Mickle and Mickle co-adapts the screenplay with Nick Damici from the novel written by Joe R. Lansdale. It stars Sam Shepard, Michael C. Hall and Don Johnson. Music is by Jeff Grace and cinematography is by Ryan Samul.
1989 Texas and when Richard Dane (Hall) shoots and kills a burglar in his home, his life shifts into very dark places.
A quality neo-noir pulper, Cold in July thrives because it never rests on its laurels. It consistently throws up narrative surprises, spinning the protagonists and us the audience into different territories. Fronted by three striking lead performances, each portraying a different type of character who bounce off of each other perfectly, the pic also has that late 80s swaggering appeal. Be it Grace’s shifty synth based score, or the way Samul’s photography uses primary colours for bold bluster, it’s period reflective and tonally in keeping with the story.
With substance in the writing, moody and dangerous atmosphere unbound and tech credits at the high end, this one is recommended with confidence to neo-noir fans. 8/10
A Taut and Unsullied Thriller- Great Independent Cinema
A neo-noir directed by Jim Micklee based on a novel by Joe Lansdale, a dark, grim and gritty tale of retaliation and retributions. The ramifications of a murder, lead to the carnage and involved people can go at any length. This is not your usual thriller but a compelling mysterious story which keeps us at the edge of our seats.
Set in 1989 Texas, Richard Dane (Michael C. Hall) a common family man, one night defensively guns down an intruder. The police quickly identify the corpse as a wanted criminal and bury him. Richard still feels the remorse of killing a human being and goes to the cemetery where the dead man’s father Ben Russell (Sam Shepard) threatens to kill Richard’s young son. In order to save his family Richard takes police help however consequently he unfolds some secrets, now Richard and Ben will take the assistance of a brash private detective, Jim Bob (Dan Johnson), to crawl to the core of Richard’s uncertainty.
The narrative is paced with lots of twists and turns to keep us engaged throughout the run time of 150 minutes. The minute details of 80’s Texas are just impeccable. The screenplay will keep you on your toes as the tension builds subsequently. The overwhelming final shot portrays a brutal and stylized violent scene which is fresh and instinctual. However, some of the details are missing here as the some unexplained loose ends which are not tied and there should have been a better female cast.
The performances are brilliant, Hall is stellar as a protective family man and the transformation his character is immaculate. Shepard is remarkable as a distressed father, looking for his son. Johnson is a scene stealer having as much fun as anyone can within such confine.
Cold in July is a captivating experience with tense and unsettling tone. The independent cinema is at its best.
My Vite 7.5/10
Dexter’s Dream’s Darken
Sometimes a TV Show is so big that it defines an actor and they become boxed in because of it, this is the way with Michael C. Hall, Famously Dexter from the hit TV show of the same name. So I suppose the reel question is can this cold blooded thriller carry it’s dark passenger? Cold In July calls to mind movies like Killer Joe and Drive with is serpodic violence and dark story. It’s a film that draws you in, slowly at first then as time passes with more pace, letting the lesser characters fall away until there are only 3 men left to look at. It sets out it’s cards on the table early, with a single second of pure ferocity and then falls silent again. That’s how the entire film is, like a beautiful concerto, every time the film reaches it’s dizzying heights of gore, it is booked either end with a stillness that makes the entire affair so much more harrowing.
Cold In July makes a bold move in handing us our main character; Richard. Richard is a man who is outside of this world that he finds himself in, he is drawn into it against his will. Richard is the audience on screen, he asks all the questions we are asking and makes all the actions we would do. Cold In July, is Richard and Richard is the personification of our curiosity on screen.
It’s clear that one of Cold In July’s greatest traits is that it never forgets the after math of violence and the actions that are taken, the film is practical in it’s approach to pain, and fear. That’s what’s really impressive about Cold In July. The whole movie feels so logical, like it all evolves on screen in front of us, the action and tension is on at all times, there is no rest for us as an audience, no moment or reprieve, as soon as the first gunshot is heard the film begins it’s decent towards it’s ultimate goal and gripping finale.
For the very opening Richard is a man who makes a terrible mistake and is unhinged from that moment onwards, he is clandestine, his fate inescapable, he is a man who’s choices quickly run out in front of him.
The cinematography for Cold In July needs to be motioned, there is something beautiful about every single shot of the entire movie, something poetic and fluid in it’s movements. Much like the soundtrack which compliments the film, the whole thing is a kind of pop dance mix up that calls to mind Drive. Cold In July is definitely an exploitation film, I’m just not sure who it’s exploiting.
As I mentioned before Michael C. Hall, is a man famous for one role. In Cold In July, Hall pushes away the images of Dexter and blood slides and shows that he can be his own man. The rest of the cast are just as outstanding as Hall and match the low key tone of the film.
Cold In July is the dictionary definition of a perfect thriller, it is downbeat, subtle and all times controlled, a fine piece of film making.
Original Language en
Runtime 1 hr 49 min (109 min)
Genre Crime, Thriller
Director Jim Mickle
Writer Nick Damici, Jim Mickle, Joe R. Lansdale (based on the novel by)
Actors Vinessa Shaw, Michael C. Hall, Ken Holmes, Nick Damici
Country USA, France
Awards 1 win & 8 nominations.
Production Company Bullet Films
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Red Epic
Laboratory Light Iron (digital intermediate)
Film Length N/A
Negative Format Redcode RAW
Cinematographic Process N/A
Printed Film Format N/A