#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – The pilot of a rescue copter, Captain Karen Walden, died shortly before her helicopter crew was rescued after it crashed in Desert Storm. It first appears that she made a spectacular rescue of a downed helicopter crew, then held her own crew together to fight off the Iraqis after her copter crashed. Lt. Colonel Serling, who is struggling with his own demons from Desert Storm, is assigned to investigate her worthiness for the Medal of Honor. But some conflicting accounts, from her crew and soldiers in the area, cause him to question whether she deserves it.
Plot: A US Army officer, who made a “friendly fire” mistake that was covered up, has been reassigned to a desk job. He is tasked to investigate a female chopper commander’s worthiness to be awarded the Medal of Honor. At first all seems in order. But then he begins to notice inconsistencies between the testimonies of the witnesses…
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|6.6/10 Votes: 50,533|
|6.5 Votes: 583 Popularity: 11.281|
The story is a simple one. Washington is a Lt. Colonel responsible for some accidental deaths during a tank battle in the Gulf War. The experience leaves him feeling pretty lousy. He neglects his family and begins drinking. He’s assigned to investigate the suitability of Meg Ryan as a posthumous recipient of the Medal of Honor. She was flying a medevac helicopter to a crash site when her aircraft was shot down by small arms fire and, apparently, she stayed behind voluntarily and ordered her crew to save themselves while she covered them. Washington interviews the crew members and gets different stories. In one story Ryan behaves heroically as described. In a second, she is a coward and collapses under fire. In yet a third, the truth emerges. Yeah, it’s Rashomon, but not as original or subtle.
Still it’s pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn’t really important to the narrative.
The performances are better than I’d expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn’t have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He’s good as carrying that burden of guilt left over from his battlefield mistake but isn’t too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.
There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that’s beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.
The battle scenes are well done, although a little confusing, as I’m sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won’t go into it. Justice outs, let’s say that.
It’s a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.
Stunning performances, great direction, fine story line
Whoa! Some of these reviewers bring so much of gender politics and national politics to their reviews, the movie itself is lost. I wasn’t going to add a comment until I found the one that said, “We didn’t know what this movie was about, so it’s a bad movie; by the way, we wore earplugs all through it.”
Come on, folks, get the cotton out and listen up. Matt Damon’s ability and willingness to lose forty or fifty pounds in the course of his role is certainly above and beyond the usual call of duty for a supporting actor. His expert embodiment of the fragility and shame of his character foreshadowed his leading-man career to come. Denzel Washington and Lou Diamond Phillips merit the kind words other reviewers have left here, and certainly Meg Ryan deserves none of the harsh ones.
Her performance was perfect, whether portraying the gutsy leader recalled by some narrators or the over-estrogened mess detailed by her bitter gunner. Someone here complained she was “too pretty” — please! Pretty happens, even in the military. Others here complained her voice was too high, no, too low, no… perhaps it’s their expectations of female soldiers that are too high, too low, too wedded to or too opposed to gender stereotypes.
One of the European reviewers here complained that this film was too pro-American and dehumanized the Iraqis. I thought the director was showing that it is a universal tactic to assure yourself of your righteousness by dehumanizing and misrepresenting “the enemy,” whether it is the opposing force or a captain you despise for her power over you. Remember, the film begins with a scene showing that the forces are so similar that they are literally indistinguishable — though that point may not have been intentional on the director’s part. Certainly the point is lost as the film goes on to lionize every American life lost while placing only target value on the deaths of opposing soldiers.
This was a war movie that acknowledged cowardice as well as courage, shame as well as gallantry, deadly mistakes as well as brilliant tactics, all in the same arena and sometimes all in the same individual. One movie can only carry so much freight, and perhaps asking every war movie to highlight the pointlessness of war and the excesses of nationalism is asking too much.
Aside from all that, the filmography and special effects were astonishing, both in the war shots (the napalm drop, the tank lines, the helicopters in the cliffs) and in the most dramatic domestic death scene.
This was an excellent movie, with stunning performances, great direction, and a fine story line. But if you’re wearing earplugs or blinders, you’re going to miss it.
Original Language en
Runtime 1 hr 56 min (116 min)
Genre Action, Drama, Mystery, Thriller, War
Director Edward Zwick
Writer Patrick Sheane Duncan
Actors Denzel Washington, Meg Ryan, Lou Diamond Phillips, Michael Moriarty
Awards 9 wins & 7 nominations.
Production Company Fox 2000 Pictures
Sound Mix Dolby Digital
Aspect Ratio 1.85 : 1
Camera Arriflex 535, Arriflex 535B
Laboratory DeLuxe, Hollywood (CA), USA
Film Length 3,279 m
Negative Format 35 mm (Eastman EXR 200T 5293)
Cinematographic Process Super 35
Printed Film Format 35 mm (spherical)