#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – The year is 2071. Following a terrorist bombing, a deadly virus is released on the populace of Mars and the government has issued a 300 million woo-long reward, the largest bounty in history, for the capture of whoever is behind it. The bounty hunter crew of the spaceship Bebop; Spike, Faye, Jet and Ed, take the case with hopes of cashing in the bounty. However, the mystery surrounding the man responsible, Vincent, goes deeper than they ever imagined, and they aren’t the only ones hunting him. The original creators of the virus have dispatched Electra to deal with Vincent and take out anyone who may stumble on the truth behind him. As the hunt for the man with no past and no future continues to escalate, they begin to question what about the world is reality and what is a dream as the line between sanity and insanity becomes more apparent.
Plot: The year is 2071. Following a terrorist bombing, a deadly virus is released on the populace of Mars and the government has issued the largest bounty in history, for the capture of whoever is behind it. The bounty hunter crew of the spaceship Bebop; Spike, Faye, Jet and Ed, take the case with hopes of cashing in the bounty. However, the mystery surrounding the man responsible, Vincent, goes deeper than they ever imagined, and they aren’t the only ones hunting him.
Smart Tags: #terrorist #bounty_hunter #neo_noir #female_soldier #army #government_agent #city #fight #space_opera #terrorism #gunfight #outer_space #police #halloween #bio_terrorist #bio_terrorism #gun #based_on_manga #hacking #explosion #anti_heroine
|7.9/10 Votes: 43,050|
|7.7 Votes: 464 Popularity: 14.017|
A fun romp with some old friends.
Watching Cowboy Bebop: The Movie is kind of like reconnecting with an old friend. He’s got the same sense of humor, the same style and you recognize him, but at the same time, he’s matured. Perhaps he’s grown sleeker, taken advantage of improved technologies, or perhaps gotten a little wide around the belly.
Everything’s back in Cowboy Bebop the movie. Because of the characters and plot as we know it, the movie probably occurs somewhere in the late teen episodes or early twenties episodes of the series, which has a positive and a negative effect. If you’ve already watched the series, then certain things don’t surprise you since you know what happens to the characters later. Furthermore, because this was produced after the series, it also doesn’t get to tangle with the central storyline of the series (they mythology), where the series, which was excellent even in the anthology episodes, really shined. On the plus side, it hits where we’re most familiar with the series, before things get super serious and with the characters in the state that they spent most of the series.
The story deals with a bioterror threat and the Cowboys get caught up in it, while trying to nab bounties to make a little change while in an urban city. There is no space travel or dogfights in space, but The Movie does take efforts to include a little of everything that the series has had (minus the mythos), so expect to see martial arts, gunplay, dogfights (but not in space), goofing off, hungry characters, Ed being silly and such.
Unfortunately, the story only lives up to the high standard of a stand-alone episode of Cowboy Bebop, but despite the fact that The Movie is considerably longer than an episode, it all flows along smoothly and feels like you just watched a good two-parter rather than an episode that’s been dragged out. Nonetheless, since we hardly get into the Cowboy characters, the story doesn’t have the same resonance of the stronger episodes in the series. Instead we get to go deeper into a pair of characters for the movie, who have somewhat interesting stories, but aren’t strong enough to really carry the emotional heft of the film since they aren’t the protagonists.
The art, on the other hand, is still gorgeous and the movie benefits from the widescreen aspect ratio as well as what appears to be an improved budget for the animation, as everything, from backgrounds to characters, are treated with a wonderful level of detail. There are a few scenes involving butterflies that are absolutely beautiful to look at. Furthermore, the sound benefits from a great surround sound mix, adding directionality and heft to the soundtrack. Finally, the score by Yoko Kanno is delicious to listen to and perfectly brings you back into the series while presenting some absolutely stunning new songs in the mix as well.
Overall, Cowboy Bebop: The Movie is a fun ride. Although, in the end, it’s not as strong (story-wise) as the more compelling episodes of the series, the art, the sound, the music and just getting to spend a little more time again with characters you’ve come to know and love makes this a thoroughly enjoyable film. Recommended for Cowboy Bebop fans–but you must watch at least most of the series before watching this. 8/10.
Anime for the action lover/psychology major…
Cowboy Bebop: Tengoku no tobira(Japan, animated, color, 2001) A.K.A. Cowboy Bebop: Knockin’ On Heaven’s Door or Cowboy Bebop: The Movie thanks to Bob Dylan’s lawyers and the lackwits at Columbia TriStar Films Cast(French dub): Bruno Muellenaerts(Spike Spiegel) Arnaud Leonard(Vincent Volaju) Stephane Flamand(Edward) Shinichiro Watanabe’s 1998 series Cowboy Bebop is considered by many to be a classic of animation on television, oozing style, violence and a great jazz-based score from every pore of it’s existence. After a somewhat lengthy absence(long enough for Cartoon Network to release an English dub), the Bebop crew return in this fabulous film(released in North America in 2002 to some quite positive reviews from art house critics) that takes an interesting story and expands it in a way the series couldn’t, there’s some SERIOUS philosophical depth here, not as much as, say, End Of Evangelion, but enough for your average action flick.
Opening with an insanely cool convenience store robbery sequence(replete with memorable dialogue and a cool “fish-eye” framing technique) and not letting up until it’s VERY METAPHORICAL and beautifully animated ending. CB:TNT packs on humor, drama, thrills and DEEP THOUGHT by the crateful. You’ll laugh, you’ll scream, you’ll shout “THAT WAS F**KING COOL!!!!”, you’ll have the distinct urge to crash a lecture on the human psyche! This movie has it all!
Our protagonists are Spike(lazily voiced by a bored-sounding Muellenaerts), a slacking loser of a bounty hunter who harbors an “interesting” past, Jet(I couldn’t find a voice credit for the French dub on IMDb), a ex-cop and master of vegetarian cooking, Faye(same as last note), a problem gambler with amnesia and Edward(given a soulfully bizarre lilt by Flamand), an androgynous female hacker with zero attention span and an unholy amount of flexibility(which she spends most of the film demonstrating). After a search for a local hacker with a five million dollar bounty on his head goes horridly wrong, the gang are left in pursuit of Vincent Volaju(Who Leonard lends an inherent amount of spookiness to), a bioterrorist with a military history who supposedly has been dead for the past three years., and really is!
After close to two hours of comedy, violence and mind-f**k plot developments, the end credits roll and you may wedge your way from the edge of your seat. The film entertains on many a level and will more than certainly please fans of the series as well as newcomers. Despite me having the desire to watch it French, the film is best experienced with the English dub(close to flawless, expect minor characters are wooden and there are a few agitating accents) or the original Japanese(despite the “authenticity”, I never enjoyed the Japanese voices for the Bebop crew, except Jet) with subtitles in a language of your choice.
Verdict: 100/100, not be missed by anyone who loves action or anime.
Original Language ja
Runtime 1 hr 55 min (115 min)
Genre Animation, Action, Crime, Drama, Sci-Fi, Thriller
Director Shin’ichirô Watanabe, Tensai Okamura, Hiroyuki Okiura, Yoshiyuki Takei(co-director)
Writer Keiko Nobumoto (screenplay), Hajime Yatate (based on the story by)
Actors Kôichi Yamadera, Unshô Ishizuka, Megumi Hayashibara, Aoi Tada
Country Japan, USA
Awards 2 nominations.
Production Company N/A
Sound Mix Dolby Digital, SDDS
Aspect Ratio 1.85 : 1
Laboratory Tokyo Laboratory Ltd., Tokyo, Japan
Film Length N/A
Negative Format 35 mm (Kodak), Digital
Cinematographic Process Digital, Spherical
Printed Film Format 35 mm