Crash 1996 123movies

Watch: Crash 1996 123movies, Full Movie Online – Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed..
Plot: After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
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Ratings:

	6.4/10 Votes: 61,211
	64% | RottenTomatoes
	50/100 | MetaCritic
	N/A Votes: 861 Popularity: 17.872 | TMDB

Reviews:

I don’t have a whole lot of experience with David Cronenberg’s films and this is the first of his I’ve watched in a long time. Pretty obvious with the symbolism he was after but this isn’t something I particularly engaged with despite the committed performances from the cast, although Elias Koteas was creepy good. No real plot with this one and by the end, while a unique movie for sure, not really sure I have much desire to watch again (at least anytime soon). **3.0/5**

One thing has to be said in my fellow Canadian David Cronenberg’s favour–At least for the first 25-or-so years of his filmmaking career, he has always been one of the most surprising and brilliant minds of ‘body-related horror’, and from every conceivable angle. What other mind–out of 7 billion possibilities–could have come up with this, the combining of erotic pleasure with car crashing? He sure must have been an interesting catch in his early dating years, for the adventurous women out there…

Utterly bizarre and empty.
David Cronenberg likes to push the envelope in film. With Scanners, he ushered in a new wave of horror. With The Dead Zone, he gave us horror of a more subdued kind. With The Fly, he remade a sci-fi classic and gave it a new spin. And with Dead Ringers, he explored the strange dual life of twins. With Crash, Cronenberg pushes us, but I don’t know what kind of repsonse he was going for. The story concerns James Ballard and a group of crash enthusiasts. After his initial crash, Ballard meets up with Helen Remington and a mysterious man named Vaughn. Ballard is soon introduced to the strange world of car crashes, and the rush of sexual tension. Now I can see where there is a thin line that separates these two acts. Both bring out a strong physical and emotional reaction, but the characters in the film are too detached from life. There is sex without pleasure, and the only way these people can experience pleasure, is through the trauma of an automobile accident. The film moves along at a leisurely pace and nothing ever really happens. There is no dramatic need that these characters have to fill. There is no urgency in their actions and their motivations are clouded, by what I interpret as boredom. Cronenberg has done some fine work in the past, and I think he’ll come along and shock us with a truly original film. Until then, stick with the four I mentioned at the top.

Other Information:

Original Language en
Runtime 1 hr 40 min (100 min), 1 hr 30 min (90 min) (R-rated)
Budget 9000000
Revenue 0
Status Released
Rated NC-17
Genre Drama
Director David Cronenberg
Writer J.G. Ballard, David Cronenberg
Actors James Spader, Holly Hunter, Elias Koteas
Country Canada, United Kingdom
Awards 9 wins & 6 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix Dolby, SDDS, Dolby Digital
Aspect Ratio 1.37 : 1 (negative ratio), 1.66 : 1 (intended & theatrical ratio)
Camera Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory DeLuxe, Toronto, Canada
Film Length 2,840 m
Negative Format 35 mm (Fuji Super F-250T 8552, Super F-500T 8572)
Cinematographic Process Digital Intermediate (4K) (2020 remaster), Spherical
Printed Film Format Digital (Digital Cinema Package DCP 4k), 35 mm