#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – When some Russian rebels takes control of some ICBM’s, the Americans mobilize. Among the vessels sent is the nuclear sub, the Alabama. But before they leave they need a new X.O. and among the choices is Commander Hunter, who hasn’t seen much action. But the ship’s Captain, Ramsey OK’s him. While on the way, there was an incident and Hunter disagreed with how Ramsey handled it, it’s evident that Ramsey doesn’t think much of Hunter because Hunter was college educated while Ramsey worked his way up. They’re given orders to attack but when they were in the process of receiving another order, the ship’s communications were damaged, so the entire message was not received. Ramsey decides to continue with their previous order while Hunter wants to reestablish contact first. That’s when the two men butt heads that ends with Hunter relieving Ramsey. Later when some men die, some of the officers feel that Hunter is not up to the task so they team up to retake control. But Hunter has taken precautions.
Plot: On a US nuclear missile sub, a young first officer stages a mutiny to prevent his trigger happy captain from launching his missiles before confirming his orders to do so.
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|7.3/10 Votes: 102,636|
|7.2 Votes: 1129 Popularity: 12.04|
Probably my favourite Tony Scott film, amidst stiff competition. The acting of both Hackman and Washington, plus the fine supporting cast, is top-drawer, and Scott keeps the suspense up, the film’s as tight as a drum. It’s rumoured that there were plenty of script doctors, including Quentin Tarantino, but that’s no crime–especially when it works. One of my favourite submarine films–it’s up there in my books with ‘Destination Tokyo’ (I haven’t seen my DVD of ‘Das Boot’ yet). It’s a great shame that Scott decided to take his life a few years back. He was a much better director than I used to give him credit for. I guess it’s true that we don’t realize just how good people are until they’re gone. This film’s essential for war film enthusiasts or those who enjoy suspense films or thrillers: It wouldn’t be out of place in the oeuvres of, say, Sir Alfred Hitchcock or David Fincher, and would make a great double-bill with ‘Lifeboat’ or ‘They Were Expendable’.
A mutiny thriller that delivers the goods wholesale.
Russian rebels have seized one of their government’s nuclear missile bases and are threatening to attack the U.S.A. A patrolling US nuclear submarine is ordered to fire, but almost straight afterwards an incomplete counter order brings uncertainty. The submarine Captain and the Executive Officer come into conflict as to which order to follow, and thus the subs crew are torn as to which officer is right or wrong.
Directed by Tony Scott, one could be forgiven for thinking that Crimson Tide would be an outlandish ball of explosions and slaughter, thankfully it isn’t, as Scott gives us one of the best underwater thrillers going. Scintilating characters are cloaked in dynamic claustrophobia, and this coupled with the ever increasing unbearable tension, makes this a must see for fans of films that are scary because of what might happen, and not because of what many blockbuster film makers actually show you.
This is not a standard good vs evil plot piece, or even a good vs insane cretin film, this pitches old school stickler for the rules Captain Ramsey against the deep thinking common sense purveyor Lt Commander Ron Hunter. Ramsey believes that the completed order, which is basically to blast the Russians before they blast us type thing, should be followed, Hunter on the other hand feels that the second incomplete order must be clarified before any action is taken, because after all this could be nuclear war! The film then twists and turns as the sub is divided into two factions, mutiny is rife, but what will the outcome be? Can the radio be fixed to complete the order? Will it be too late? All these questions are tensely drawn out by Scott to get the maximum impact from what is an admittedly standard global crisis in waiting story.
No shortage of machismo here either, brutishly brilliant is how I find Gene Hackman in this, his Captain Ramsey is the quintessential leader of men. Then there is Denzel Washington as Ron Hunter, eloquently spoken and a voice of reason, his ruggedness coming to the fore as the submarine starts to implode. There are few better sights in 90s cinema than watching Hackman & Washington go at each other the way they do here, starting off as just a fractious relationship, it then explodes into a war of belief and wills. It’s through these pair that the film’s neutral stance shines bright, what would we do in similar circumstances? Who would we follow? Both men ethically right, yet both men accountable for probable disaster.
This is a wonderful picture, a lesson in tough tension building that is perfectly wrung out by a rousing Han Zimmer score, with the only weak point being a multi written script that tries to fuse pop culture references with technical lingo, something which doesn’t quite sit right. However, even that can’t hurt the excellently unfolding sequence of events that closes quite brilliantly with a written piece that all of us should take note of. 9/10
Jon Monsarrat review: intelligent and thrilling
Although billed as a film about a deep issue (how much control submarine commanders should have over their nuclear weapons), Crimson Tide is really a straight action flick in my opinion. However, it is intelligent and definitely a cut above the action/thriller stereotype.
Superbly acted by the best — never fail actors Denzel Washington and Gene Hackman — they keep the tension at an eerily high peak throughout the film.
Who should see this film:
— action movie buffs
— borderline action lovers who won’t build false expectations that there’s a lot of deep issues and drama going on here
— Arty types who are refined enough to appreciate the acting, sets, and dialogue even if they don’t normally like action films
Suspense plays a large role in the film, so once you’ve seen it you know what’s coming and may not wish to see it again someday. Only this limits it to getting a 7 out of 10 in my book.
1.45 hours training in submarine command language.
Denzel and Gene are the perfect choices for the leads. The score is simply amazing and deserves the Oscar. But anyway during the after texts i felt relief. 1.45 h of submarine command language can take its toll and be pretty indigestible.
The only thing that prevents me from putting a solid 8 out of 10 for this effort from Tony Scott are the totally unnecessary racial remarks made by Hackmans character captain Ramsey at the end of the movie. The Lipizzaner dialog could easily have been replaced with something else. It was very irritating and ridiculous simply because if Ramsey had preferences in skin color, he wouldn’t have chosen a black man as an X.O. in the first place, right?
The served purpose was of course to help the viewer to take sides in the conflict but the audience had already done that. The audience had already understood that Ramsey associated Hunter with Harvard and military school theory and that he thought of him as a softy. The moment Hunter takes control of the conn, the sympathies lies with him.
Ramsey with his happy trigger-finger and “shoot first ask questions later” attitude was the stereotype perhaps needed to push some moral points about the problems with blind obedience and the ever recurring need of critical thought (especially amongst men in control of nukes). The audience got it, but to make sure the viewers didn’t have any sympathies for the old commie-hater he must be throwing some racial epithets too. The choice in making characters over explicitly bad is quite common in Hollywood though, but more often than not the drama itself suffers from this practice. Characters made more shallow and one-dimensional, who wants that except the studio bosses? If they dumb it down and keep it within the stereotypes maybe they think it’s easier to go break even, who knows? But in the same way as the US military can be saved from personnel like Ramsey maybe a well educated middle class one day can save the world from risk reducing studio bosses by demanding a dismantling of the stereotypes we all cherished and consumed for too long.
Original Language en
Runtime 1 hr 56 min (116 min), 2 hr 3 min (123 min) (extended) (USA)
Genre Action, Drama, Thriller, War
Director Tony Scott
Writer Michael Schiffer (story), Richard P. Henrick (story), Michael Schiffer (screenplay)
Actors Denzel Washington, Gene Hackman, Matt Craven, George Dzundza
Awards Nominated for 3 Oscars. Another 5 wins & 6 nominations.
Production Company Hollywood Pictures
Sound Mix Dolby Digital
Aspect Ratio 2.39 : 1
Camera Moviecam Compact, Panavision E-Series Lenses, Panavision Panaflex Gold II, Panavision E-Series Lenses, Panavision Panaflex Platinum, Panavision E-Series Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (color), Technicolor, Hollywood (CA), USA (prints)
Film Length 3,173 m (Sweden), 3,267 m
Negative Format 35 mm (Eastman EXR 500T 5298)
Cinematographic Process Panavision (anamorphic)
Printed Film Format 35 mm (Eastman)