#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Antoine Besson, Miriam’s divorced husband, is a nice man. In charge of security in a hospital, he is esteemed both by his superiors and his fellow colleagues. Moreover he is a good father who, willing to be closer to his eleven-year-old son Julien, has chosen to be transferred to the town where the boy lives with his mother and his older sister Joséphine, soon to be of age. That is the very reason why Antoine, the caring father, is asking for joint custody of Julien. Well, all that would be fine provided Antoine actually was the man he claims to be. The trouble is that his wife and his two children see him in a very different light. For in the past, Antoine was far from an angel. On the contrary, he had a knack for creating an atmosphere of permanent fear at home, going as far as to occasionally beat his wife under his children’s eyes. And he got away with it all the more easily as Miriam, wishing to avoid even more problems, never lodged a complaint against him – a fact that eventually turns against her. Which is why, despite the fact that Julien does not want to see his father any more, the family court judge complies with Antoine’s request.
Plot: In the midst of a divorce, Miriam Besson decides to ask for exclusive custody of her son, in order to protect him from a father that she is accusing of violence. The judge-in-charge of the file grants a shared custody to the father whom it considers abused. Taken as a hostage between his parents, Julien Besson will do everything to prevent the worst from happening.
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|7.5/10 Votes: 8,870|
|7.6 Votes: 448 Popularity: 11.187|
A pulse-racing portrait of domestic terrorism
Movies are best consumed without expectations but sometimes a warning is needed. The hyper-realistic French film Custody (2018) is less about child custody than it is a vehicle for depicting the most pulse-racing domestic terrorism you are likely to see in a long while. It is visceral and raw, as is the fact that one French woman is killed every three days by a partner. This film suggests why.
The opening scenes are clinically documentary in style. A magistrate takes submissions from lawyers for estranged couple Antoine (Denis Ménochet) and Miriam (Léa Drucker) over custody of their 12-year old son Julien (Thomas Gioria). It is impossible for us to gauge the merits of either litigant and easy to empathise with both. On the available evidence, the magistrate takes a routine middle path and awards custody, an outcome that will imperil mother and child.
If it were possible to plot the tension curve of this film, it would start just off the floor and work its way through the roof in its final seconds. Initially Antoine behaves like an aggrieved husband who loves his son. Step by step, we see him using custody rights to manipulate Julien into revealing information about his mother. The legally necessary contact between the slightly built Miriam and the towering hulk Antoine become increasingly ominous. His overbearing silence in key scenes drips with menace as she knows his capacity for violence and the law is no help.
This film stands out for the grounded way it depicts the escalation of threat. It keeps actual physical domestic violence out of the picture, and instead shows the psychological pressures of trying to separate from a violent man. The acting performances are extraordinary. Ménochet only has to raise an eyebrow and tensions rise, while Drucker is a portrait of frozen fear. The standout performance comes from young Gioria whose astonishing authenticity belies his tender years. The cinematography powers the narrative and shapes the claustrophobic atmosphere in which a mother and child are being given progressively less space to breathe. Many scenes are prolonged in length to create real-time voids into which is poured unimaginable suspense.
Be warned: this is not entertainment. It is more like stepping into the shoes of a defenceless mother and child who must fend for themselves against a raging beast. The indescribably frightening final scenes re-define the concept of ‘toxic masculinity’ and make you wonder about today’s role models of manhood. Director: Xavier Legrand Stars: Denis Ménochet, Léa Drucker, Thomas Gioria
A little insubstantial, particularly when compared to where it could have gone
I find it hard to categorize and settle my thoughts on this film. It appears as a serious gritty kitchen-sink style drama, but Legrand keeps his story, ideas and characters very simple, and it eventually comes across as a slightly lame domestic version of an exploitation film. Its a story that could be told far more efficiently as a 30 minute short, without losing any meaning or impact (unless your thing is build-up for the sake of an ending, which the film delivers a lot of).
It was mildly interesting to watch, although not particularly rewarding or stimulating. It just sort of plods along (with great acting mind). It unravels slightly and becomes slightly annoying. Then the last seven minutes or so become tense and gripping, then its all over and the credits roll. I’m just not sure what there really is to take from it – any specific angle (forewarning patterns of a person’s intent/trajectory? Horror/suspense film? Character study? Psychology of co-dependency?) could have been delivered MUCH more substantially, effectively and in a way that leaves a much deeper imprint. It all feels a bit too short and tepid to really be worthy of a feature.
Original Language fr
Runtime 1 hr 33 min (93 min)
Director Xavier Legrand
Writer Xavier Legrand
Actors Léa Drucker, Denis Ménochet, Thomas Gioria
Awards 23 wins & 32 nominations
Production Company N/A
Sound Mix Dolby Digital (as Dolby 5.1)
Aspect Ratio 2.39 : 1
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format D-Cinema, DCP (as DCP 4)