Death Race 2000 1975 123movies

Watch: Death Race 2000 1975 123movies, Full Movie Online – In the year 2000–against the backdrop of social turmoil, political unrest, and rampant anarchy–a now-totalitarian United States of America supports a brutal annual event to pacify the masses: the infamous Transcontinental Road Race. Scoring points simply by running over unsuspecting pedestrians, the national champion driver, Frankenstein, has to race against fast contestants such as the beautiful cowgirl killer, Calamity Jane; the neo-Nazi, Matilda the Hun; the Roman gladiator, Nero the Hero, and, first and foremost, the Chicago thug and ambitious challenger, Machine Gun Joe. Who will score the most points in the violent Death Race 2000?.
Plot: In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians. Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America’s hero, but this time he has a passenger from the underground resistance.
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Ratings:

	6.2/10 Votes: 28,135
	81% | RottenTomatoes
	58/100 | MetaCritic
	N/A Votes: 371 Popularity: 13.106 | TMDB

Reviews:

Cult at gazillion miles per hour
Death Race 2000 is the finest example to show how easy it actually was back in the seventies to come up with a timeless cult film. Honestly, anyone could have invented an outrageously exaggerated premise like this but the fact that it was actually Roger Corman who dealt with it just proves how eminently he ruled the B-movie circuit back then. Death Race 2000 is one of the most entertaining films ever made and I, for one, can’t imagine someone not loving the severely ridicule story of a coast-to-coast car race where the contesters score points by wiping pedestrians off the road. Silly, yes…but even more ingenious, flamboyant and offensive. Pure cult, in other words, and fundamental viewing for every soul who ever showed interest in extravagant film-making! The script is stuffed with imaginative findings (euthanasia day at the hospital!) and downright UNsubtle protest towards the American way of life (a factor that determines Death Race 2000 as cult even more). Considering it’s a Corman production, the film also contains explicit violence, provoking messages and a truckload of sleaze! All the elements that guarantee untamed cult success! Of course it has to be said that it could have been an even better film if Corman and director Paul Bartel focused on a more proper elaboration of the versatile idea. The rivalry between Carradine and Stallone, for example, should have resulted in a more intriguing sub plot and even though DR 2000 already contains much absurdity as it is, the premise surely had potential enough to add even more sick jokes and cynical situations. David Carradine acts deliciously as always and Stallone is excellent as well. Death Race 2000 is cinema that separates the men from the boys, people! Stop exploring the cult genre in case you didn’t had the time of your life watching this film.

A wonderfully sick and outrageous sci-fi black comedy blast
In the Dystopian future of 2000 various race car drivers participate in a no-holds-barred cross country competition in which points are scored by running over pedestrians. Weary reigning champion Frankenstein (excellently played with perfect stoical cynicism by David Carradine) is bound and determined to win. Vicious 30’s mobster-style rival “Machine Gun” Joe Viterbo (a pre-stardom Slyvestor Stallone gleefully sending up his own macho musclehead persona) gives Frankenstein a major run for his money. Meanwhile, a group of political activists try to stop the race and overthrow the current totalitarian government.

Director Paul Bartel brings his customary wickedly warped and engagingly loopy tongue-in-cheek sensibility to the gloriously crazy premise, maintains a brisk pace throughout, and delivers plenty of over-the-top gory carnage and a pleasing smattering of tasty female nudity. The fiercely barbed and acidic script by Robert Thom and Charles B. Griffith pokes spot-on subversive fun at fascist politicians, cruelty as entertainment, inept revolutionaries, mindless fan worship, the duplicitous and manipulative media (all the resistance army’s attacks are blamed on the French!), and America’s wholehearted affinity for extreme violence. The first-rate B-flick cast play the darkly humorous material with tremendous lip-smacking gusto: the delectable Simone Griffeth as Frankenstein’s luscious navigator Annie Smith, Mary Woronov as sassy’n’sexy cowgirl Calamity Jane, the always delightful Roberta Collins as fiery Swastika sweetheart Matilda the Hun (“Blitzkrieg!”), Martin Kove as the vain, preening, and effeminate Nero the Hero, Don “The Real” Steele as obnoxious reporter Junior Bruce, Joyce Jameson as obsequious commentator Grace Pander, Louisa Moritz as the ditsy Myra, Harriet Medin as passionate old lady resistance leader Thomasina Paine, and Sandy McCallum as the smarmy Mr. President. Moreover, this movie offers a wealth of choice sidesplitting campy and occasionally downright bizarre moments: skinny Carradine giving brawny Stallone a severe clobbering, a heated catfight between Matilda the Hun and Calamity Jane, Calamity Jane facing off with a matador, a devout female admirer willingly sacrificing herself for Frankenstein, a bunch of greasers playing a dangerous game of chicken, and Viterbo mowing down his own pit crew. Tak Fujimoto’s bright cinematography gives the picture an impressive polished look. Paul Chihara’s funky jazzoid score hits the right-on groovy spot. Plus you gotta love a film with the astonishing audacity to kill off both a priest and the President of the United States. Totally worthy of its substantial cult status.

Other Information:

Original Language en
Runtime 1 hr 20 min (80 min), 1 hr 24 min (84 min) (Argentina)
Budget 300000
Revenue 8000000
Status Released
Rated R
Genre Action, Comedy, Sci-Fi
Director Paul Bartel
Writer Robert Thom, Charles B. Griffith, Ib Melchior
Actors David Carradine, Sylvester Stallone, Simone Griffeth
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix Mono
Aspect Ratio 1.85 : 1
Camera Arriflex 35 IIC, Mitchell BNCR
Laboratory Metrocolor, Hollywood (CA), USA (color)
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm