Watch: Devil 2010 123movies, Full Movie Online – In Philadelphia, Detective Bowden is still grieving for his wife and son, killed in a hit-and-run five years ago. When someone jumps from a skyscraper onto a truck, Bowden is sent to investigate. Meanwhile, five strangers are trapped in an elevator in the building where the jumper committed suicide. The communication radio in the elevator is broken but the guards, Lustig and Ramirez, observe the individuals via CCTV as events unfold. Tensions run high among those trapped, so Lustig calls the police and Detective Bowden assumes the case. Without being able to contact the individuals, he tries to work out who they are, but he can only account for four of them. Time is running out for the occupants of the elevator, as Bowden realizes he has to get them out quickly..
Plot: A group of people are trapped in an elevator high above Philadelphia, and one of them is the devil.
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|6.3/10 Votes: 147,732|
|49% | RottenTomatoes|
|44/100 | MetaCritic|
|N/A Votes: 2495 Popularity: 18.443 | TMDB|
Very nice cinematography
I enjoyed the cinematography. Especially the opening scenes and the scenes inside the elevator shaft. The music was typical string instruments going back and forth… could have been more eerie and composed with more feeling.
I was pretty shocked to be sitting in an empty theater on opening night. Guess MNS has sort of blown his reputation.
I didn’t try to guess the ending, I decided to just enjoy the ride. It did end rather abruptly, as if it was a TV show that had to end by a certain time. They could have fleshed out certain scenes longer and made a more comprehensive experience.
I went to see this alone as nobody I knew was interested… I’m glad I went, it was enjoyable, more so than I expected it to be.
A Nutshell Review: Devil
Maybe it’s because M Night Shyamalan is finally coming to terms that he no longer is the toast of the town, that he has decided to focus his energies on producing and writing suspenseful thrillers for his project known as The Night Chronicles, with the first film Devil off the blocks, and others to come including his original story idea from his planned sequel to Unbreakable. We know how Shyamalan of late likes to direct and include himself as one amongst the cast, though this time it probably took a lot of effort to vacate that director’s chair and quash that acting bug, to allow someone else to helm what is essentially a film that’s right up Shyamalan’s own territory. It’s almost like putting a candy jar in front of a kid, but not allowing him access at all.
Enter directors Drew and John Erick Dowdle, who I thought made a decent effort in bringing to life Shyamalan’s story set around the confines of a claustrophobic lift, where five strangers happen to be at the wrong place at the wrong time, each of them being trapped inside the lift and sharing some common traits that will be revealed as the story wore on. The film addresses the notion that nothing is ever coincidental, especially if powerful negative forces like the devil decide to walk the earth and claim a few souls, while at the same time having fun toying with their prey. Weaving in a folk tale like what he did for Lady in the Water, Shyamalan’s tale here involves the full works of how the devil operates, and comes with a method to defeat the supernatural forces seen in the film.
The directors managed to steer clear of the usual clichés for a fright fest, and rightly so as well because this is not that film. Granted that there are a few well crafted scenes to suggest that there are spiritual elements involved in how the victims – a mechanic (Logan Marshall- Green), an old woman (Jenny O’Hara), a young woman (Bojana Novakovic), a guard (Bokeem Woodbine) and a salesman (Geoffrey Arend) – the real draw is how visually arresting this film is in capturing fear from within close quarters. The opening sweeping shot of the city of Philadelphia upside down will bring about some disorientation, before reducing that spatial distance down to within the lift, mirroring that view through a CCTV camera back to the building’s security control room, which to me is where some of the best instances of the film shines through.
I’d actually preferred what went on outside of that lift, since what’s going to happen within is more like a done deal, with one of the five already revealed through marketing that he/she is someone who doesn’t belong. There’s more fun in following Detective Bowden (Chris Messina), who has to make sense of what’s going on, balancing his deductive prowess against something that cannot be explained by logic, and watching how his due diligence and process get blown to smithereens when at first he thinks this is a simple open and shut situation, until he realizes that he’s up against something that’s inexplicable. It’s one thing to swagger in with a plan, before fear sets in that one can be so helpless when trying to save the lives of others.
The strength of the film lies in Shyamalan’s story, which is deceptively simple, yet highly effective in weaving all the plot threads together, and the linking up of the characters so crucial in providing a satisfying finale. Fans of Shyamalan’s stories will find that he still has more than enough gas in the tank to come up with suspenseful tales that others now have a chance to helm on the big screen, something like what Luc Besson does these days. My interest is now piqued to see how the rest of the Chronicles will present themselves.
Original Language en
Runtime 1 hr 20 min (80 min)
Genre Horror, Mystery, Thriller
Director John Erick Dowdle
Writer Brian Nelson, M. Night Shyamalan
Actors Chris Messina, Caroline Dhavernas, Bokeem Woodbine
Country United States
Awards 2 nominations
Production Company N/A
Sound Mix Dolby Digital, SDDS, DTS
Aspect Ratio 2.39 : 1
Camera Panavision Cameras and Lenses
Laboratory Technicolor, USA (digital intermediate)
Film Length 2,200 m (Sweden), 2,225 m (Portugal)
Negative Format 35 mm (Fuji Eterna Vivid 500T 8547)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (source format)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema