#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, so do they. They fail to see time and fate are beyond their control.
Plot: A-yuan and A-yun are both from the small mining town of Jio-fen. They move to Taipei, where A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone thinks they are meant for each other, and so do they. They fail to see time and fate are beyond their control.
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|7.7/10 Votes: 2,592|
|7.7 Votes: 44 Popularity: 4.575|
Quiet, meditative and memorable.
Dust in the Wind is a remarkable film, and one which will, no doubt, reward multiple viewings. Like most of the films of Hou Hsiao Hsien, viewers will be divided into two, sharply opposed camps.
The main characters in the film are two high-school students. The first is Wan, who – seeing his village as a dead-end career-wise, decides to leave their home town to go to Taipei to find work, intending to complete his education via night-school. His girlfriend Huen also leaves for Taipei after graduation. The other personages are family members, employers, friends and co-workers.
The story presented consists of a number of vignettes in typical Hou fashion, with stationary camera and naturalistic performances. Glimpses are given of their occupations, their moments together and their times apart. Though varying from the very funny to the emotionally raw, they have a cumulative effect, resonating with a reality that is not idealised, and is yet still filled with moments of sublime grace, somehow existing with situations of despair, misery, boredom and loss. There is little music, only a solitary guitar used to punctuate scenes, almost like a musical interlude, often combined with stunning scenery.
Apart from the immediate plot, something can also be glimpsed of the attitudes of the rural, native Taiwanese towards the city and the higher classes, as well as to the vicissitudes of life in general. On a whole the film seems imbued with the melancholy, fatalistic philosophy indicated by its title.
A worthy member of Hou’s inimitable body of films, ‘Dust in the Wind’ was touching and memorable, though with an absence of schmaltz. It is a film I hope to revisit soon. As for recommendations, I’m not sure that it will be everyone’s ‘cup of tea’. Some will find many of its aspects, in particular its detachedness, quite alienating. Certainly those already familiar with Hou, or fans of Taiwanese cinema in general, will want to see it. Those who like Ozu, Bresson or Tarkovsky may find it worthwhile also. There is the same naturalistic feel, understated acting and long takes. But it is also very much the work of an original auteur who is honing his craft and producing unique, personal films.
Playing on the Hynoptic Register
The screen is totally black and after a few moments a very unclear spot seems to flicker in the middle; just a few more moments and the tiny white spot gets clear; the spot gets bigger: it’s the end of a railroad tunnel, and a train is running through the mountains. The movie has just started.
Made in 1986, Dust in the Wind belongs to the first artistic decade of Hou Hsiao-Hsien. This was a period when the Taiwanese director was preoccupied by the story of his own generation: the youngsters from the sixties, coming to age while their country was coming to age. Teenagers leaving the countryside for the big cities, facing the challenges of an unknown environment, trying to understand the new realities and to adapt, while still reluctant. Youngsters behaving erratically, like dust in the wind, dreaming big, till confronted by time and fate: time to erode all illusions, fate to treat all dreams like dust in the wind.
Nothing remarkable happens in this movie. You can consider the plot as extremely boring, only this is not the point. Also some reviewers stressed out the unsentimental approach of the director in telling a story that after all implies sentiments. It’s true, but again, this is not the point. Like in all films of Hou Hsiao-Hsien, the plot has the unique role to create a universe, and to leave room for meditation. The language of images is here essential, to operate on the subconscious level. Watching Dust in the Wind calls immediately in mind the world from the movies of De Sica, but the Taiwanese master gets subtly beyond. It’s just amazing how this director takes the sordid (in good neorealist tradition), finds the perfect place for each actor, for each object, and processes everything in hypnotic long takes.
The influence of Ozu is also present in this movie (let away the same love for railroad scenes, think at the last scene, showing the ocean: it’s the moment of stasis, the way all Ozu’s works end; coming immediately after the dramatic outcome of the plot, it suggests that whatever happens is unimportant in the cosmic order of things; life will go on anyway). What differentiates Ozu and Hou is the way they treat the plot. If you watch any movie created by Ozu, you have the feeling that the Japanese master is seated near you, enjoying the events from the screen as much as you do. For Hou the story is like an executive summary, detailed just to the point where the images can exist on their own to play on the hypnotic register.
I found Dust in the Wind on youTube, in ten consecutive videos. I know that watching a movie by Hou Hsiao-Hsien on youTube can be painful, so I suggest you get a DVD copy, if possible. I watched it on youTube, and my Internet connection was getting slower every now and then. However it paid.
Original Language zh
Runtime 1 hr 49 min (109 min)
Rated Not Rated
Genre Drama, Romance
Director Hsiao-Hsien Hou
Writer T’ien-wen Chu, Nien-Jen Wu
Actors Grace Chen, Shu-Fang Chen, Shu-Fen Hsin
Awards 3 wins & 1 nomination
Production Company N/A
Sound Mix Mono
Aspect Ratio 1.85 : 1
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm