Fanaa 2006 123movies

Watch: फ़ना 2006 123movies, Full Movie Online – Choices: to choose between right or wrong is simple, but what defines one’s life is the decision between the greater of two goods or the lesser of two evils. This is the advice that Zooni Ali Beg (Kajol) receives from her father just as she is about to venture out into the world on her own for the very first time. Little does she know that these very words will shape her life. Zooni, a blind Kashmiri girl, meets Rehan Qadri (Aamir Khan), a local Delhi tour guide and an incorrigible flirt. Her friends warn her against this good-for-nothing roadside Romeo, but she chooses to ignore them. It is now her time to discover life and love. Is this really the right choice? Rehan is fascinated by Zooni and wants her to see life as it should be seen, in its many colours. He promises her that the time spent with him will be the most precious in all her life. Zooni sees Delhi, life, and love like she never has before, because of Rehan. What Zooni doesn’t know is that Rehan has another side to his life–something that can not only change her life, but can also destroy it..
Plot: Zooni Ali Beg is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan, a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
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Ratings:

	7.1/10 Votes: 33,328
	100% | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 167 Popularity: 12.488 | TMDB

Reviews:

Blown away by passion, dismantled by love…
“Fanaa” is not a word in common parlance. In Persian, Urdu, and chaste Hindi, it means “annihilated”, “destroyed”, or in the context of the latest offering from Yash-Raj Films, it signifies “devastated, ravaged, or consumed by love”. Any film bearing such an intriguing, if somewhat grandiose, title would have the onus of living up to enormous expectations. In addition, this is Kajol’s first film after a self-imposed hiatus, while Aamir Khan, paired with her here for the first time, is also seen infrequently on screen due to his reputed fastidiousness in choosing movie projects.

I say good for them, for this is a superb collaboration between the actors. Aided by strong writing, a different story, able direction, and slick production values, they make it an entirely worthwhile proposition.

The story—as much as I can divulge in a review—starts off in fairly formulaic boy-meets-girl fashion: Zooni Ali Beg (Kajol), a beautiful blind Kashmiri young woman, comes to the big city (New Delhi, in this case) for the very first time, after having lived a sheltered, happy life in a pristine little town in Kashmir. Right off the bat, she meets a tour guide with the gift of the gab and a roving eye named Rehan Quadri (Aamir Khan), and against the better judgment of her friends, takes up with him.

Aamir looks a bit long in the tooth to be playing Romeo, but does so gamely, and successfully gets the smitten Zooni to agree to a no-strings romance. This is where I realized that the times, they are a-changing: sweet, blind (in more ways than one), sheltered Zooni is so consumed by love that she permits Rehan to bed her before he weds her, a phenomenon that is exceedingly rare (or used to be) in Hindi films. Her parents agree to the match, and the footloose Rehan readies himself for marriage to just one woman.

Then hell breaks loose. Rehan is killed in a terrorist bomb blast, or so we are led to think, while the Indian authorities launch a search for the criminal mastermind that planned this and several similar attacks. Years later, a Major Ranjeev, bearing a disturbing resemblance to the dead Rehan, shows up. So what are we to think?

From this point on, the film takes off into novel terrain, becoming an extremely satisfying viewing experience. Differing perspectives of nationalism and terrorism are explored—one man’s terrorist act may also be looked at as a fight for an independent homeland—as well as conventional familial and romantic relationships. Notions of love, loyalty, betrayal, patriotism, and morality get turned on their head, making for a pretty complex film. Is this overly ambitious for a commercial Hindi blockbuster? Perhaps, but the intellectual sophistication of the film-making team more or less pulls it off. There are some plot holes, but they can be overlooked in the interests of the big picture.

Kajol grows in stature as an actor with every film, and her Zooni goes from naive and school-girlish to anguished widow and conflicted wife—a challenging character arc, by any measure—yet, she makes it truthful and believable with her wonderful transparency. Also wonderful is that neither motherhood, nor her absence from the screen for five years, have dimmed her youthful looks or charm. If anything, she is more svelte, and her face shines with increased character. Kajol has been blessed with sublimely expressive eyes, and now that she has acquired more life experience, they register even greater pain. One almost feels like looking away at times, to allow her privacy in her grief. I welcome her return to the screen, and if she displays similar care in choosing her next project, it will be worth the wait.

Aamir Khan picks his projects with a mix of sensitivity and savvy, and presents the film-going public with a different persona each time. He contrasted his feisty village yokel role in “Lagaan” nicely with the glib, self-absorbed urban youth undone by love in “Dil Chahta Hai”, so that in the same year, folks got to see two completely different Aamirs. I haven’t seen his “The Rising: The Song of Mangal Pandey” or “Rang De Basanti” as yet, but I am confident that he burrowed deep into the souls of the characters of those films, too. Here he inhabits the skin and soul of Rehan Quadri/Major Ranjeev with total conviction and allows you into the thought processes of these men. He does look too old to do the romantic shtick demanded of the Rehan character, but comes into his own while playing the older Major Ranjeev, a profoundly troubled man dealing with adult ethical, ideological, and moral conundrums. To comment any more on his performance would be a disservice to the plot twists of the film, so I shall stop right here.

The director, Kunal Kohli, handled the fun and light-hearted “Hum Tum” with aplomb, and here he tackles subjects far weightier than those of the Rani Mukherjee-Saif Ali Khan film. His occasional missteps result in some unevenness of pace and tone (which some judicious editing would have remedied), but with the overall wallop the film packs, these are minor lapses. I personally felt the second half of the film needed no songs, but that is my own quibble. The millions in the majority would have none of that, I’m sure. Aamir and Kajol do their own singing in a small but powerful scene, and this, I felt, was far more effective and poignant than the over-produced orchestrations of Jatin-Lalit and the vast array of playback singers they assembled.

Rishi Kapoor, Kiron Kher, Tabu, and others offer strong support, while child actor Ali Hajji as young Rehan is amazingly unaffected and natural.

After witnessing the combustible chemistry between Kajol and Aamir (why were they never paired together before?), and being privy to the volatile, seismic shifts in their relationship in this film, I conclude that “Fanaa” is indeed the title that says it best.

It’s like two totally different movies thrown together! Both halves were good…but together they just didn’t work.
“Fanaa” is an incredibly frustrating film to watch. The first half is magnificent–very romantic and very enjoyable. The second half, though not bad, was so incredibly different in tempo and style that it really did not fit together with the first half. In fact, I almost wish the movie had just ended in the middle!

When the story begins, Zooni (Kajol) is going on a trip to Delhi with some friends. Her parents are worried…after all, she is blind. But they also know they need to let her grow and experience the world, so they reluctantly send her. Soon after arriving, the group of young ladies are met by their tour guide–a vivacious man named Rehan (Aamir Khan). He is clearly a ladies man and the women can’t help but like him. Most taken by him is Zooni. Now you aren’t sure about Rehan. Is he sincere or is she just another conquest for this playboy?

Soon you have your answer. Despite telling her he’s no good, Rehan professes his love and the pair plan on getting married. However, when her parent arrive in Delhi for the wedding, Rehan is not there….and they soon receive word that he was killed in a Kashimiri Separatist bombing.

Believe it or not, there is MUCH more of the movie to follow. Oddly, however, while the first portion was all romance, the second half is more like some sort of James Bond film!!! To me, this didn’t work well–especially because this super-agent practically has X-Men powers!!! No one is THIS tough nor this bullet-proof! What exactly am I talking about? Well, I really cannot say…it would spoil the film. Suffice to say, I adored the first half and would score it a 9. The second half, at best 5. And overall, still a 5 just because parts one and two simply don’t work as a whole.

Other Information:

Original Language hi
Runtime 2 hr 48 min (168 min)
Budget 5300000
Revenue 22175908
Status Released
Rated Not Rated
Genre Action, Drama, Romance
Director Kunal Kohli
Writer Shibani Bathija, Kunal Kohli
Actors Aamir Khan, Kajol, Rishi Kapoor
Country India
Awards 11 wins & 9 nominations
Production Company N/A
Website N/A

Technical Information:

Sound Mix DTS, Dolby Digital
Aspect Ratio 2.35 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format 35 mm
Cinematographic Process N/A
Printed Film Format 35 mm