Fateful Findings 2013 123movies

Watch: Fateful Findings 2013 123movies, Full Movie Online – A small boy discovers a mystical power as a child, then is separated from his childhood girlfriend. He grows up to be an acclaimed novelist and also a computer scientist who hacks into the most secret national and international secrets. His childhood discovery gives him amazing paranormal powers. He is reunited with the childhood girlfriend, mystically, on his hospital deathbed–as his relationship with his current drug-addict girlfriend is deteriorating. As passions build among the threesome, mystical, psychiatric, and worldly forces rise to prevent him from revealing the hacked secrets. He attempts to reveal all in a large press conference in Washington, D.C. with ‘fateful,’ dangerous consequences..
Plot: A small boy discovers a mystical power as a child. He is then separated from his childhood girlfriend. He grows up to be a computer scientist who is hacking into the most secret national and international secrets, as well as being an acclaimed novel writer. His childhood ‘finding’ gives him amazing paranormal powers. He is reunited with the childhood girlfriend, mystically, on his hospital deathbed… as his relationship with his current drug addict girlfriend is deteriorating. The passions build between the threesome. Mystical, psychiatric and worldly forces rise to prevent him from revealing the hacked secrets. He attempts to reveal all in a Washington DC large press conference, with ‘fateful’ and dangerous consequences.
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Ratings:

	4.3/10 Votes: 5,728
	N/A | RottenTomatoes
	N/A | MetaCritic
	N/A Votes: 69 Popularity: 5.097 | TMDB

Reviews:

Neil Breen = American treasure
Neil Breen is a director who doesn’t care for filmmaking rules, mainly because he doesn’t know any of them. You know how movies are supposed to be ‘show, don’t tell’? Neil Breen tells and tells and tells. Breen doesn’t trust our brains to make even the most basic connections. In Breen’s universe, a guy who just saw a car accident has to literally say ‘I’m a witness!’, because otherwise our feeble minds may not understand that complex concept. He writes dialogues like English is not his first language, or even in the top five for that matter.

Because his movies are so surreal, Breen has often been compared to “The Room”‘s Tommy Wiseau. The main difference is that lightning only struck once for old Tommy. He hasn’t made anything remotely entertaining since 2003. Breen however keeps churning them out, with no difficulties whatsoever. This is a guy who doesn’t have to do any effort to stay weird, incomprehensible and because of that, incredibly fascinating.

I’m writing this review for “Fateful Findings”, but it could work for any of his movies. They’re all pretty much the same. Breen always casts himself as an implausibly perfect being who rids the world of all the evils. The evils are usually found in the big companies, who are driven by greed and don’t care about people. I know this because the villains actually have to say that in all his movies. Breen doesn’t even know the meaning of subtext, and that’s why we all love him so much.

As interesting as his movies are to watch, a making-of would certainly be infinite times better. There are just so many questions that remain unanswered here. How much does he have to pay these beautiful young ‘actresses’ (models at best) to pretend they’re in love with him? Why does a man who’s clearly in his 50s keep casting himself as a thirty-something? Why do the characters pause roughly thirty seconds between each line? How do you hack the government on laptops that aren’t even on? Why do we have to see Neil Breen semi-nude so often throughout his movies? For a guy who spells our every detail, Breen sure does leave plenty of questions.

Tommy Wiseau and James “Birdemic” Nguyen ended up ruining their charm by becoming self-aware, but I honestly don’t see that happening with Breen. To him, there’s clearly not a funny moment to be found in any of his movies, and that’s why they work: because he takes them so damn seriously while nobody else does. Furthermore, his heart seems to be in the right place. He clearly wants to make a statement about all the injustice in the world, in between showing his abs. I applaud him for that, he’s a so-bad-it’s-good filmmaker I can really get behind.

Move over, Wiseau, there’s a new sheriff in town
After hearing about the works of Neil Breen for months, I just had to check them out. From various clips and reviews, one can easily see that he has no idea how to make a movie yet he treats his films as painfully serious masterpieces, making for loads of unintentional comedy and putting him in the esteemed company of clueless auteurs such as Tommy Wiseau and Sam Mraovich.

Actually, scratch that. Neil Breen is worse than Wiseau and Mraovich. Tommy Wiseau had a few halfway decent actors, a competent crew, and decent equipment while Sam Mraovich at least had enough sense to show his characters’ faces. Breen can’t even do that.

By far the most memorable aspect of “Fateful Findings” is that its plot has many things happening, but yet nothing happens. The main character played by Breen finds a magic rock as a child then watches his childhood sweetheart move away. As an adult (50 years later, going by the looks of Breen’s leathery face) he gets hit by a car and then is healed by the rock which he just happened to have. He goes home and decides to dedicate himself to “hacking the most secret government corporate secrets” on laptops that are never on and get repeatedly tossed around his office. These government corporate secrets are so secret that we never learn what they are, even when he exposes them in the absolutely bonkers climax.

He also has a pill-popping wife (who is willing to snatch his pills from the toilet), and an alcoholic friend trapped in a sexless marriage with a pretty teenage daughter who inexplicably keeps coming on to Breen. Said alcoholic friend is also later murdered by his wife for no real reason. The only thing I mentioned that has any bearing on the plot is perhaps the wife’s addiction, seeing as how she overdoses just in time for Breen to hook back up with his childhood sweetheart, who seems to have aged at about half the rate of Breen. From there, Leah, the childhood girlfriend, gets abducted and he has to save her.

The cluttered plot might sound a bit ordinary if not for the vague supernatural elements. There are characters who wander around then vanish, a gigantic tome whose contents aren’t revealed and appears at random, and scenes of a naked Neil Breen(ick) sitting in a room lined in trash bags that I think is supposed to represent him being inside the magic rock. Near the end he suddenly gains the power to literally walk through walls to save his girlfriend from her kidnappers.

The plot also shows that Breen doesn’t seem to understand how the world works. His friend gets murdered by his wife and framed as suicide and nobody investigates. His girlfriend gets kidnapped but the kidnapper conveniently drops directions to where he’s taking her. His therapy sessions would make Frasier Crane look legit. He seems to think that exposing high-level corruption will compel government and business officials to confess and commit public suicide to a cheering crowd in a delightfully inane ending that is one of the most unintentionally funny scenes ever captured on film.

Breen’s directing is as clueless as his writing. To avoid film permits he often points the camera skyward at people’s faces and downward at their feet. In the barbecue scene, he films characters from the neck down as they knock things over rather than zoom out. He films a two-way phone conversation with only one person talking. When his friend is shot by his wife, he cuts to the falling shell rather than have the actor use a squib. Adding to the hilariousness of the climax, he chooses a bad green screen of a nondescript government-like building as a backdrop. He also seems to be madly in love with his video software’s fade effect as something, or someone, fades out on average every five minutes.

He has no concept of editing either. He lets a hospital scene linger just long enough to show his butt. He chooses not to reshoot or cut down a scene where the teenage daughter looks right into the camera in obvious frustration. He decides to film himself eating a plate of spinach and later shows said plate falling off a bookshelf. A scene where he’s supposedly too weak to lift a coffee cup goes on forever as does a scene where he and his wife rip each other’s clothes off.

The scenes have no sense of flow either. The friend’s wife goes from being mad about his drinking to shooting him dead in the next scene. There are many unexpected cutaways to a naked trashbag room scene, shots of the ancient tome, ten second therapy sessions, and shots of a largely unseen man-in-black stalking about and then fading away. One scene even manages to combine a fade WITH a ten-second therapy session.

The cringeworthy acting is no different from the average Neil Breen film. The wife sounds half asleep when delivering her lines, the best friend has apparently never been drunk as he has no idea how to act it, his wife hams it up worse than a high school play, and the daughter is the absolute worst as she emotes even less than Breen. Seriously, she treats her dad’s murder like she didn’t get cheese on her burger.

I really wish I could talk more about this movie because there is so much wrong with it. It’s a near perfect storm of bad movie making: it takes itself too seriously, nobody is self-aware, and it has a uncharismatic, unattractive lead who thinks just the opposite. The saddest part is that from what I’ve seen, I think this might be his least nonsensical movie.

One positive thing I will say for it is that it sure ain’t predictable.

Other Information:

Original Language en
Runtime 1 hr 40 min (100 min)
Budget 0
Revenue 0
Status Released
Rated Not Rated
Genre Drama, Fantasy, Mystery
Director Neil Breen
Writer Neil Breen
Actors Neil Breen, Klara Landrat, Jennifer Autry
Country United States
Awards N/A
Production Company N/A
Website N/A

Technical Information:

Sound Mix N/A
Aspect Ratio 1.78 : 1
Camera N/A
Laboratory N/A
Film Length N/A
Negative Format Video
Cinematographic Process N/A
Printed Film Format N/A