#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Washed-up and broke, an author whose books on mind control were once respected reluctantly helps a couple in deprogramming their daughter from the control of a cult named “Faults.” But this assignment turns out to be more complicated than he had expected.
Plot: Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire’s parents recruit one of the world’s foremost experts on mind control, Ansel Roth.
Smart Tags: #cult #mind_control #death #kidnapping #sexual_innuendo #panties #girl_in_panties #personal_crisis #crisis #plan #mysterious_person #desperation #anguish #rage #anger #murder #embarrassment #bitterness #depression #mental_manipulation #danger
|6.7/10 Votes: 8,883|
|6.7 Votes: 168 Popularity: 8.27|
> What we’re, won’t be the same at the end of the level.
The film had more hidden facts than one gets in his casual viewing. If you were really focused, you would start to dig for some answers. The opening of the film was very smooth in a comedic sense. But that’s not how the entire film going to be. When the story’s purpose begins to roll, with an unexpected event the narration moves to a single location for almost the rest of the film with the limited cast. So it is where our guessing game commence.
I must agree the writing was a bit cleverer than I projected. The film characters were not so complicated, but towards the end it looked like unavoidably becomes that way. At first, it promises to be a good entertainer and then turns to be smarter with the story development, but in a low key. The film does not say anything about its timeline, but seems it was in the 70s that inspired by the real deprogramming.
I did not get the last 10-15 minutes of the film, but you know by guessing and visiting various film discussion forums on the net about what others thought about it gave more perspectives. But we still won’t reach anywhere near what the writer intended to tell all of us. Compared to the opening, the end was totally a different contrast. In fact feels turned to be another genre and theme. So you would end watching it with the possibilities of like this and that. That means not all the viewers end up happy for what they just saw. Definitely it is for a certain kind of people, including for those has no intention of any expectations from the film.
Writer-director Riley Stearns masterfully concocts the sinister dramedy ‘Faults’ that registers with a bizarre blend of terror and off-the-cuff cheekiness. Stearns’s caustic yet cockeyed vision into the exploration of cults and mind-control methods is gloriously wacky and makes for one of the most unique psychological dramas to register with forthright nerve within recent years. The peculiar appeal found in ‘Faults’ rests on the beleaguered shoulders of the film’s desperate and dysfunctional lead protagonist Ansel Roth (played with harried brilliance by Leland Orser), a one-time notable authority on cult activities. However, in the aftermath of some success comes the lean times when this so-called shifty deprogramming expert, now in the dumps financially and otherwise, needs to rise to the challenge and ironically escape his own self-inflicting trance. Hence, ‘Faults’ roams into tricky territory and manages to juggle the sensitive themes of psyche imprisonment with spirited, naughty ribaldry.
Deliciously dark and twisted, ‘Faults’ resonates because of Stearns’s off-key fascination with his shady characters and the compromising predicaments that ensue. As the ringleader of the crazy-minded goings-on, Orser’s Roth is seriously flawed and this serves as the devilish foundation for Stearns’s chaotic universe of unstructured disillusionment.
The easy thing to do is automatically label ‘Faults’ Dr. Ansel Roth as a down-and-out loser with questionable ethics. Sure, his credentials are somewhat boast-worthy in that he has authored a book on the subject matter regarding his expertise in the un-brainwashing of cult victims as manipulated prey. Still, the pitiful Roth is in a precarious pickle and the only way he can redeem his dire circumstances is return to what he does best regarding his trade as a renowned psychologist. Thankfully, Roth does get that golden opportunity when an older middle-aged couple requests his services in retrieving their jeopardised daughter Claire (Mary Elizabeth Winstead, ‘Scott Pilgrim vs. The World’) from the cult faction known as Faults.
For the concerned parents of the missing Claire, there is a remote sense of hope for Roth to reclaim his own disruptive existence. After all, the hapless soul needs something to overcome his personalised demons. Unfortunately, Roth fell into a tailspin in the aftermath of a former patient’s suicide during his deprogramming watch. So now this justified Roth’s jerk-like tendencies and pauper way of living. The recounting of Roth’s sad ‘way of life’ includes living out of his broken-down vehicle, mooching breakfast from an already used food voucher at a cheap motel restaurant or forcing his book on disinterested parties at scarcely attended hotel seminars. With eating packets of ketchup as a substitute meal or getting a beating at one of his hosted sessions, it appears that Ansel Roth cannot get a decent break.
Naturally, coming to the aid of the abducted Claire on behalf of her worried folks is a golden given for the weasel Roth. He can both exploit the couple’s emotional emergency for financial gain and embrace a semblance of redemption and legitimacy as the prominent professional mind-bending problem solver he once was revered in his field. Besides, his paid assignment to rescue the imperiled Claire depends on his own mortality. It is revealed that Roth owes some serious loot to his ex-manager (Jon Gries from ‘Taken’ and ‘Napoleon Dynamite’ fame) and in the process has to avoid the shakedown from one of his enforcing goons (Lance Riddick) looking to collect big time.
The notable revelation in ‘Faults’ stems from the complicated consciousness of both Orser and Winstead as the tandem trapped in an anguished grip of psychological hostility. Orser’s Ansel Roth is the broken man at the helm of self-destruction and despair. Stearns’s ironic presentation of a psyche ‘fixer’ that requires his own brand of mental repairing is oddly compelling and comical in off-kilter fashion. Orser conveys Roth as a walking disaster area whose arrogance and misguided morality shrewdly begs for some sense of sympathy and remorse. He is the main key to the orchestrated mind-numbing madness that Stearns injects into this crafty, cockeyed caper. Winstead’s Claire is transfixing as the brainwashed beauty battling the scars of bleakness. She is convincingly haunting despite her sorority girl freshness look. The supporting players in the aforementioned Gries and Riddick as well as other participants in Stearns’s concentrated center of creepiness skillfully balance the wickedness and wit felt so piercingly realized.
‘Faults’ is a resourceful black comedy that works effectively and never strays away from its pedigree of outrageous misfortune. This is one psychological character study that demonstrates its motivation for unconventional strife with devilish conviction. The inspired insane-induced performances from the film’s detached duo of Orser’s Dr. Ansel Roth and Winstead’s Claire is proof enough to not find any ounce of perceived Faults with Stearns’s risque roller-coaster on-screen examination of violated distraught boundaries.
Screen Media Films
1 hr. 30 mins.
Starring: Leland Orser, Mary Elzabeth Winstead, Jon Gries, Lance Riddick, Chris Ellis and Beth Grant
Written and Directed by: Riley Stearns
MPAA Rating: NR
Genre: Psychological Drama/Cults and Deprogramming Caper
Critic’s rating: *** stars (out of 4 stars)
A Bit Too Much All Over the Place
Ansel (Leland Orser) is a failed expert on cults, once widely regarded for his books and television show and his ability to “deprogram” those brainwashed by cult leaders, but now – after a spectacular failure – he is barely making it through the day by selling another, shoddier book and giving “seminars” at dumpy hotels in return for a room and a meal. When an older couple approaches him to ask for his help in restoring their cult-taken daughter Claire (Mary Elizabeth Winstead), he reluctantly agrees, only because his former manager is hounding him for a rather large sum of money that Ansel owes. With some help, he kidnaps Claire and begins the process of deprogramming her in an anonymous hotel room, but it soon becomes unclear as to who is treating whom….
This is kind of a strange movie, neither fish nor fowl as they used to say; in some parts, it’s quite funny and absurdist, and in other parts, it’s deadly serious. Unfortunately, the two aspects of the film never quite jelled for me. The acting is fine throughout (though it’s odd that the IMDb doesn’t name the actor playing Claire’s father!) and the sort of quietly desperate, slightly sleazy world which the characters inhabit is shown well, but I was left scratching my head at the end of it, going “huh?” A bit disappointing, really.
Original, well acted, and well produced/edited.
This film is well worth seeing if you like original, well produced movies.
From the beginning you are never really sure where the characters are heading – until the end.
The characters draw you into their world and keep you there. Each event and emotion portrayed by brilliant acting. I had never seen any of the cast in previous movies, so it was refreshing seeing new faces (to me) bring the story to life.
Whatever expectations you have for this film just forget them and let the story telling take you where it is going to go.
Original Language en
Runtime 1 hr 29 min (89 min)
Rated Not Rated
Genre Comedy, Crime, Drama
Director Riley Stearns
Writer Riley Stearns
Actors Leland Orser, Mary Elizabeth Winstead, Chris Ellis
Country United States
Awards 6 nominations
Production Company N/A
Sound Mix N/A
Aspect Ratio 2.35 : 1
Camera Arri Alexa
Film Length N/A
Negative Format N/A
Cinematographic Process N/A
Printed Film Format N/A