#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – The big-screen version of Hunter S. Thompson’s seminal psychedelic classic about his road trip across Western America as he and his large Samoan lawyer searched desperately for the “American dream”… they were helped in large part by the huge amount of drugs and alcohol kept in their convertible, The Red Shark.
Plot: Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
Smart Tags: #drugs #hallucination #1970s #narrated_by_character #based_on_novel #lawyer #journalist #convertible #gonzo_journalist #casino #psychedelia #based_on_true_story #american_dream #hitchhiker #reporter #race #police_convention #flamingo_hotel_las_vegas #cocaine #mescaline #author_cameo
|7.6/10 Votes: 261,137|
|7.2 Votes: 3255 Popularity: 18.889|
Quite wandering but very funny and very imaginative a perfect example of Terry Gilliam’s work
The `unflimable’ novel by Thompson is brought to the screen. Hunter S. Thompson gets a call to go to Las Vegas to cover a motorcross race. Using the advance money to purchase a load of drugs he sets out on a road trip with his crazed Samoan lawyer. However as their trip continues they encounter all manner of insanity and paranoia in their drug fuelled trip into the American dream
Never read the book, never been a big fan of this particular culture and ever felt inclined to read any of this sort of work however, really enjoyed the movie. The plot is, well, a trip rather than anything concrete or logical. There is a message tacked on somewhere near the end but really this is more of an experience than a story. To me the film mainly succeeded due to Terry Gilliam. His crazed sense of humour is fed through the whole piece, stopping it being indulgent or pretentious as it could easily have been.
Instead it manages to be a drug movie but also be very OTT and very. Gilliam’s imagination really made Thompson’s trips come to life. It must be hard to actually put something like that on film and I thought he did very well. This vision is well supported by a brilliantly pitched performance by Depp. He is on the very edge of ham with this one but gets it just right making Thompson funny and exaggerated. De Toro is as good but is very much playing second fiddle on this one. An all star list of cameos including Maguire, Barkin, Busey, Ricci, Harmon, Penn (of & Teller), Diaz and Lyle Lovett are all enjoyable and don’t detract from the film in the way cameos sometimes can (`oh look it’s etc’).
The film may be very loose and aimless but what did you expect? Those wanting tightness of plot and a set narrative may be let down (though there is a car chase for the teens!). However this is well worth a look as it is a funny, very imaginative film that proved a lot of people wrong when they said that it could never be filmed. Certainly anyone who likes the films of Terry Gilliam will find much of his madness here to enjoy.
Visual masterpiece with Thompson’s message intact and strong as ever.
I have read countless reviews of this movie that have derided it for everything from glorifying drugs to being unchristian to being boring. Maybe my mind works very much like director Terry Gilliam’s (I loved ‘Brazil’ and ’12 Monkeys’), but the last thing I would do to this movie is deride it. It is a brilliant adaptation of Hunter S. Thompson’s generation-defining book of the same name – it stays very faithful to the events in the book.
First of all, this movie literally glows with Gilliam’s eye for detail that he has consistently displayed throughout his career. The sets are so elaborate, one could never take in all the scenery from any number of viewings without slowing it down and watching very closely. The bombardment of the bright, flashing lights of Las Vegas and the bizarre camera angles, as well as surreal sets make for an interesting and entertaining presentation regardless of a lack of coherency and taste. What we have here is a movie riddled with black humor and a horrifying satire of the American dream. I’ll admit it takes a very `unchristian’ viewpoint to laugh at the `straight economics’ of allowing policemen to gang-f**k a girl for $30 a head. Therefore, people bound by a constricting sense of morality should never have watched this movie in the first place. It is for people like me who enjoy living a very un-stoic life (at least vicariously through movies) by having radical ideas and perspectives forced upon them. Fear and Loathing is the embodiment of such a perspective – it is a gruesomely accurate depiction of the bi-product of the often-glorified 60’s drug culture. And one thing that countless critics seem to carelessly omit in their analyses is the constant references to the `American Dream.’ Johnny Depp (Raoul Duke/Hunter Thompson), in his verbose verbal narrations, makes quite a few references to a desparate hunt for reason behind the madness of not only this `American Dream’, but the drug culture as well – “He who makes a beast of himself gets rid of the pain of being a man.” – Dr. Johnson (displayed before the opening scene). The problem with the waning popularity of this movie is simply that its design was not meant to appeal to the buttoned-down mainstream. People that want to laugh and cry in a movie theater and then get the hell on aren’t the type of people that would enjoy seeing an unjustified drug-induced frenzy on Las Vegas. This movie has everything a critic should be looking for in a masterpiece – magnificent cinematography, lovely acting, shock value, provocation of thought, and a meaning behind it all. To freaks like me it also has immense entertainment value as well. This work will be one of my favorite movies of all time.
Original Language en
Runtime 1 hr 58 min (118 min)
Genre Adventure, Comedy, Drama
Director Terry Gilliam
Writer Hunter S. Thompson (book), Terry Gilliam (screenplay), Tony Grisoni (screenplay), Tod Davies (screenplay), Alex Cox (screenplay)
Actors Johnny Depp, Benicio Del Toro, Tobey Maguire, Michael Lee Gogin
Awards 1 win & 3 nominations.
Production Company Rhino Films
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.35 : 1
Camera Arriflex 35 BL4S, Zeiss Standard Speed Lenses, Arriflex 35 III, Zeiss Standard Speed Lenses, Arriflex 535, Zeiss Standard Speed Lenses
Laboratory FotoKem Laboratory, Burbank (CA), USA (dailies), Rank Film Laboratories, Denham, UK (colour)
Film Length 3,241 m (Sweden)
Negative Format 35 mm (Kodak Vision 250D 5246, Vision 500T 5279, Eastman EXR 200T 5293)
Cinematographic Process Super 35
Printed Film Format 35 mm (anamorphic)