#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 1945, the Marines attack twelve thousand Japaneses protecting the twenty square kilometers of the sacred Iwo Jima island in a very violent battle. When they reach the Mount Suribachi and six Marines raise their flag on the top, the picture becomes a symbol in a post Great Depression America. The government brings the three survivors to America to raise funds for war, bringing hope to desolate people, and making the three men heroes of the war. However, the traumatized trio has difficulty dealing with the image built by their superiors, sharing the heroism with their mates.
Plot: There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen – John ‘Doc’ Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes – who fought in the battle to take Iwo Jima from the Japanese.
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On February 23, 1945, an insignificant event became one of the most significant events of World War II.
“Flags of Our Fathers” is the story of the five Marines and one Navy Corpsman who raised a replacement flag on a stinking little island six-hundred miles south of Tokyo. An Associated Press photographer, who wasn’t ready and was caught off guard, snapped a picture of them raising this seemingly unimportant second flag. He had no idea what he had just done.
That one picture is said to be the most reproduced picture in the history of photography.
I toured Iwo Jima in 2000 with my father, a private in the 5th Marine Division, who, along with the flag raisers, landed on Iwo Jima on February 19, 1945 — the opening day of what would be the costliest battle in the history of the U.S. Marine Corps.
I can’t say enough good things about the realism of Clint Eastwood’s “Flags of our Fathers.” Visually, the movie made me think that I was back on Iwo Jima, and emotionally, I felt like I was witnessing what I had been told by Iwo survivors and what I had read in Richard E. Overton’s “God Isn’t Here: A Young American’s Entry into World War II and His Participation in the Battle for Iwo Jima.”
James Bradley’s book “Flags of our Fathers,” is wonderful, and this movie of the same name is very faithful to his book.
But, the editing of the movie takes the viewer through so many flash-backs and flash-forwards that it’s hard to keep things straight — even if you have read the book!
The movie opens with Harve Presnel (I think it was Harve) playing the role of what I thought was a narrator. Later, it looks like he’s just one of many people that James Bradley interviewed for his book.
I was expecting some corny things in the movie, like seeing the flag raising picture taking up the full screen in the theater while the Marine Corps Hymn played. That didn’t happen. After I heard what I thought was a narrator, I thought that anyone who didn’t know what was going on in the movie would probably be kept informed of the not-so-obvious things . . . like it was Howlin’ Mad Smith who was demanding, and not getting, additional bombardment of the island; like it was Secretary of the Navy, James Forrestal, who told Howlin’ Mad Smith that “…the raising of that flag on Suribachi means a Marine Corps for the next five hundred years.” These events were in the movie, but the characters were neither introduced by name in the movie, nor were they described by “the narrator,” who seemed to come and go at odd times.
Ira Hayes is a tragic character. It’s obvious that Hollywood likes tragic characters just because of all of the attention that he gets in this movie, and because Tony Curtis made a movie about Ira Hayes back in 1961. The actor who plays Ira in this movie is great!
Stephen Spielberg and Clint Eastwood obviously had to tap dance around an “Elephant in the Room” when it came to showing what happened to John Bradley’s friend on Iwo Jima. If you’ve read the book, you know what happened. The movie does a masterful job of bringing the subject up, but not bringing it up in a manner that would offend the squeamish, or, for that matter, bringing it up in a way that would make it impossible to show the movie to a Japanese audience.
War vs Hollywood
In two and a half hours Clint Eastwood paints a thought provoking piece on heroism and war-propaganda. The film tells three stories: first it is the WW II battle of Iwo Jima where thousands of soldiers (Japanese and American) died ‘conquering’ that island. In the style of Saving Private Ryan (Spielberg is a producer of Flags) the viewer gets a astounding look at war with a lot of blood, guts and CGI. Second is the story of a son of one of the flag raisers on that island, who interviews other survivors of that battle to understand his dad a little better. This is very moving stuff, but stands a little pale in comparison to the final storyline. This is where veteran-director Eastwood really shines. Like his meditation on violence Unforgiven, Flags takes a closer look at heroism where soldiers by chance get into the spotlight of the war-propaganda-machine. Some may say that Eastwood made an anti-war film or even an anti-America film, but they’re wrong. Flags is very critical on the way war is sold to the public. There’s nothing honorable about killing or to be killed on the battlefield. The only thing that matters is that you protect you’re friends in your platoon and that they protect you. Flags is one of the best war movies I ever saw, maybe even better than Ryan, because it’s never sentimental and always honest in its portrayal of the soldiers and war in general.
Original Language en
Runtime 2 hr 15 min (135 min)
Genre Action, Adventure, Drama, History, War
Director Clint Eastwood
Writer William Broyles Jr. (screenplay), Paul Haggis (screenplay), James Bradley (book), Ron Powers (book)
Actors Ryan Phillippe, Jesse Bradford, Adam Beach, John Benjamin Hickey
Awards Nominated for 2 Oscars. Another 16 wins & 26 nominations.
Production Company Warner Bros., Malpaso Company, DreamWorks SKG, Amblin Entertainment
Sound Mix DTS, Dolby Digital, SDDS
Aspect Ratio 2.39 : 1
Camera Arriflex 235, Panavision C-Series Lenses, Arriflex 435, Panavision C-Series Lenses, Panavision Panaflex Platinum, Panavision C-Series Lenses, Sony HVR-Z1U
Laboratory Technicolor, Hollywood (CA), USA
Film Length 3,486 m (Portugal, 35 mm), 3,604 m (Sweden)
Negative Format 35 mm (Kodak Vision 250D 5246, Vision 500T 5279), Video (HDV)
Cinematographic Process Digital Intermediate (2K) (master format), HDV (source format) (some shots), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision Premier 2393)