#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – In 1958, in New York City, the upper class Diane Arbus is a frustrated and lonely woman with a conventional marriage with two daughters. Her husband is a photographer sponsored by the wealthy parents of Diane, and she works as his assistant. When Lionel Sweeney, a mysterious man with hypertrichosis (a.k.a. werewolf syndrome, a disease that causes excessive body hair), comes to live in the apartment in the upper floor, Diane feels a great attraction for him and is introduced to the world of freaks and marginalized people, falling in love with Lionel.
Plot: In 1958 New York Diane Arbus is a housewife and mother who works as an assistant to her husband, a photographer employed by her wealthy parents. Respectable though her life is, she cannot help but feel uncomfortable in her privileged world. One night, a new neighbor catches Diane’s eye, and the enigmatic man inspires her to set forth on the path to discovering her own artistry.
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|6.5/10 Votes: 15,306|
|6.3 Votes: 208 Popularity: 15.801|
A ” Must See Again” Film
Had I taken to heart what the movie reviewer in my local paper had written about this film (and his 2.5 star rating) — I would not have gone. Fortunately, I checked out IMDb and read that someone had compared it to Jean Cocteau’s avant-garde “La Belle et La Bete.” Enough said. That commendation, and armed, as I was, with the knowledge that Nicole Kidman has done some exceptional films in recent years (particularly “The Hours,” “The Others,” and one of my all-time favourite psychological thrillers, “Dead Calm”), I was off to the local art film theatre to join the sparse (perhaps a dozen?) audience of viewers.
In short, this film has set the bar extremely high re: all other films I will see in 2007. One finds not only the influence of Cocteau in the film, but also of Kubrick, Hitchcock, and even of Maya Deren. (ie: there is a stunning image of Kidman/Arbus crawling out of the sea — a few moments of sheer poetry — that are reminiscent of Deren’s “At Land.”) (Also, perhaps a little Jane Campion with the underwater shots near the end.)
This is a decidedly painterly film, with everything from Arbus’s dresses to the evocative interiors of Lionel’s museum/carnival-like apartment and the film’s textures worthy of commentary in both film classes and post-film chats with friends. Contrasts are integral to this film. The paint-peeled walls provide an interesting contrast with the elegant satins and aristocratic dining accoutrement (tea pot, cup), and parallel Lionel’s declining health. Arbus’s smooth skin vs. Lionel’s fur. The staged symmetry of Arbus’s husband’s white-washed, commercial photography vs. the brilliant chaos in Lionel’s apartment. Arbus’s wealthy, “proper” parents vs. Lionel’s menagerie of “freaks”. Many of the shots are framed in interesting, geometrical or architectural ways, or echo camera apertures. The use of the colour blue in some scenes is breathtaking.
Great line — (not verbatim): Allan Arbus — “I’m a normal guy, now I have a hole in my ceiling and freaks coming through it.”
I also felt the chemistry between the principal characters (a rarity), and believe the pacing greatly attributed to the overall success of the film. The framing — with the nudist camp — underscored the change/growth in the protagonist.
As my 20 year old daughter said upon leaving the theatre — “This is the kind of film that really makes you want to live the life you were meant to.” Here here. “Fur” gets five big, bold, blazing stars. It is, quite simply, brilliant. Please, tell your friends.
For anyone who cares to know something about the real Diane Arbus, or who values psychological veracity, this film is abysmal. Arbus was a brilliant, talented, restless, and troubled person, but this film depicts her as completely self-involved, and truly bizarre in her taste and judgment. Kidman portrays her as wan and vague, whereas she was someone who knocked people over with her charisma. The totally fictional relationship that is central to the film is quite unbelievable, and Robert Downey is truly annoying in his smirking portrayal of someone who seems to think he’s superior to the rest of the world simply because of his affliction. The film depicts this encounter as being the source of Arbus’s interest in “freaks,” which is a truly banal explanation for the inspiration behind some of the greatest photographs of the 20th century. The mystery to me is why people of some talent and intelligence chose to be involved with this film in any way.
Original Language en
Runtime 2 hr 2 min (122 min)
Genre Biography, Drama, Romance, Thriller
Director Steven Shainberg
Writer Erin Cressida Wilson, Patricia Bosworth (book)
Actors Nicole Kidman, Robert Downey Jr., Ty Burrell, Harris Yulin
Awards 2 wins.
Production Company Edward R. Pressman Film Corp., Iron Films
Sound Mix SDDS, Dolby Digital, DTS
Aspect Ratio 1.85 : 1
Camera Panavision Panaflex Millennium XL, Panavision Primo Lenses, Panavision Panaflex Platinum, Panavision Primo Lenses
Laboratory DeLuxe, Los Angeles (CA), USA (prints), Technicolor Creative Services, Los Angeles (CA), USA (digital intermediate), Technicolor Creative Services, New York (NY), USA (video dailies)
Film Length 3,350 m (Sweden), 3,369 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 500T 5218)
Cinematographic Process Digital Intermediate (2K) (master format), Spherical (source format)
Printed Film Format 35 mm (Fuji Eterna-CP 3513DI)