#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – 1945, in World War II Germany, the tough Sergeant Don ‘Wardaddy’ Collier commands a tank and survives a German attack with his veteran crew composed of Boyd ‘Bible’ Swan, Trini ‘Gordo’ Garcia and Grady ‘Coon-Ass’ Travis. He receives a rookie soldier Norman Ellison as the substitute for his deceased gunner and he tries to harden the youth along the way.
Plot: In the last months of World War II, as the Allies make their final push in the European theatre, a battle-hardened U.S. Army sergeant named ‘Wardaddy’ commands a Sherman tank called ‘Fury’ and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.
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|7.6/10 Votes: 430,814|
|7.5 Votes: 8908 Popularity: 86.622|
WWII through the eyes of a Sherman tank crew
RELEASED IN 2014, “Fury” details the exploits of ‘Wardaddy’ (Brad Pitt) and his Sherman tank crew during the final month of the European theater of World War II. A meek new guy who knows little about tanks, Norman (Logan Lerman), joins the crew and must learn to kill. Making a final push into the heart of Nazi Germany, the Fury crew makes a heroic stand when their tank breaks down.
Writer/director Dick Ayers wrote the screenplay for 2001’s excellent “Training Day.” In “Fury” he successfully shows the soldiers’ view of WWII through the eyes of a Sherman tank crew. I know of no other war film that sets out or accomplishes this; Oddball and his crew from “Kelly’s Heroes” (1970) perhaps comes closest.
I mainly judge films by whether or not the story keeps my attention. After all, what good is great action, thrills and incredible special effects if the story (or the way it’s told) is dullsville, like, say, “The Mummy Returns” (2001) or “Man of Steel”(2013)? “Fury” kept my attention from beginning to end and the characters are all memorable. Speaking of which, the three remaining crewmembers are ‘Bible’ (Shia LaBeouf), ‘Coonass’ (Jon Bernthal) and ‘Gordo’ (Michael Peña).
‘Bible’ is fittingly an evangelical who strives not to lose his spirituality while brutally annihilating people in the name of war, whereas newcomer Norman is a mainline Christian (Episcopalian). A handful of scripture passages are quoted during the course of the movie, including a couple near the end by Wardaddy. This is an interesting revelation because Wardaddy has become hardened by the war after three years fighting from North Africa all the way to the nucleus of the Nazis. This implies that he was a devoted believer before the war but only a glimmer of his former spiritual affection remains. There are other quality character bits interspersed throughout the film, like how annoying drunk bastages may not be so bad once they sober up.
Beyond the above, the film offers the typical tragic insights about the nature of war. The long final stand in the last act may be unlikely, but it makes for a heroic and thrilling ending to a war movie (yes, it’s a MOVIE, not a friggin’ documentary). At the end of the day “Fury” arguably ranks with the best WWII movies, like “Where Eagles Dare” (1968), “Enemy at the Gates” (2001), “The Eagle has Landed” (1976), “Bridge on the River Kwai” (1957), “The Dirty Dozen” (1967), “The Thin Red Line” (1998), and “Inglourious Basterds” (2009). As far as comparing it to the overrated “Saving Private Ryan” (1998), the first half hour of that movie is great, but the rest of it leaves much to be desired (remember the lame dog tag sequence?); “Fury” is leagues better IMHO.
The melancholic and moving score by Steven Price is a highlight. Alicia von Rittberg (Emma), Anamaria Marinca (Irma) and Jason Isaacs are featured in fairly notable roles. Speaking of Emma, the brief romance between her and Norman is decidedly forced, which is one of the few negatives of “Fury,” but I get the point of that sequence.
THE FILM RUNS 134 minutes and was shot in England.
I knew that quite a few people had complained about the realism in this movie even though it hold high ratings on most movie sites. I was hoping that the complaints were mostly nitpicking like wrong model of Sherman tank and such like. Well, I am afraid that it was a bit more than that. I would say that this movie is clearly written by some Hollywood writer sitting in his comfy chair and never ever having been close to any military activities, not to mention live action, in his life.
I can live with a movie being inaccurate or somewhat unrealistic if the rest of the movie is good but I have to say that I did not really like the movie even after trying to filter out the unrealistic nonsense.
The movie is very dark and gritty and there are really no likeable characters in it whatsoever. Well, the clerk that got thrown in as a tank machinegun gunner was perhaps somewhat likable but then him getting assigned as a tank machinegun gunner in the first place was one of those nonsensical bits. In this movie the “heroes” are not really any better than the Nazis. The scene where “Wardaddy” forces previously mentioned clerk to shoot an unarmed POW is just disgusting. I am sure this is not too far from reality in some cases during the war but I’ll be damned if I am watching a movie to be entertained by it.
Having said that I must also say that the movie was very well done in terms of acting and cinematography with one exception. The ridiculous overuse of tracer bullet effects. Tracer bullets do not look like you are in a Star Wars movie and yes I have been using tracer bullets during my military service, obviously unlike the producer and consultants (if they had any) of this movie.
The pacing of the movie was somewhat uneven. Some of it was fairly fast paced but then some parts, like the part in the apartment of the two German women was quite slow and somewhat dull.
The “last stand” at the end was just silly and nonsensical. It started pretty much right away when the poor clerk spots the arriving German infantry just using his eyes. Then it just takes forever until they actually arrive so our “heroes” have all the time in the world to prepare. There would of course be no way for a lone Sherman to hold off an assault like that and the Germans would of course not be charging around shooting useless fine caliber weaponry against said Sherman. Also when they had all this time to prepare why the f… did they leave some of the ammo outside the tank? Obviously because some dumb scriptwriter thought it would make for a good scene. And do not get me started on the fact that the Germans apparently just stops in their tracks every time the director thinks it is time for some slow scene inside the tank.
The ending? Well I do not like bad endings and this one certainly did not give me any feeling of reward for having suffered through over two hours of this movie. Needless to say I am a tad disappointed.
Two hours of nihilism
War is hell. It is a macabre sarcasm of Life. It perverts all normal socially-accepted truths. And, in such a hell, only demons can survive — – only demons can know how to excel.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: “We’re not here for ‘Right or Wrong’… we are here to kill them.”
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence… but, after such implacable destruction, not only of lives… but of Life… what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war… and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact… for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who’s lust for conquest will obliterate everything they know… even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm… or, even after. The perversity of war… the final image… testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
Not your typical war movie
When one watches this movie you need to keep in mind that not all war movies are the same and the focus of the movie depends on who made the movie, how it was made and who is watching it? Make sense…of course not but in a nutshell keep an open mind. Is it about war? Yes some of it is. It is about bonding and camaraderie? Yes of course, it highlights strained relationships in very stressful and violent situations. I enjoyed the movie and being ex military in the 3rd Armour Division you do tend to pick things out BUT I could do that in just about any military movie I have seen especially from WWII to date. Without being too specific I spotted armor and infantry tactical strategies which confused me a bit but other than that I did enjoy this movie. War is ugly and this movie does not miss that point.
Original Language en
Runtime 2 hr 14 min (134 min)
Genre Action, Drama, War
Director David Ayer
Writer David Ayer
Actors Brad Pitt, Shia LaBeouf, Logan Lerman, Michael Peña
Country USA, China, UK
Awards 5 wins & 23 nominations.
Production Company QED International, Crave Films, Le Grisbi
Sound Mix Datasat, Dolby Digital, Dolby Surround 7.1, SDDS, Dolby Atmos
Aspect Ratio 2.35 : 1
Camera Arriflex 235, Panavision C- and G-Series Lenses, Panavision Panaflex Millennium XL2, Panavision C-, G-Series, ATZ and AWZ2 Lenses
Laboratory ColorWorks, Culver City (CA), USA (digital intermediate), i-Dailies, London, UK (dailies)
Film Length 3,688.6 m (8 reels)
Negative Format 35 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)
Cinematographic Process Digital Intermediate (4K) (master format), Panavision (anamorphic) (source format)
Printed Film Format 35 mm (Kodak Vision 2383), D-Cinema