#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Bond is back and his next mission takes him to Fort Knox, where Auric Goldfinger and his henchman are planning to raid Fort Knox and obliterate the world economy. To save the world once again, Bond will need to become friends with Goldfinger, dodge killer hats and avoid Goldfinger’s personal pilot, the sexy Pussy Galore. She might not have feelings for Bond, but will 007 help her change her mind?
Plot: Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox — and obliterate the world’s economy.
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|7.7/10 Votes: 174,752|
|7.4 Votes: 2436 Popularity: 18.349|
Bond, Bowler Hats, Galore and the Man With the Midas Touch.
Goldfinger is directed by Guy Hamilton and adapted to screenplay by Richard Maibaum & Paul Dehn from the novel written by Ian Fleming. It stars Sean Connery, Gert Frobe, Honor Blackman, Shirley Eaton & Harold Sakata. Music is by John Barry and cinematography by Ted Moore.
Operation Grand Slam.
Connery’s third outing as James Bond sees 007 investigating the movements of wealthy gold dealer Auric Goldfinger (Frobe). Little does 007 or MI6 know, but Goldfinger is hatching a master plan that will spell disaster for the world’s financial climate.
Undeniably the turning point in the James Bond franchise, Goldfinger is also one of the most fondly remembered by the cinema loving public. Here is when Bond not only went go-go gadget crazy, but he also impacted on pop culture to the point the waves created are still being felt today. Bond traditionalists are often irked by the mention of the change Goldfinger represents, and with just cause, because this really isn’t Fleming’s core essence Bond. Bond has now become a gadget using super agent, a man who laughs in the face of death, a quip never far from his lips. Yet the hard facts are that this Bond is the one the world really bought into, ensuring for the foreseeable future at least, that this type of Bond was here to say. Marketing was high pitched, fan worship became feverish and the box office sang to the tune of $125 million. Toys, gimmicks and collectables would follow, the Aston Martin DB5 would become “The Most Famous Car in the World”, in 1964 Bond truly became a phenomenon.
Purely on an entertainment front, Goldfinger delivers royally, the sets, casting and the high energy set-pieces all seep with quality. This in spite of the actual plot being one of the weakest in the whole franchise. As great a villain as Auric Goldfinger is, with a voice dubbed Frobe simply joyous in the role, his motives are rather dull and hardly cause for some worldwide Bondian panic. But the film rises above it to the point it only really registers long after the end credits have rolled. We have been treated to Odd Job (Sakata instantly becoming a Bond villain legend), that laser, the DB5 and its tricks, the delicious Honor Blackman as Pussy Galore (still an awesome name today and still sounding like a character from a Carry On movie), the golf match, Shirley Eaton’s golden girl and the ticking time bomb finale played out during the chaotic scenes involving Ken Adam’s brilliantly designed version of Fort Knox.
Bond staples also serve the production well, the title sequence is neatly strung together as scenes from the movie play out over a writhing golden girl, who was model Margaret Nolan and who briefly appears in the film as Dink. The theme tune is a blockbuster, sang with gusto by Shirley Bassey and the locations dazzle the eyes as we are whisked to Switzerland, Kentucky and Miami. Stock characters continue to make their marks, with M, Moneypenny and Q (setting in motion the wonderful serious v jocular axis of his “to be continued” relationship with Bond), starting to feel like old cinematic friends. Only let down is Cec Linder’s turn as Bond’s CIA counterpart, Felix Leiter, gone is the swagger created by Jack Lord in Dr. No, and while Linder is no bad actor, he doesn’t sit right in the role, he’s looks too world weary. A shame because he is integral to how the plot pans out.
Director Guy Hamilton was helming the first of what would end up being four Bond movies on his CV, he made his mark by bringing more zip and quip to the Bond character. Connery was firmly ensconced in the role of Bond, he was a mega star because of it, but cracks were beginning to appear in how Connery viewed this gargantuan success and the impact it was having on his hopes to be viewed as a serious actor. However, he was signed up for Thunderball, the next James Bond adventure, and Terence Young would return to the director’s chair, could they top the success of Goldfinger? 9/10
**James Bond wears a strap on plastic seagull hat**
This entry is widely recognised as the template for all the Bond films that followed – and we can see why in the opening sequence. James Bond ( Sean Connery) in disguise wearing _a strap on plastic seagull_ on his head.
It’s a Roger Moore Bond movie nine years before Roger Moore! I love the ludicrous Bond movies such as Goldfinger and Octopussy – two of my favorites. Octopussy has Roger Moore _riding a plastic crocodile_ and Goldfinger has _Sean Connery wearing a strap on plastic seagull hat!_
_Thunderball_, a year later, continued the ludicrous fun with Connery’s Bond riding a jet pack and fighting cross dressing assassins.
It’s a shame that in 2006, the franchise died and became something utterly bland with the advent of the Craig era.
– Potential Kermode
The superlative James Bond film
First of all, I must state for the record, Sean Connery is THE James Bond. Even though the first Bond film I ever saw was “For Your Eyes Only” with Roger Moore. I was very young and very much drawn in. I have seen every one of the Bond films and without a doubt, “Goldfinger” is the finest the 007 saga has to offer.
Before I had begun an appreciation of the Connery films, i.e. before I’d seen them, a good friend and cartooning mentor, Ross Paperman, sorted me out. He helped me see how Connery’s Bond was suave and sophisticated but also demonstrated a quality the other Bonds do not portray: fear. Not a panicky soil-your-pants kind of fear, mind you. But Connery’s Bond actually has a few anxious, sweat-soaked-brow moments. A perfect example is when Bond is strapped to a table as Goldfinger’s captive with a laser beam primed to cut him in half. 007 has to think fast. “Do you expect me to talk?” “No, Mr. Bond, I expect you to die!” A famous scene and line from Bond’s most enjoyable film.
Perhaps what makes the earlier films more enjoyable is that they had fresh, innovative elements that have now become cliché and gimmicky. The new films are often stale and already covered ground and they don’t even appear to be trying anymore.
But it’s more than that. Even watching “Goldfinger” today, having seen all the latest in special effects and technology that Hollywood has to offer, it still is riveting and thoroughly entertaining. That is also without the added advantage of being overly nostalgic about “Goldfinger”. How could I? I hadn’t even been born when it first hit theaters, and it was far from my first 007 experience. The story, the characters and the fun of “Goldfinger” is timeless and if given a chance could probably rope in a whole new generation of fans. It just doesn’t seem likely to happen.
Much of the satire from the Austin Powers films is directly derived from the Connery films, especially “Goldfinger” and “Dr. No”, proving their lasting effect on popular culture. As well, John Barry’s scores from the Connery films are finding their way into the ears of a new generation through pop music as snippets from his soundtracks are sampled by such artists as Robbie Williams, Mono and Curve, to name a few.
But if by some fluke you read this and you haven’t seen “Goldfinger” yet, do yourself right and acquaint yourself with the real James Bond. You’ll probably be hooked by the time you hear Shirley Bassey’s voice in the famous opening theme.
I respect Goldfinger for what it did for film and I respect thats its also the most important Bond film as far as formula goes, but I just cant help but feel completely confused by its popularity.
Connery is pretty much the only highlight of the film. Goldfinger lacks the suspense and intrigue Dr. No and From Russia With Love had as well as the well staged action. The plot of Goldfinger, while good on paper, is executed without any type of suspense or build up. Everything just sort of “happens”. Goldfinger himself is also highly overrated as a villain. Even the most cartoonish of villains like Scaramanga and Drax feel more threatening than Goldfinger. Another overrated aspect in my eyes is Pussy Galore. Whats so great about her? She does next to nothing the whole film and she is regard as one of, if not the best Bond girl. I guess its just the name.
All in all I find Goldfinger completely un-remarkable. It lacks the suspense and well executed plot of the previous two films and the sheer fun later films had.
Original Language en
Runtime 1 hr 50 min (110 min)
Genre Action, Adventure, Thriller
Director Guy Hamilton
Writer Richard Maibaum (screenplay by), Paul Dehn (screenplay by)
Actors Sean Connery, Gert Fröbe, Honor Blackman, Shirley Eaton
Awards Won 1 Oscar. Another 5 wins & 6 nominations.
Production Company United Artists, Danjaq Productions
Sound Mix Mono (Westrex Recording System), Dolby Surround 7.1
Aspect Ratio 1.66 : 1 (intended ratio, Europe), 1.85 : 1 (intended ratio, USA)
Laboratory Technicolor, London, UK (colour)
Film Length N/A
Negative Format 35 mm (Eastman 50T 5251)
Cinematographic Process Spherical
Printed Film Format 35 mm (Technicolor Dye Transfer prints), Super 8, 35 mm