#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – An army of malevolent little monsters take over a high-tech corporate skyscraper when a cute and intelligent exotic pet is exposed to water. The “Mogwai’s” owner joins forces with the Trump-like head of the corporation to regain control.
Plot: Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!
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|6.4/10 Votes: 93,956|
|6.4 Votes: 1724 Popularity: 17.127|
Fancy some Gremlin Stew? Three underrated sequels came out in 1990. Predator 2, RoboCop 2, and Gremlins 2. I remember waiting in the lobby of a cinema in Orlando, Florida before a screening of Back to the Future 3, looking at the cardboard standees for Gremlins 2 and RoboCop 2 side by side. My 9-year-old self was a HUGE fan of the first movies and staring at a standee taller than me, featuring wonderful artwork, for those sequels was big deal for me. I pity kids nowadays who don’t have the attention span to soak up little moments like that.
Dante takes everything that was great about Gremlins and cranks it all the way up to a zillion. The original movie was a dark xmas comedy horror with B-movie undertones. The sequel goes so over-the-top it launches itself into the stratosphere and doesn’t come back down until the very, very end of the credits. It’s just wall-to-wall mayhem with so many in-jokes it’ll make your head explode. The movie even attempts to begin as a Looney Tunes cartoon.
Gizmo, now back with Mr. Wing, escapes the curiosity shop after the old man dies and is found by a scientist working at Splice of Life, a laboratory located in the Clamp Premiere Regency Trade Centre and Retail Concourse (a big skyscraper in Manhattan). Working in the art department of that skyscraper is Billy Peltzer, hero of the first film. Billy eventually locates and rescues Gizmo, but he gets wet before Billy can take him home, spawning a new generation of cute, fluffy, malevolent Mogwai (Mohawk, Lenny, Edward G. Robinson-lookalike George, and the absolutely mad Daffy). They eat after midnight at a Yoghurt stand in the lobby. The following day the Clamp building, and all of the tenants (from the Archery Channel to the movie print itself, leading to an amusing cameo from Hulk Hogan) are besieged by a horde of gremlins intent on mass destruction and good times at any cost.
One can accuse the film of having no story beyond giving the Gremlins a lively backdrop for their wild antics, but when you’re having so much fun isn’t that what matters most? Goldsmith’s score (sadly underrepresented on the 22-year-old Varese Sarabande CD) has a lot more weight second time around, backed-up by a large orchestra and string-based action cues. You’ll absolutely love it! Chris Columbus didn’t return for this movie, leaving scripting duties to Charlie Haas. He uses the Gremlins and the location to skewer big city culture and satirize business tycoons. John Glover is brilliant as the easily excitable Daniel Clamp, a Donald Trump-like property magnate who has more money and power than he knows what do with.
It’s amazing that a third Gremlins movie was never made. Despite it now being 22 years since Gremlins 2 and 28 years since the first movie virtually every kid knows what the Gremlins are and are familiar with Gizmo (who may well be the cutest thing that ever existed). It’s still a huge cash cow and a recognizable brand, and why Warner never greenlit Gremlins 3 is puzzling to say the absolute least.
One last thing. Stay with this film until the end of the credits.
Strange, weird, bizarre, brilliant
This movie came out when I was 5 years old. I remember the movie posters in the streets and the wacky preview for it on TV. I’m now 20 years old, and this is still one of my most favourite movies of all time. It’s even better than the original, I believe. The reason I love it so much is because it is so damn strange. It really, really is! It’s like a live action “Looney Tunes” episode. The gremlins are wacky, Gizmo is cute and mysterious, the human actors are all brilliant in their roles and the New York building setting is well, neat.
The basic premise for this movie picks up a few years after the first “Gremlins” movie. This time however, it takes place in the busiest city on the planet, New York.
The movie opens with the death of Gizmo’s frail Chinese owner. In accordance with the owners death, the place where Gizmo is kept is demolished by a bulldozer and recking ball. Terrified, Gizmo flees from the building and into an alley where he is plucked up by a scientist and brought to the “Clamp Cable Network” building. The building belongs to media mogul Daniel Clamp and contains a vast variety of shops including: coffee houses, restaurants, dental clinics and science laboratories.
Coincidentally, Billy and Kate are both working in the same building. Billy is in the art department and Kate gives guided tours of the building. It is here that they stumble upon Gizmo and the inevitable happens.
I won’t give anymore of the story line away. If you haven’t seen this movie yet, I urge you to. It may not be brilliant in the eyes of the “Academy of Motion Picture Arts and Sciences”, but it is in my eyes. 10 stars!
Original Language en
Runtime 1 hr 46 min (106 min)
Genre Comedy, Fantasy, Horror
Director Joe Dante, Chuck Jones
Writer Chris Columbus (characters), Charles S. Haas
Actors Zach Galligan, Phoebe Cates, John Glover, Robert Prosky
Awards 6 nominations.
Production Company Warner Brothers/Seven Arts
Sound Mix 70 mm 6-Track (70 mm prints), Dolby SR (35 mm prints)
Aspect Ratio 1.85 : 1
Camera Arriflex 35-III, Canon K35 and Cooke Varopanchro Lenses, Moviecam SuperAmerica, Canon K35 and Cooke Varopanchro Lenses
Laboratory Technicolor, Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm (Eastman 400T 5295, 250D 5297)
Cinematographic Process Spherical
Printed Film Format 35 mm (Eastman 5384), 70 mm (blow-up) (Eastman 5384)