#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – It’s October 30, 1988 and Michael Myers has been in a coma since his pursuit of Laurie Strode, 10 years ago, was finally stopped (events of H1 and H2). However when he is transfered from Richmond Mental Institute to Smith’s Grove he awakes when he hears that he has a niece in Haddonfield and after killing the transfer crew he escapes. In Haddonfield, the niece, Jamie, has been adopted by the Carruthers family but keeps having nightmares about Michael (but she doesn’t know who he is). On Halloween night, Jamie goes out trick and treating, little knowing that her murdering Uncle is following her and her step-sister Rachel. Rushing to her aid is Dr. Loomis and with the help of Sheriff Meeker starts to search the town for Michael and to find Jamie to protect her. But can anything stop Michael this time?
Plot: The apparently comatose Michael Myers is being transferred from one hospital to another, but he wakes up when the ambulance crew talk about his surviving niece, Jamie. After slaughtering his attendants, Myers sets out to find his one living relative who is, fortunately, being cared for by a kind and resourceful foster sister named Rachel. Meanwhile, the ever-cautious Dr. Loomis remains on the killer’s path.
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Apocalypse, End of the World, Armageddon. It’s always got a face and a name.
After Halloween III veered in a new direction without Michael Myers, the indestructible killing machine of the franchise, the rights to the series changed hands and so it came to pass that part 4 (though part 3 in essence) brought Myers back. After being in a coma for ten years Myers is up for a transfer to a sanitarium, but wouldn’t you know it, he wakes up and upon hearing he has a niece back in Haddonfield, he sets off on a murderous rampage back to where it all began.
It’s one of the Halloween sequels that causes much debate among the series’ fans, there are those who decry its lack of blood and its ordinary screenplay (both viable complaints), and those such as myself who like that it reverts back to what made the series start so brilliantly. Including a superbly devilish nod to the start of the 78 film.
Haddonfield becomes a town under siege, this the work of one monster, or as Donald Pleasence’s scar faced doctor says – “evil on two legs”. Myers once again is just glimpsed here and there, adding that unearthly suspense factor, until he hones in on his niece and her foster sister and the pursuit begins. Some of the interim characterisations are padding out the run time, the usual teen angst romantic flannel, but Pleasence’s determined Dr. Loomis is never far away to remind us that everyone is doomed! Then of course there’s the ending, which is an absolute beaut.
There’s no brains on offer here, but it’s a worthy sequel and a good tracer line for its iconic bogeyman. The story has moved on to another level and leaves the fans hankering for more. 7/10
Better than the original; and one of the best 80’s slashers
Ten years after the events of “Halloween” and “Halloween II” (which both took place on Halloween night, 1978), Michael Myers escapes captivity a second time and again returns to his hometown in Illinois with a direly concerned Dr. Loomis (Donald Pleasence) hot on his trail. Myers goes after his sister’s daughter, Jamie, and is willing to take down the whole town of Haddonfield if necessary.
“Halloween 4: The Return of Michael Myers” (1988) ranks with the best 80’s slasher flicks and is actually superior to the somewhat overrated progenitor of the genre, “Halloween” (1978). Whereas the original “Halloween” was an effective low-key but classy slasher and deserves credit for starting the craze, it wasn’t without flaws and “Halloween 4” (1.) fixes those issues and (2.) improves upon its strengths.
For instance, while the original movie takes place during Halloween in Illinois, you certainly wouldn’t know this by the footage since it clearly looks like summer. This movie, by contrast, definitely looks like it takes place during the fall and has an all-around superior Halloween ambiance with trick-or-treaters and so forth. Another example is the original’s lack of drive and the fact that Michael only kills a few teenagers and doesn’t seem all that formidable whilst this film features a mounting build-up of suspense and potently conveys Michael’s deadly formidableness while upping the ante in the body count.
Other advances includes the lack of lame dialogue (like in the original when the girls were walking home) and Dr. Loomis has much more interesting things to do than lurk in the bushes by the Myer’s dilapidated abode speaking ridiculously ominous words. When Loomis speaks portentously in this entry there’s great reason to believe him (take, for instance, what happens to the Police Station).
Yet another (arguable) improvement is the women: Although Jamie Lee Curtis, Nancy Kyes (Loomis) and PJ Soles were fine in the original, “Halloween 4” has winsome Ellie Cornell as Rachel and hottie Kathleen Kinmont as Kelly and the movie wisely takes advantage of their presence in a classy way. Rachel may not strike you as anything special at first, but as the story progresses she emerges as an attractive and noble final girl.
The “Friday the 13th” franchise debuted two years after “Halloween” in 1980; and by October, 1988, when this film was released, the “Friday” franchise had no less than seven films under its belt. Meanwhile, “Halloween 4” was only the third Michael Myers movie (keeping in mind that “Halloween 3” was curiously disconnected from the Michael Myers mythos).
“Friday the 13th” of course ripped-off “Halloween,” but simultaneously added original components to the genre (e.g. summer camp and everything revolving around it, easily the best females in the slasher genre, as well as an increasingly devolving supernatural killing machine). “Halloween 4” sort of gets its revenge by borrowing from the “Friday” films; for instance, the character of Jamie Lloyd and what happens to her mirrors Tommy Jarvis’ story arc from 3-4 years earlier. Perhaps the greatest revenge is that “Halloween 4” is better than any of the “Friday” sequels after “Part 2” and is at least as effective as “Part 2.”
The original “Halloween” was shot in the Los Angeles area (South Pasadena & Hollywood) while this one was filmed in the Salt Lake City, Utah, region. Like the first film, it’s streamlined and doesn’t overstay its welcome.
Michael Myers has been healing from the injuries he sustained after the events of the first two films, but when he’s transferred to another facility, he escapes and heads back to Haddonfield to kill his young niece, Jamie. That is, if Dr. Loomis doesn’t get to him first.
Halloween 4 has one of the best and moodiest openings in the franchise that immediately gets you into that autumn vibe, but the rest of the film doesn’t always capture that same feeling and Dean Cundey’s beautiful anamorphic compositions are missed. There are still a few really excellent suspense sequences such as one on top of a roof. The ending is also a real shocker and it’s a shame they didn’t go in a different direction with it for the sequels.
Danielle Harris is Fantastic!
After serial killer Michael Myers wakes up during a routine transfer to a different hospital, he goes running back to Haddonfield and his former doctor, Dr. Loomis, tries to make it there before Michael can begin yet another bloodbath and murder his niece, Jamie.
Having a young child as the lead victim in a slasher movie is a brave choice. Some will find it tacky and offensive right from the start or, even worse, the child actor might not be seasoned enough to be effective in the role and could just come across as annoying, but young Danielle Harris is so wonderful and winning in the role that you really get invested in her character and want her to make it out alive. Most of the other characters aren’t developed enough for you to give a hoot about them, but the filmmakers do handle the suspense sequences well.
Original Language en
Runtime 1 hr 28 min (88 min)
Genre Horror, Thriller
Director Dwight H. Little
Writer Dhani Lipsius (story), Larry Rattner (story), Benjamin Ruffner (story), Alan B. McElroy (story), Alan B. McElroy (screenplay)
Actors Donald Pleasence, Ellie Cornell, Danielle Harris, George P. Wilbur
Awards 1 win & 2 nominations.
Production Company Trancas International Films Inc.
Sound Mix Ultra Stereo
Aspect Ratio 1.85 : 1
Camera Panavision Panaflex
Laboratory DeLuxe, Hollywood (CA), USA
Film Length N/A
Negative Format 35 mm
Cinematographic Process Spherical
Printed Film Format 35 mm