#123movies #fmovies #putlocker #gomovies #solarmovie #soap2day Watch Full Movie Online Free – Hanna (Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier; these come from being raised by her father (Bana), an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own (Blanchett). As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity.
Plot: Raised by her father, an ex-CIA agent, in the wilds of Finland, Hanna’s upbringing has been geared to making her the perfect assassin. Sent into the world by her father on a mission, Hanna journeys across Europe, eluding agents dispatched after her by a ruthless intelligence operative. As she nears her ultimate target, Hanna faces startling revelations about her existence.
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|6.8/10 Votes: 190,916|
|6.6 Votes: 2478 Popularity: 15.527|
Hanna-Barbera More Like.
Hanna is directed by Joe Wright and written by David Farr and Seth Lochhead. It stars Saoirse Ronan, Eric Banna, Tom Hollander, Olivia Williams, Jason Flemyng and Cate Blanchett. Music is by The Chemical Brothers and cinematography by Alwin H. Kuchler.
Hanna Heller (Ronan) is a 16 year old highly trained assassin on the run from the CIA…
Heralded by some British critics as original and thrilling, Joe Wright’s Hanna is neither. It’s a gimmick movie dressed up as cool for the kids fodder that is both boring and cheesy. Taking the gimmick aside, that of a 16 year old crack assassin girl slotting all who come in her way, it starts off promisingly enough as we meet Hanna and her father Erik (Banna) out in the wilderness. There’s training, a believable bond (both Ronan and Banna don’t disgrace themselves) and the wintry landscape bites hard as we wonder what is in store.
Then the film shifts to Hanna being on the run, where the back story guff is just, well, guff, and the pace crawls to a standstill. Blanchett’s (badly miscast) CIA operative is in pursuit, with that back story guff tattooed on her forehead, and it tries to gain momentum for the inevitable showdown between the big bad bitch and the little china doll killer. The Chemical Brothers drip their brand of techno beats over it, which is OK if you like that sort of thing. How cool?!
In the middle passages Hanna rides along with a Hippy family, with Flemyng also badly miscast, and there’s some cack-handed attempt at humanising poor Hanna as she comes alive in the big old world. It’s derivative in premise, boring in execution and designed to make teenagers think they are watching a masterpiece for their generation.
The amusement park finale is well staged, location photography is pleasing enough in that hip-euro way, and Banna and Ronan work hard to keep it from total damnation. But for much of the near two hour run time it’s a butt numbing bore that has ideas far above its station. Joe Wright should stick to making Keira Knightley look good. 4/10
This is a very cool movie. I wasn’t totally sold on the premise based solely on the overview but there is a lot more to Hanna than just your run-of-the-mill assassin story. I didn’t necessarily pick up on the “fairy tale like elements” while watching it but in hindsight, they were definitely there.
Saoirse Ronan is really, really good.
I also really enjoyed the soundtrack. The Chemical Brothers style fit perfectly with the pace and theme of the movie and got me bumpin’ on more than a single occasion.
Overall, I give this movie an 8/10. I’m super interested to see what Seth Lochhead does next.
Action movie unbelievable shock! Get over it and watch pure film.
Let’s get the obvious out of the way, shall we? The plot is derivative of so many other things it’s not true, with Nikita being the obvious reference point. The acting isn’t particularly strong, the script is barely adequate and the plot is neither internally coherent nor believable. In other words it’s like every other action film ever made from Bond to Bourne and all points between. So what was everyone expecting who went to see this movie? Shakespeare?
On the other hand I would rate this as one of those rare experiences of seeing pure film. That is to say that there is the perfect marriage between image and music that makes it something quite different to the normal. The composition and direction of this film are really quite extraordinary with scene after scene catching the eye and making the commonplace clichés of the action genre seem fresh. The choice of music is inspired and the way that is has been synced to the action serves to heighten the tension in the scenes.
The film also manages to avoid the usual problem of over-reliance on CGI with the effects that are used being spare and for a reason. At one point we have a chase and fight in a container port and I was expecting the worst. Where did this scenario come from? I suspect it was one of the early Dirty Harry films and the container port shootout/chase has since become a compulsory element in all bad action movies and features in multiple episodes of TV thrillers. In 99 times out of 100 it’s lazy, it’s boring and it’s the same as every other one you’ve seen. Well Joe Wright has done the seemingly impossible by making his container port scene exciting and different.
Look, you’re not going to learn the meaning of life or even the meaning of the plot by watching this movie. If you enjoy cinema however, and by that I mean the use of images, light and music to propel the story then I think you’ll like this.
Does NOT do what it says on the tin
My oh my what a mess.. how *do* you people seriously vote a film like Hanna at 7.8, where do you find the courage to do so.
You know, if i go to the shops and grab a tin of beans, i expect there to be beans inside, and if i open that tin and find chicken stew instead, no matter how good the chicken stew is, i would still be upset; maybe i dreamt them, but in my mind, i still recall the trailers of this film and i was under the impression that this was going to be a martial arts-slash-spy story film. I had *really strong* impressions.. that this was going to be a girl’s version of Bourne Identity.. seriously. I was convinced this film was going to be fanboy-awesome. Instead, it’s a pile of S**t.
So, the titular Hanna is a young blonde gorgeous girl who spends her life training somewhere near the arctic circle, trained to become an unstoppable machine of death and a masterful infiltrator. Obviously, her teacher fails so miserably that she doesn’t even know what a lightbulb is ffs.. despite being taught about supernovae and whales and – we hope – everything in between.
Well, at least the martial arts sections were good .. oh no wait – there aren’t any! Hanna very, very rapidly – or not rapidly enough, actually – turns into a coming-of-age chick flick that would not have been out of place on TV in the 80’s.. if, and i must stress *if*, they had marketed it this way – with its true contents – then at least i could have avoided it, and i would have;
What a ripoff. This film might not be the worse i have ever seen, though it *does* rank up there with the most boring, i should say, but the problem is the same with the tin of beans.. it’s not what i wanted, and i want my money back. I can’t give Hanna a realistic vote. If i wanted a horror and got a really bad horror, i could vote it down, but this film is nothing of what i was sold; in light of this act of complete thievery,
My final vote 1/10
The producers didn’t even have the courage to sell it as what it really is.
Original Language en
Runtime 1 hr 51 min (111 min)
Genre Action, Adventure, Drama, Thriller
Director Joe Wright
Writer Seth Lochhead (screenplay), David Farr (screenplay), Seth Lochhead (story)
Actors Saoirse Ronan, Eric Bana, Vicky Krieps, Cate Blanchett
Country USA, UK, Germany
Awards 8 wins & 26 nominations.
Production Company Focus Features, Sechzehnte Babelsberg Film, Holleran Company
Sound Mix Dolby Digital, DTS
Aspect Ratio 2.35 : 1
Camera Arricam LT, Cooke S4, Angenieux Optimo, Leitz M 0.8 (50 mm 0.95) and Zeiss Lenses, Arricam ST, Cooke S4, Angenieux Optimo, Leitz M 0.8 (50 mm 0.95) and Zeiss Lenses, Arriflex 235, Cooke S4, Angenieux Optimo, Leitz M 0.8 (50 mm 0.95) and Zeiss Lenses, Arriflex 435, Zeiss Master Prime Lenses, Sony HXR-MC1P, Sony PMW-350
Film Length 2,454 m (Portugal, 35 mm)
Negative Format 35 mm (Kodak Vision2 50D 5201, Vision2 200T 5217, Vision3 500T 5219), Video (HDTV)
Cinematographic Process Digital Intermediate (2K) (master format), Super 35 (also 3-perf) (source format), XDCAM (1080p/24) (source format) (some shots)
Printed Film Format 35 mm (anamorphic) (Kodak Vision 2383), D-Cinema